When bored American billionaire Charles Vanel is amused by the happiness of poor railroad man Nicolas Koline, he offers him a wager: if Koline and his family can spend 20,000 francs a day (about $11,000 in current American money) for a year, then he'll give him a nice pension. The rest of the movie is about the poor man and his family's efforts to win the bet.
The copy I looked at was derived form a Pathe-Baby cutdown, so I expect it was originally longer than the 51 minutes it took me to watch this version. I also suspect it was not a series of titles, followed by brief clips -- illustrated text movie-making in 1926 seems unlikely. In addition, the people involved (except for the screenwriter) had healthy movie careers. Koline (who also directed the movie) was one of the Russian emigree actors who did so well; he had appeared in Gance's NAPOLEON and he worked until 1955, retired to Long Island and died in 1966, age 88. Vanel also had a long career, starting out on screen and appearing in more than 150 features through 1988; he died the following year, almost 97.
It's an amusing set-up out of BREWSTER'S MILLIONS, but the lack on ornamentation in the shortened version doesn't leave that much pleasure.
The copy I looked at was derived form a Pathe-Baby cutdown, so I expect it was originally longer than the 51 minutes it took me to watch this version. I also suspect it was not a series of titles, followed by brief clips -- illustrated text movie-making in 1926 seems unlikely. In addition, the people involved (except for the screenwriter) had healthy movie careers. Koline (who also directed the movie) was one of the Russian emigree actors who did so well; he had appeared in Gance's NAPOLEON and he worked until 1955, retired to Long Island and died in 1966, age 88. Vanel also had a long career, starting out on screen and appearing in more than 150 features through 1988; he died the following year, almost 97.
It's an amusing set-up out of BREWSTER'S MILLIONS, but the lack on ornamentation in the shortened version doesn't leave that much pleasure.
