Kirikou and the Sorceress (1998) Poster

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9/10
Rich movie in color and in story
MadameCassel15 March 2005
Kirikou and The Sorceress is a story of a very small but extremely brave boy, Kirikou, born in a little village somewhere in Africa. Kirikou can walk and talk already when he is born and he starts to set things right in his village. He is very determined and always finds a solution, whatever the problem is. There is an evil sorceress, Karaba, who is tormenting Kirikou's village. She has to be bribed and soothed constantly, she has dried the well and she threatened she will eat all the men from the village... and there are not many of them left. Brave warriors have vanished, possibly have been devoured by the witch, when they tried to fight him. Little Kirikou decides it is not wise to fight Karaba, but to negotiate with her. One day Kirikou walks to the hut of the sorceress...

Extremely beautiful, thrilling story, told in brilliant tones of color and folklore. Very down-to-earth and descriptive by the ways of African life: women naked above the waist, carrying water from long distances, making food, the village elders passing on the stories to the younger ones. My seven year old son, who is used to see the usual smoothed-out, big money animations, was hesitating at first when I showed him the movie. He said the cover looked "funny" and different, and it does. When the movie started, he couldn't stop watching it, he was totally captivated by the story and I enjoyed it very much as well. Excellent story, great animation, rich colors, folklore mixed with everyday life and superstition, great original music by Youssou N'Dour. Highly recommendable. Choose this over any talking funny animals-video.
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9/10
Captivating, charming tale for young children (and their parents!)
refill29 March 2000
My two girls (aged 5 and 7) have been exposed to plenty of Disney razz-ma-tazz, but this low-key movie nonetheless kept them glued to their seats. A great tale, told with energy, charm and plenty of humour. A guaranteed winner for the 10-and-under set, and a refreshing treat for any parent who normally has to accompany children to dreck like "Inspector Gadget" or "Flu
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7/10
Cheerful, Harmless Adventure with a Style and Perspective All Its Own
drqshadow-reviews23 February 2012
It's no surprise that this animated adventure is mostly culled from old West African legends, as it plays like a straightforward, unflinching fairy tale. Completely absurd notions, like the infant protagonist emerging at a dead sprint from his mother's womb, are dismissed offhand in the same vein as Little Red Riding Hood's incognito wolf. That fundamental acceptance frees up the storyline to be as wildly adventurous as it likes, and coats the whole endeavor in a veil of whimsy and charm. The result is a yarn on par with Miyazaki and Disney, although the uneven animation quality ultimately keeps it from reaching those lofty heights. At times it's as beautiful and fluid as the best western animation, with a style and panache all its own, but that dedication rarely lasts long. Bright, innocent and optimistic, it's solid fare for open-minded families who don't mind navigating a sea of topless native tribeswomen.
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10/10
ONe of the most fabulous things I have ever seen...
taankh-16 February 2005
Warning: Spoilers
Kirikous and the Sorceress is a piece of African animation, supposedly for children.

I loved the drawing, I loved the African flavor, and I even loved the theme song which I have at home and play from time to time.

But the best thing about it was something else.

The story of the evil Sorceress is that back when she was young and sweet, some men held her down and pushed a thorn into her back. Living with the agony of that made her mean and evil to the point where she does not even look the same. She looks hard and old.

She rides the crest of her evil to where she is the most powerful person, and no one can oppose her. She has the villagers living poor, she has all their gold, and she takes their men.

She won't let anyone take the thorn out because she knows the process will be hellish, so she just lives with the pain, becoming more and more evil all the time. I could see that this was a metaphor for anyone that needs healing from a traumatic event, but it hit the nail on the head for bitter women. It made me think of my own experiences as well.

Also the grandfather reminded me very much of Ausar or Obatala, African deities.

I was already entertained by Kirikou, but having a sophisticated bit of substance slipped in there when I wasn't looking was a beautiful surprise.

In America, the answer to the villager's problem would have been to cut the Sorceress' head off or some such thing.

In Kirikous and the Sorceress, the solution is very "African".

Heal the person and put them back in balance, and everyone will be better off for it.

