Mediterranean (1963) Poster

(1963)

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5/10
Méditerranée
jboothmillard9 February 2017
Warning: Spoilers
I found this French experimental film in the book 1001 Movies You Must See Before You Die, without the book I would never have even heard about this short film, I knew nothing about it, but was willing to give it a go based on this recommendation. Basically it is short forty- five minute documentary style film about the seas and shores of the Mediterranean Sea, directed by Jean-Daniel Pollet. Throughout it explores the Mediterranean landscapes, cities and people, including a Greek temple, a Sicilian garden with orange trees, the sea and its waves, an elderly bearded fisherman, a bullfighter fighting a heavily bleeding bull with large stick stuck in its back, and a girl who never moves or opens her eyes on an operating table. You also see a section of barbed wire overlooking a sea view; Egyptian statues, pyramids, a corpse and a sarcophagus; ruins of a palace including the many beams, archways and staircases; a steelworks machine carrying hot steel rods and plates; a girl with big eyebrows combing her hair and dressing; what looks like a city river of Venice; and photographs of the old man and the girl in black-and-white. Also throughout is narration, it may be nonsensical at times, it talks about space time and time, going places, secret and forbidden places, playing pieces in a game, travelling in unknown directions, evolution and the size of things. There is also the music of Antione Duhamel and other random sound effects, including flies buzzing. It certainly has fascinating things to see, and the editing to see the various, often repeated, things is interesting, it is said to have influenced other filmmakers, including Jean-Luc Goddard, it is a good choice for the 1001 Movies, not a bad alternative documentary style film, a good experimental film. Worth watching!
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1/10
3 10s in the review section? How?
cinephile-2769014 September 2018
I gave it a 10 originally, but I don't know why. Nothing happens in this movie. Literally. Sound similar?

*Wavelength.

*Dog Star Man.

Yes, that's right. Mediterranee is avant-garde- a film genre where, according to Wikipedia, are:

"people or works that are experimental, radical, or unorthodox with respect to art, culture, or society.It may be characterized by nontraditional, aesthetic innovation and initial unacceptability, and it may offer a critique of the relationship between producer and consumer."

This is simply a genre I do not care for, aside from Scorpio Rising. That is unique and very good. This is not.

I'm sorry,but experimental films, for the most part, fail as entertainment.
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10/10
The Mediterranean as magical automaton
Pollet and Schlöndorff imagine the Mediterranean as a supernal arena.

"Pays multiples faussement endormis" (A host of countries wrongfully put to sleep) - as the narration goes.

The calm of the Mediterranean is an illusion, as envisioned by the metaphor of dragons-teeth in a harbour ("both calm and disturbed"). There are moments of tender beauty such as Seurat-ian water, and scenes from a wedding. The rest of the movie shows ruins, including World War II detritus and the temple at Vassai/Bassae, extremely bloody bull-fights, and an otherworldly hospital.

Méditerranée is morbid, insect buzzing is as much the soundtrack as the composed one of Antoine Duhamel. It's not much of a surprise that it didn't really get distributed outside Europe. Pollet's movie l'Ordre, which is a documentary about a leper colony, is further evidence of his obsession. The cycle of life is turned into something macabre, with the idea being that an impostor is waiting to take over the reins from you.

The imagination of the directors is a huge conceit, an outmoded conceit. Viewers who think that Méditerranée quotations in Godard's recent Film Socialisme show otherwise, think again, Godard was always of the same cloth as Pollet, quoting TS Eliot in Eloge de l'Amour, seeing Roman soldiers march over the landscape. It's an imagination that I lost myself in though, but accepting a cultural narrative like this is going to be a tall order for most in a post-modern era.
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10/10
morbid & illuminate feeling
Grégory5 May 1999
One of the most incredible attempt of the cinema's history. 40 minutes and a single subject (glorious ambition) : how to film the Méditeranée ? Pollet built a space of sensation, putting things in line without explicit intentions. He didn't film himself more than a half of this movie, he has just ordering things (antique ruins, corrida, dead girl after the operation, factory, Horus) according with his own obsessions : darkness, morbid & illuminate feeling, chaos ('when there is life, there is death and there is chaos' he seems to say) and pain. In France, Pollet was considered as a great film director after it - he gave a shock. We can't believe he's unknown in other country so, react !
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