Love's Labour's Lost (2000)
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- PG
- 1h 33min
- Romance, Comedy
- 24 Mar 2000 (Norway)
- Movie
- 1 win & 2 nominations.
- See more »
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Complete, Cast awaiting verification
Alessandro Nivola | ... |
The King
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Alicia Silverstone | ... |
The Princess
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Natascha McElhone | ... |
Rosaline
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Kenneth Branagh | ... |
Berowne
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Carmen Ejogo | ... |
Maria
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Matthew Lillard | ... |
Longaville
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Adrian Lester | ... |
Dumaine
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Emily Mortimer | ... |
Katherine
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Richard Briers | ... |
Sir Nathaniel
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Geraldine McEwan | ... |
Holofernia
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Stefania Rocca | ... |
Jacquanetta
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Jimmy Yuill | ... |
Constable Dull
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Nathan Lane | ... |
Costard
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Timothy Spall | ... |
Armado
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Anthony O'Donnell | ... |
Moth
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Daniel Hill | ... |
Mercade
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Richard Clifford | ... |
Boyet
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Alfred Bell | ... |
Gaston
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Daisy Gough | ... |
Isabelle
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Graham Hubbard | ... |
Eugene
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Paul Moody | ... |
Jaques
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Yvonne Riley | ... |
Beatrice
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Iain Stuart Robertson | ... |
Hippolyte
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Emma Scott | ... |
Celimene
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Amy Tez | ... |
Sophie
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Richard Joseph | ... |
Dancer
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Nikki Abraham | ... |
Dancer
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Catherine Dugdale | ... |
Dancer
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Michele Du Verney | ... |
Dancer
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Trudi Swift | ... |
Dancer
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Jonathan Blazer | ... |
Dancer
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Colin Barrett | ... |
Dancer
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Bryn Walters | ... |
Dancer
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Rest of cast listed alphabetically: | |||
Dan Farrell | ... |
Radio Announcer (uncredited)
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Kester Lewis | ... |
Nazi Youth (uncredited)
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Tim Packham | ... |
Medic (uncredited)
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Directed by
Kenneth Branagh |
Written by
William Shakespeare | ... | (play) |
Kenneth Branagh | ... | (screenplay) |
Produced by
David Barron | ... | producer |
Kenneth Branagh | ... | producer |
Andrea Calderwood | ... | associate producer |
Guy East | ... | executive producer |
Alexis Lloyd | ... | executive producer |
Rick Schwartz | ... | associate producer |
Nigel Sinclair | ... | executive producer |
Bob Weinstein | ... | executive producer |
Harvey Weinstein | ... | executive producer |
Music by
Patrick Doyle |
Cinematography by
Alex Thomson |
Editing by
Dan Farrell | ||
Neil Farrell |
Editorial Department
Andrea Isaac | ... | second assistant editor |
Julian Pryce | ... | second assistant editor |
Geraint Huw Reynolds | ... | editor trainee |
Casting By
Nina Gold | ||
Randi Hiller |
Production Design by
Tim Harvey |
Art Direction by
Mark Raggett |
Set Decoration by
Celia Bobak |
Costume Design by
Anna Buruma |
Makeup Department
Jeffrey Haines | ... | hairdresser |
Carol Hemming | ... | hair department head |
Catherine Heys | ... | makeup artist |
Amanda Knight | ... | key makeup artist |
