Godzilla: King of the Monsters! (1956)
Godzilla, King of the Monsters! (original title)Reference View | Change View
- Not Rated
- 1h 20min
- Action, Horror
- 27 Apr 1956 (USA)
- Movie
- 1 nomination.
- See more »
Photos and Videos
Cast verified as complete
Raymond Burr | ... |
Steve Martin
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Takashi Shimura | ... |
Dr. Yamane
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Momoko Kôchi | ... |
Emiko
(as Momoko Kochi)
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Akira Takarada | ... |
Ogata
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Akihiko Hirata | ... |
Dr. Serizawa
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Sachio Sakai | ... |
Hagiwara
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Fuyuki Murakami | ... |
Dr. Tabata
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Ren Yamamoto | ... |
Seiji
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Toyoaki Suzuki | ... |
Shinkichi
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Tadashi Okabe | ... |
Dr. Tabata's Assistant
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Toranosuke Ogawa | ... |
President of Company
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Frank Iwanaga | ... |
Tomo Iwanaga - Security Officer
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Rest of cast listed alphabetically: | |||
Mikel Conrad | ... |
George Lawrence (uncredited)
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Paul Frees | ... |
Unidentified Character (uncredited) (voice)
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Fuji | ... |
Police Officer at Airport (uncredited)
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Hiroshi Hayashi | ... |
(uncredited)
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James Hong | ... |
Ogata / Serizawa (uncredited) (voice)
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Ren Imaizumi | ... |
Radio Operator (uncredited)
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Dale Ishimoto | ... |
Dale Ishimoto (uncredited)
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Shigeo Katô | ... |
JSDF with Spotlight - Leader of the Crowd Escaping (uncredited)
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Akio Kusama | ... |
Otoshima Islander (uncredited)
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Kokuten Kôdô | ... |
Old Man on Hill on Oto Island (uncredited)
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Tsuruko Mano | ... |
The Boy's Mother (uncredited)
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Lee Miller | ... |
Man in Line at Airport (uncredited)
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Teruko Mita | ... |
Activist (uncredited)
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Haruo Nakajima | ... |
Godzilla (uncredited)
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Takeo Oikawa | ... |
Chief of Emergency Headquarters (uncredited)
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Kenji Sahara | ... |
Man on Boat (uncredited)
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Keiji Sakakida | ... |
Mayor Inada (uncredited)
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Junnosuke Suda | ... |
Tokaido Line Driver (uncredited)
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Kin Sugai | ... |
(uncredited)
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Ryosaku Takasugi | ... |
Godzilla (uncredited)
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Katsumi Tezuka | ... |
Godzilla (uncredited)
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Sammee Tong | ... |
Dr. Yamane (uncredited) (voice)
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Kamayuki Tsubono | ... |
Japan Coast Guard Officer / Shikine Newspaper Reporter (uncredited)
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Directed by
Ishirô Honda | ... | (as Ishiro Honda) |
Terry O. Morse | ... | (as Terry Morse) |
Written by
Shigeru Kayama | ... | (novel) |
Takeo Murata | ... | (screen play) & |
Ishirô Honda | ... | (screen play) (as Ishiro Honda) |
Terry O. Morse | ... | (adaptation: English version) (uncredited) |
Tomoyuki Tanaka | ... | (story "The Giant Monster from 20, 000 Leagues Under The Sea") |
Al C. Ward | ... | (adaptation: English version) (uncredited) |
Produced by
Edward B. Barison | ... | producer: US material (uncredited) |
Richard Kay | ... | producer: US material (uncredited) |
Joseph E. Levine | ... | executive producer: US material (uncredited) |
Iwao Mori | ... | executive producer (uncredited) |
Harry Rybnick | ... | producer: US material (uncredited) |
Tomoyuki Tanaka | ... | producer |
Terry Turner | ... | executive producer: US material (uncredited) |
Music by
Akira Ifukube |
Editing by
Terry O. Morse | ... | supervising editor (as Terry Morse) |
Editorial Department
Terry Morse Jr. | ... | assistant editor (uncredited) |
Production Design by
Satoru Chûko |
Art Direction by
Satoru Chûko | ... | (as Satoru Chuko) |
Takeo Kita |
Set Decoration by
George Rohr |
Second Unit Director or Assistant Director