Beautiful.
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10/10
Parents alert:
jtur8827 December 2001
Parents, you children will NOT see this delightful film unless you stay up all night and tape if for them (if you live in USA). This film is rated "Mature audiences", which means American television cannot show it except on premium cable in the middle of the night. The reason for this is that women in West Africa have never worn anything above the waist, and they are authentically illustrated, without guilt or shame, in their every-day clothing. Not suitable for children in the USA, but perfectly alright in the rest of the world.
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7/10
An authentic film
njoseph-13 July 2003
I have rented this film on DVD 3 times now for my three boys. Fortunately, in Canada, this can be found easily enough, even in the public library. I found this film to be a refreshing change to the cookie-cutter formula films cranked out by the un-named, animated conglomerate. It is fairly authentic and not afraid to be so.
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10/10
No room for popcorn
jlm-67 August 2002
I've always had this idea that popcorn and Coke were added to fill a void that most film storylines leave untouched. That such a void can filled at all, simply by bloating out stomachs with toasted corn and carbonated sugar water, is a subject that might well be worth entering into, another day. "Kirikou et la sorcière" has the spartan charm of so many stories and fables from Africa. It is as if the scarcity of food and water that illustrated in this story - as in so many like it - had, in turn, to be compensated by making the fable rich in wondrous colourful fantasy and highly nourishing in details that describe the frequently comical and pathetic side to human behaviour. The travesty I see is that, while this film is available in German, French and Spanish, puritans in countries like the US and the UK have, once again, determined that - in an effort at sparing depraved censors the discomfort of twitching at the sight of happily naked village kids and their semi naked mothers - my children shall not be allowed to learn about life in cultures other than their own, nor to hear lessons of great wisdom but may, instead, freely view animated violence and large doses of their own recycled high school yarns. Cannibalise cartoon & eat Pokemon!
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7/10
Small in Size, Big in Brains
Rindiana31 October 2010
If you accept this little animated fable to be strictly aimed at a young audience without resorting to the usual quota of ironic allusions for adults, It'll prove to be a more easily acceptable viewing experience, despite its episodic and repetitive plot structure and its rather too cocky titular hero.

There's a welcome breath of fresh air in the exotic and unpredictable fairy tale narrative with its strange symbolism and its hints at some darker cultural aspects of the African heritage.

Somewhat too schematic to be a real gem, but certainly a worthwhile pic.

7 out of 10 robot minions
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10/10
Cartoons aren't just for kids (but make sure they see this one!)
jpantsios26 May 2002
A beautifully realized animated film about, on a simplistic level, a child, who, by his wits, saves his village from the evil sorceress, Karaba. But it's much more than that, if we pay attention. For the question the child, Kirikou, keeps asking is, "Why is Karaba so mean and evil?" It is the answer to that question, and Kirikou's response, that lifts this film above the ordinary. It also has a great sound track by Youssou N'Dour. Unfortunately, it's not an easy film to find, so if it it ever turns up on a station near you, make sure your VCR is ready.
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7/10
Enchanting?
invisibleunicornninja28 April 2018
I watched this a lot when I was younger, like 2-4. It both entertained me and scared me. I'm not sure wether or not I'd recommend this. Its a good animation and story, but its also a bit odd. Also, I only watched it in the French translation. I don't speak French.
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10/10
A fascinating animation of an African legend
paulorcbarros2 November 2005
"Kirikou and the Sorceress" (1998 - 71 minutes) is a Franc-Belgian animation of highest quality, based on a Western Africa traditional legend. Written and directed by Michel Ocelot tells the history of Kiriku, a very small boy who already spoke when still in his mother belly. His fate: to face the powerful and evil Karabá sorceress, who dried the water source of his village, swallowed all the men who went to fight her and that still caught all the gold they had. To achieve his goals, Kiriku has to face many dangerous situations and venture for places where only a very small person could enter. At first, his tribe laughs at his small size, delaying to recognize his courage, brightness and wisdom. But Kiriku faces the power of the sorceress and her guardians, while the others can only fell fear of her. Kiriku goes to consult the wise old man of the mountain, who knows the secret of Karabá and, after that, goes to face the terrible sorceress. According to Michel Ocelot his film is a great chance to show to the African people some of their values. The script runs away from the obvious situations, has captivating characters and sound track signed by the Senegalian Yossou N ' Dour. A fascinating story of determination in the fight for freedom.
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Forgiveness is the key!
tappladr1 June 2011
Warning: Spoilers
Usually, when you think of a hero you think of a strong character. A character that is not afraid of anything. A hero is most of the time a man or portrayed in some form of a man like, Shrek. In the animated film "Kirikou et la Sorciere" you encounter a surprise when you see the character, Kirikou. Kirikou is the tiniest hero I've ever seen. He is very clever and optimistic. Kirikou lives in a small village with his mother and his family. Kirikou's biggest heroic journey was when he went to see his grandfather. He had to be very careful and smart because he couldn't let the evil sorceress, Karaba, see him.