Joseph Koniak | ... | hair stylist |
Clare Le Vesconte | ... | makeup artist |
Zoe Tahir | ... | assistant hair stylist |
Production Management
Bernard Bellew | ... | production manager |
Second Unit Director or Assistant Director
David Gilchrist | ... | assistant director |
Sallie Hard | ... | additional second assistant director (as Sallie Anne Hard) |
Claire Hughes | ... | assistant director |
Ben Johnson | ... | assistant director |
Simon Moseley | ... | first assistant director |
Michael Queen | ... | assistant director (as Mike Queen) |
Art Department
John Burn | ... | carpenter |
Paul Cheesman | ... | props |
Mark Geeson | ... | trainee dressing prop |
Matt Gray | ... | set designer (as Matthew Gray) |
Richard Lyon | ... | construction buyer |
Brian Pegg | ... | plasterer |
Michael Redding | ... | construction coordinator |
Daniel Thompson | ... | carpenter |
Iain White | ... | art department standby |
Sound Department
Sandy Buchanan | ... | adr mixer |
Martin Cantwell | ... | sound editor |
Stephen Gilmour | ... | sound playback |
Peter Glossop | ... | production sound mixer |
James Harris | ... | third man sound |
John Hayward | ... | re-recording mixer |
Shaun Mills | ... | boom operator |
Chris Nuttall | ... | adr recordist |
Peter Pennell | ... | supervising sound editor |
Simon Price | ... | additional dialogue editor / additional foley editor |
Richard Pryke | ... | assistant re-recording mixer |
Richard Street | ... | preview re-recording mixer |
Ruth Sullivan | ... | foley artist |
Dan Edelstein | ... | supervising sound editor: US release (uncredited) |
Special Effects by
Stuart Brisdon | ... | special effects supervisor |
Andy Collings | ... | special effects technician |
Nik Cooper | ... | special effects technician |
James Davis III | ... | special effects technician |
Mark Haddenham | ... | special effects senior technician |
Visual Effects by
Angus Cameron | ... | digital effects supervisor |
Max Dennison | ... | matte artist |
Antony Hunt | ... | visual effects supervisor |
Rick Mietkowski | ... | visual effects cameraman |
Alice Mitchell | ... | compositor |
Lynn Perez | ... | Domino operator |
Daniel Pettipher | ... | digital artist |
Caroline Garrett | ... | digital artist (uncredited) |
Stunts
Ray De-Haan | ... | stunt coordinator |
Camera and Electrical Department
Danny Espey | ... | electrician |
Perry Evans | ... | gaffer |
Bill Geddes | ... | camera grip |
Andy Hopkins | ... | grip |
Tony Jackson | ... | camera operator |
Mark Jury | ... | camera trainee |
Nic Milner | ... | camera operator: "a" camera |
Clive Prior | ... | first assistant camera |
Gordon Segrove | ... | focus puller: underwater unit |
Laurie Sparham | ... | still photographer |
Chyna Thomson | ... | first assistant camera: "a" camera |
Tammo van Hoorn | ... | clapper loader |
Casting Department
Lynn Glaser | ... | casting assistant (as Lynn Emblem) |
Costume and Wardrobe Department
Robert Allsopp | ... | costume prop |
Maurizio Basile | ... | wardrobe assistant |
Annie Crawford | ... | costume supervisor |
Heather Leat | ... | assistant costume designer |
Barbara Ohren | ... | costumer |
Charlie Sadler | ... | costume assistant (as Charlotte Sadler) |
Liz Dann | ... | wardrobe supervisor (uncredited) |
Music Department
Lawrence Ashmore | ... | orchestrator |
John Bell | ... | orchestrator |
Mark Berrow | ... | musician: violin |
Richard Bissill | ... | musician: French horn |
Richard Cookson | ... | musician: viola |
Brian Gascoigne | ... | orchestrator |
Carl Johnson | ... | orchestrator |
Gerard McCann | ... | music editor |
Maggie Rodford | ... | music producer |
James Shearman | ... | conductor / orchestrator / songs arranger |
Jamie Talbot | ... | alto saxophone |
Rick Wentworth | ... | orchestrator |
Skaila Kanga | ... | musician: harp (uncredited) |
Paul Kegg | ... | musician: cello (uncredited) |
Script and Continuity Department
Caroline Sax | ... | script supervisor |
Transportation Department
Mark Oliver | ... | picture car coordinator |
Terry Pritchard | ... | driver: kenneth branagh |
Barry Stevenson | ... | unit driver |
Additional Crew
Ben Blanco | ... | assistant to producer |
Jon R. Brown | ... | production assistant |
Gavin Charlton | ... | sous chef |
Stanley Donen | ... | presenter: US release |
Sally Hilton | ... | assistant to producer |
Stuart Hopps | ... | choreographer |
Russell Jackson | ... | text consultant (as Dr. Russell Jackson) |
Zeb Lamb | ... | floor runner |