Ira Webb | ... | assistant director |
Art Department
Teizô Toshimitsu | ... | special effects suit designer (uncredited) |
Sound Department
Hisashi Shimonaga | ... | sound |
Arthur B. Smith | ... | sound (as Art Smith) |
Special Effects by
Kaimai Eizo | ... | special effects |
Kyuichirô Kishida | ... | special photographic effects (as Kuichiro Kishida) |
Hiroshi Mukoyama | ... | special photographic effects |
Eiji Tsuburaya | ... | special photographic effects |
Akira Watanabe | ... | special photographic effects |
Visual Effects by
Sadao Iizuka | ... | creator of Godzilla's atomic breath |
Camera and Electrical Department
Guy Roe | ... | cameraman: US material / cinematographer: American footage |
Masao Tamai | ... | cameraman |
Production Companies
- Toho
- Jewell Enterprises Inc. (presented by)
Distributors
- Embassy Pictures (1956) (United States) (theatrical) (USA: Eastern)
- Eros Films (1956) (United Kingdom) (theatrical)
- Paramount Film Service (1956) (Australia) (theatrical)
- TransWorld Releasing Corp. (1956) (United States) (theatrical) (USA: Western)
- Paramount Films of Argentina (1957) (Argentina) (theatrical)
- Paramount Italiana (1957) (Italy) (theatrical)
- Toho (1957) (Japan) (theatrical)
- Vestron Video (1983) (United States) (VHS)
- Paramount Gateway Video (1992) (United States) (VHS)
- Paramount Home Entertainment (1994) (United States) (video) (laserdisc)
- GoodTimes Home Video (1995) (United States) (VHS)
- Zontarian Video (1996) (United States) (VHS)
- Simitar Entertainment (1998) (United States) (DVD)
- Simitar Entertainment (1998) (United States) (VHS)
- Classic Media (2002) (United States) (DVD)
- Sony Music Entertainment (2002) (United States) (DVD)
- Classic Media (2006) (United States) (DVD)
- Sony Pictures Home Entertainment (2006) (United States) (DVD)
- Media Service (2007) (Poland) (DVD)
- Nihon Eiga Satellite Broadcasting (2008) (Japan) (tv)
- The Criterion Collection (2012) (United States) (Blu-ray) (with 'Gojira')
- The Criterion Collection (2012) (United States) (DVD) (with "Gojira")
- Anderson Digital (2013) (United States) (video) (Digital)
- Classic Media (2014) (United States) (DVD) (re-release)
- MonsterVision (United States) (tv)
- The Criterion Channel (2022) (United States) (tv) (streaming)
Special Effects
Other Companies
- International Alliance of Theatrical Stage Employees (IATSE) (this picture made under the jurisdiction of: affiliated with A.F. L.-C.I.O.)
- Godzilla Releasing Co. (releasing agency)
- Toho Studios (sound stages)
Storyline
Plot Summary |
When American reporter Steve Martin investigates a series of mysterious disasters off the coast of Japan, he comes face to face with an ancient creature so powerful and so terrifying, it can reduce Tokyo to a smoldering graveyard. Nuclear weapon testing resurrected this relic from the Jurassic age, and now it's rampaging across Japan. At night, Godzilla wades through Tokyo leaving death and destruction in his wake, disappearing into Tokyo Bay when his rage subsides. Coventional weapons are useless against him; but renowned scientist Dr. Serizawa has discovered a weapon that could destroy all life in the bay -- including Godzilla. But which disaster is worse, Godzilla's fury, or the death of Tokyo Bay?
Written by Robert Lynch |
Plot Keywords | |
Taglines | Makes KING KONG look like a Midget! See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
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Box Office
Budget | $650,000 (estimated) |
Did You Know?
Trivia | Godzilla's roar was made by dragging a resin-coated leather glove up and down a contrabass and having the subsequent recording slowed down significantly. See more » |
Goofs | The airplanes are seen on strings. See more » |
Movie Connections | Edited from Godzilla (1954). See more » |
Crazy Credits | Many prints and videos have absolutely no credits (including the so-called "uncut" version released on DVD by Simitar in 1998), beyond the title at the start (with a clearly video-generated copyright notice below it) and a "The End" graphic at the close. Classic Media's 2006 release of the film in the Gojira/Godzilla: King of the Monsters on DVD has the restored English credits. The Criterion Collection Blu-Ray release contains all original logos and credits. See more » |
Quotes |
[first lines]
Steve Martin: [in voice over] This is Tokyo. Once a city of six million people. What has happened here was caused by a force which up until a few days ago was entirely beyond the scope of Man's imagination. Tokyo, a smoldering memorial to the unknown, an unknown which at this very moment still prevails and could at any time lash out with its terrible destruction anywhere else in the world. There were once many people here who could've told of what they saw... now there are only a few. My name is Steve Martin. I'm a foreign correspondent for United World News. I was headed for an assignment in Cairo, when I stopped off in Tokyo for a social call, but it turned out to be a visit to the living hell of another world. See more » |