Karaba is the evil sorceress. She stood out in the movie the most to me. She did evil deeds like she took the water, took all of the men and turned them into obedient servants, she took all the gold, and she stole the children. Karaba was not always mean and evil though. She was a beautiful, young woman. Later in the movie you find out that she is so mean and evil for a reason. Karaba was in pain. Karaba was raped by many men and they put a poisonous thorn in her spine. The thorn seemed to be a reminder of what had happened to her.

Karaba to me represents a lot of women in this world today. There are so many women that have been hurt by men. Since women don't know how to heal from the hurt or we don't get help to heal from the hurt; we as women hold onto the hurt. Holding on to that hurt causes women to be very mean to men. Women tend to be miserable, and has we all know misery loves company. This situation turns into a generational curse. Wounded women are raising little girls. Little girls are being taught to hate men because of their mothers' wounds. All wounded women need is a hero like Kirikou to take the thorn out of their backs, so we can feel no more pain and we could feel free like Karaba.

I would watch this movie again. I would recommend that women that have been hurt before watch this movie. Watching this movie has made me realize some things. One thing being, we should learn to forgive! If women could learn to do that we would feel FREE!
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7/10
Kirikou and the Sorceress
hoffrojm1 June 2011
Warning: Spoilers
Kirokou et la Sorcière was a very good story in many ways. It was a story that showed how size doesn't matter; you can be mighty even if you are small. The movie reminds me of a mixture of many Disney fairy tales that I am familiar with. In this film the colonization of the community was in the sorceress steeling all the men, gold, and children. The idea that someone can have so much power is unbelievable, but in real life there is someone, or more than one, that has similar power.

Kirokou is a very brave young child that was always mature for his age. He always did things that should be done by a man, but he was able to do it. He did not really have strength that most heroes have. He could run fast, cared about his people, and most of all was smart. To become smarter he was very curious and asked many questions that he was determined to find out. Not many good stories have the hero being a smart individual, but strong. Here this characteristic of being wise is looked upon as a wonderful thing.

As the days go on he does more and more to help the people. He saves the children, gets back the water, and the sorceress. He saves the sorceress by pulling the thorn out of her back that has been giving her great pain for years. She is then grateful to Kirokou. When she kisses him he turns into a handsome man to heal her event farther. Having the thorn in her back represented the pain she was put through, rape. When Kirokou show her his love she also falls in love with him.

The excerpts from Sundiata, similar to The Lion King, which was read in class, had a similarity to the film. In the beginning it was a determination effect, as some of Kirokou's, to get up and walk so the people would respect him as their leader. In both of these pieces the mothers play important roles. They are both there for the type of support the child needs. In the film the child need his mother's opinion when he is trying to save his and the sorceress' lives.

Not all heroic stories are like this one, but it has great meaning and teachings behind it. I really enjoyed this film. Those who view this particular film need to be mature individuals. For my one personal preference the women could be wearing tops and it would be then appropriate to show to children. This I think should be done because it would be something great for children to watch. Not just children, but a good quality family film.
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5/10
A certainly different animated film
neenahhh11 April 2011
I saw this movie was in 2-3 lists of supposedly "Best Animated Films", so I decided to watch it. I went over to YouTube and was surprised to see that this movie was flagged! After watching this film, I just had one question: "Was this movie flagged because of the breasts?" Seeing as the film doesn't contain any sexual themes, I thought that was pretty stupid and close-minded. I bet lots of people haven't given this movie a chance because of the nudity.

Kirikou is a small, but brave boy who was born in Africa. He isn't like any other normal children-- seeing as he could already walk and talk the moment he's born. Kirikou learns that in the village, there are many problems. All the problems seem to have one main source: the sorceress, Karaba. Kirikou sets out on an adventure, determined to make things right in his village, by defeating the evil sorceress.

The animation is quite simple, which isn't that bad a change. I actually found the animation relaxing and it made me want to give the movie a chance. The plot is easy to follow, but not the best one. I did not like the ending.. I mean, I can understand the appeal that it had to some people, but it just made the movie even more far-fetched than it already was.