Andy Mayson | ... | executive: Intermedia Films |
Martin Scorsese | ... | presenter: US release |
Phil Stoole | ... | assistant: Kenneth Branagh |
Rebecca West | ... | Publicity Assistant |
Mike Woodley | ... | aerial coordinator |
Michael J. Harker | ... | completion bond representative (uncredited) |
David Monteath | ... | voice actor (uncredited) |
Jason Burke Sutter | ... | international sales (uncredited) |
Thanks
John Ptak | ... | special thanks |
Production Companies
- Pathé Pictures International (present)
- Intermedia Films (present)
- Arts Council of England (in association with)
- StudioCanal (in association with)
- Miramax (in association with)
- Shakespeare Film Company (production)
Distributors
- Miramax (2000) (United States) (theatrical)
- Pathé Distribution (2000) (United Kingdom) (theatrical)
- Svensk Filmindustri (SF) (2000) (Sweden) (theatrical)
- Asmik Ace Entertainment (2000) (Japan) (theatrical)
- Alliance Atlantis Communications (Canada)
- Asmik Ace Entertainment
- Asmik Ace Entertainment (2001) (Japan) (DVD)
- Asmik Ace Entertainment (2001) (Japan) (VHS)
- Divisa Home Video (2015) (Spain) (DVD)
- Filmax (Spain)
- Filmes Lusomundo (Portugal)
- Highlight Video (2000) (Germany) (video)
- Indies Home Entertainment (2003) (Netherlands) (DVD)
- Intermedia
- Leone Film Group (2013) (Italy)
- Medusa Distribuzione (Italy)
- Pathé (France)
- Sociedad General de Derechos Audiovisuales (SOGEDASA) (Spain)
- Studio Hamburg Enterprises (2021) (Germany) (DVD)
Special Effects
- Peerless Camera Company (visual effects)
- The Magic Camera Company (visual and miniature effects)
Other Companies
- Shepperton Studios (movie studio)
- Air-Edel Associates (music services)
- Lee Lighting (lighting)
- Mobile Mouthful (catering)
- Sapex Scripts (post-production script services)
- Sony Classical (soundtrack)
Storyline
Plot Summary |
The King of Navarre and his three companions swear a very public oath to study together and to renounce women for three years. Their honor is immediately put to the test by the arrival of the Princess of France and her three lovely companions. It's love at first sight for all concerned followed by the men's highly entertaining, but hopeless efforts to disguise their feelings. Written by Tender Branson |
Plot Keywords | |
Taglines | A New Spin on the Old Song and Dance See more » |
Genres | |
Parents Guide | View content advisory » |
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Box Office
Budget | $13,000,000 (estimated) |
Opening Weekend United Kingdom | GBP143,649, 02 Apr 2000 |
Did You Know?
Trivia | The actors did their own singing. See more » |
Goofs | While the movie's concentrating on what is obviously WW2, one of the paper shown announces the end of the war on November 11, which is in fact the date of the end of WW1 in 1918 (the end of WW2 being on May 8, 1945 in Europe and August 15 in Asia). See more » |
Movie Connections | Featured in Gone in Sixty Seconds/Groove/Sunshine/Love's Labour's Lost/Grass (2000). See more » |
Soundtracks | I'd Rather Charleston See more » |
Quotes |
Berowne:
From women's eyes this doctrine I derive: They are the ground, the books, the academes, from whence doth spring the true Promethean fire. O, we have made a vow to study, lords, and in that vow we have forsworn our books; For when would you, my liege, or you, or you in leaden contemplation have found out such fiery numbers as the prompting eyes of beauty's tutors have enriched you with? Other slow arts entirely keep the brain, and therefore, finding barren practisers, scarce show a harvest of their heavy toil; But love, first learned in a lady's eyes, lives not alone immured in the brain but with the motion of all elements courses as swift as thought in every power and gives to every power a double power, above their functions and their offices. It adds a precious seeing to the eye: A lover's eyes will gaze an eagle blind. A lover's ear will hear the lowest sound. Love's feeling is more soft and sensible than are the tender horns of cockled snails. Love's tongue proves dainty Bacchus gross in taste, for valour, is not Love a Hercules, still climbing trees in the Hesperides? Subtle as Sphinx, as sweet and musical as bright Apollo's lute, strung with his hair. And when Love speaks, the voice of all the gods make heaven drowsy with the harmony. [begins to sing the song "Cheek to Cheek"] Berowne: Heaven, /I'm in heaven. /And my heart beats so that I can hardly speak... See more » |