This is an okay film. Not the best animated one, but not the worst one either. Let me just tell you this, though, if you're hesitant of watching this because of the supposed nudity, don't even think about it! Nudity shouldn't be a problem if you don't let it be one.

Viewed on: April 11, 2011
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10/10
a wonderful family movie
Bshabbat22 January 2003
This was a wonderful movie that should be watched by adults AND children together. The story is perfect metaphor (in the tradition of many fairy tales) for the situation of many African nations and yet is enjoyable as a story in and of itself. The "parental alert" is absurd, though. I would hate for parents to prevent their children from viewing this movie because many of the characters appear partially or wholly nude, as people are traditionally "dressed" in warm/hot regions of the world.
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10/10
A perfect work of art
mansel-126 December 2003
This film, all too limited in its British cinema release, is fortunately now available both on video (a mere £5.99) and on DVD from the BFI. Exquisitely designed, wholly engaging and both ethnic and universal, this African tale is equally appealing to children and adults. As well as being entertaining, it is possessed of genuine wisdom while also being unpretentious. It also has real charm as opposed to the calculated kind found in 'Amelie'. It attains all it set out to achieve and is the film I admire the most of all that I saw which were released in Britain during 2003.
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7/10
Kirikou and the Sorceress
CinemaSerf28 August 2023
This is a really joyous animation to watch. A pregnant lady gives birth to a determined young infant who can immediately walk, talk and who names himself "Kirikou". Enthusiastic, questioning, innocent - he discovers that his village well has been stopped up by the evil sorceress "Karaba" and so decides to rectify the situation. His adventures are fun, simple - as is the animation - with plenty of humour from the dialogue, just the tiniest degree of menace and some interesting characterisations for our young man to engage with along the way. The film looks a little at the superstitions that guide this small West African community, but also at their people's synergies with nature - the whole collaborative way in which humans and other animals co-exist (or not). The themes are relayed cleverly using the naivety of a child's eyes - and that's frequently poignant, comical, amusing - and surprisingly practical. The young boy engages with the animal kingdom in a plausible way too - they don't speak, indeed frequently the collection of squirrels, wart-hogs and snakes react naturally when they encounter him - scoring away or taking him on. "Kirikou" is a can-do child! Sure, if he was your's you might have wanted to throttle him at birth - he is a tad precocious, but if this film doesn't make you smile and feel better, then I don't know what will....
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10/10
Available in English
steve-ang31 January 2005
To the contrary of what has been said, I had no trouble finding an English language Kirikou DVD at my local library. For that matter, I found the dubbing to be very well done. Kirikou is an excellent story on it's own, never mind being a traditional west-African folk tale. The tiny Kirikou is born into an African village which a sorceress called Karaba has terrible power over. The spring has dried up, and the men reported eaten. No sooner is Kirikou born, but he begins a mission to save his relatives and discover the truth in the world about him. This is a great movie for younger audiences to learn from, and a beautiful film entirely.
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6/10
A sweet, culturally rich tale.
bucketofowls3 March 2018
I have to say, I did not see this movie coming. The premise alone is an interesting one - a baby is born with the ability to speak, to cut his own umbilical cord. He's born in a small, cursed village in Africa, indebted to and terrified of an evil Sorceress who is always watching them.

And, somehow, it gets even more fantastical from there.

I really enjoyed this movie, which carries several surprises my viewing party didn't guess until they happened.
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9/10
A wonderful little movie
aturner63 March 2006
I saw this at a Museum of Modern Art screening in Manhattan and, completely unexpectedly, Michel Ocelot appeared to take questions from the audience. He said several things of interest to IMDb readers: first, that he grew up in French Guinea, and that much of the flavor of the film is based on his childhood memories. Second, though this movie played all over Europe, the wonderful African-accented dub in English (and also in French) is not echoed in other languages because it wouldn't be authentic. Third, the movie was applauded everywhere it played in Europe, but England and America "have a problem with breasts." In the US it had to be released (a very limited release) without a rating, because it would inevitably be rated R (for breasts) and thus children wouldn't be able to see it. Fourth, it was loved in Africa where it played. Screening conditions were less than ideal, but Ocelot & co. made an effort to take the movie to the bush.
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8/10
Wonderful
Vastarien20216 November 2006
I had the opportunity to rent this from Netflix, and I'm so glad I did! I fell in love with the style and the rich colors, and though I live in the US, I was glad to see the women and children as they really are,semi or completely nude. After awhile,I didn't even notice it,and I think that it made Karaba the sorceress even more beautiful. The plants and animals were very well drawn, and I was relieved to see that none of the animals talk or sing. Kirikou himself is a very well realized character,and the folk of his village stay true to human nature. I would definitely recommend this film to families, but just be sure that the adults can handle seeing naked children and lots of cartoon boobs. The kids won't even notice if parents don't make a fuss over it, and that's not what really matters in the story anyway. The point is that Kirikou stays true to himself and he turns out to be a very moral person, even without clothes. Try it, you'll like it!
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7/10
Kirikou et la Sorcière
mcguffcj30 May 2011
Warning: Spoilers
Kirikou et la Sorcière Kirikou is a young boy who was just born at the beginning of the movie. One of his better characteristics that he has is bravery. He comes out as this little boy, and all of the children in the village always make fun of him and just tell him that he is too young and small. What they do not know is that he is a hero to their village. The entire village is scared of the sorcerer. She has power, an army and the fear of everyone. The entire village feels like she is the one who took their water from them. The sorcerer takes their gold and their men, from what they think. Kirikou wants to help the last male fighter from the village to fight this sorcerer. Kirikou learns of his grandfather. His grandfather has power and knowledge. Kirikou is the only one who is small enough to sneak past the sorcerer underground. He finds out that she only has evil in her because she has a thorn in her back that is causing her great pain. Kirikou, being brave decides he will be the one to pull out the thorn. The thorn being nailed in her back was a metaphor for her being raped. After he removes the thorn she becomes nice again. She has been given freedom from kirikou. She gives him whatever he wants after this. Kirikou receives a kiss from her, and he becomes a big strong man and him and the sorcerer fall in love. This was a movie that I really enjoyed. It was really funny. The movie kind of impressed me because, the music was very interesting. It used many different colors for good and evil. After reading "The Rabbi's Cat" , I was able to notice the color difference. I liked how they made a small boy become a hero in the movie. The entire time this movie really kept my attention. It had a very good story to it also. In a way I can relate to kirikou. When I was really young, I was always the smallest one in my group of friends that I hung out with. A lot of the time I was shut out from sports, games and other activities because I was always so small. But I ended up proving myself to everyone that I might be small, but I am also pretty good at things, just like everyone else was. Being the smaller one, you always feel like you have to prove yourself, and that makes you do things better and also brings out a brave side just like in Kirikous case.
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4/10
Am I the only one who didn't like it?
rawr2343426 January 2010
I didn't like it. The opening sequence was just stupid, with introduction to the story or characters or anything. When the boy asks where his relatives are, the mother just says, "They got eaten fighting the sorcerer!", which I find to be utter nonsense. Then, when she finally tells him of a living relative, she says, "He is going to fight sorcerer." I just found that line to be utter (rude word). Did they want us to laugh? No. But I laughed at the stupidity of the line. The whole thing seems messy and stupid right through to the end. Just, avoid this, spend your money on something better. The animation sucks too!
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9/10
Children's animation role model
rotildao27 May 2008
Warning: Spoilers
And I mean, adults as well should watch it, no questions asked. Instructive, well made, and very entertaining for all ages and backgrounds.

The great thing about this cartoon is being made in France. There is sincerity and undeviated focused subject. Life in simply beautiful and still perilous after watching Kirikou's folklorist adventures.

Cartoons like Prince Achmed and so many others are strictly intended to grab children's attention using universal subjects to boost instinctive feelings, such as imagination and heartfelt.

The artistic style perfectly matches its content without hurting its purpose making Michel Ocelot indispensable as a kinder-garden teacher with a PHD in anthropology.

Role model cartoon!
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8/10
Baby-Men are Much More Appealing than Man-Babies
BabelAlexandria18 May 2021
Kirikou has a joyful feel, despite the harsh oppression of the village by the witch and her various "fetishes". It's the only animated feature I'm aware of based on West African traditions, and it seemed reasonably authentic in its portrayal of the village and its environments - though I don't actually know if it got anything right beyond the baobob tree. It's true that the villagers' breasts are bared, but also worth noting that neither of my kiddos (6 and 8) even commented on it. We had all enjoyed Michael Ocelot's shorts, collected in the Tales of the Night, and at 68 minutes, this film feels like an extended short. The major draw, of course, is Kirikou, whom my son especially found appealing: walking and talking straight from the womb, a fast runner, brave, and wise, and thus celebrated by the villagers in song.
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