Boys and Girls (2000)
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- PG-13
- 1h 34min
- Comedy, Drama
- 16 Jun 2000 (USA)
- Movie
A friendship is put to the ultimate test when two best friends wind up in bed together.
Director:
Writers:
Award:
- 1 nomination.
- See more »
Photos and Videos
Complete, Cast awaiting verification
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Brendon Ryan Barrett | ... |
Young Ryan Walker
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| Gay Thomas Wilson | ... |
N.Y. Flight Attendant
(as Gay Thomas-Wilson)
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| Raquel Beaudene | ... |
Young Jennifer Burrows
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| Claire Forlani | ... |
Jennifer Burrows
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David Smigelski | ... |
Homecoming King
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| Blake Shields | ... |
Homecoming Knight
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| Freddie Prinze Jr. | ... |
Ryan Walker
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| Alyson Hannigan | ... |
Betty
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| Jason Biggs | ... |
Hunter / Steve
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| Amanda Detmer | ... |
Amy
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Sean Maysonet | ... |
Michael
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| John X Volaitis | ... |
D.J. at Club
(as John X)
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| Tsianina Joelson | ... |
Girl in Bar
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Kristofer Mickelson | ... |
Big Guy
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| Matt Carmody | ... |
Kirt
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| Heather Donahue | ... |
Megan
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| Richard Hillman | ... |
Frat Guy
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| Tim Griffin | ... |
Timmy
(as Tim Griffith)
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| Timi Prulhiere | ... |
Andie
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Eric Rutherford | ... |
Noah
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| Matt Schulze | ... |
Paul
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| Monica | ... |
Katie
(as Monica Arnold)
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| Angela Oh | ... |
Waitress
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| Brian Poth | ... |
Guy in Diner
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Mimi Rose | ... |
Girl in Diner
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David Correia | ... |
Shuttle Driver
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| Lisa Eichhorn | ... |
Shuttle Passenger
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| Lee Garlington | ... |
L.A. Flight Attendant
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John Henry Redwood | ... |
Businessman
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Barbara Spiegel | ... |
Saleswoman
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| Kylie Bax | ... |
Supermodel
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Kristy Hinze | ... |
Supermodel
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| Ines Rivero | ... |
Supermodel
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Renate Verbaan | ... |
Supermodel
(as Renate Verdann)
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| Susan Kellermann | ... |
Therapist
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Timothy Anderson | ... |
Dancer
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| Bryan Anthony | ... |
Dancer
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| Sybil Azur | ... |
Dancer
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Albee Bautista | ... |
Dancer
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Dominic Carbone | ... |
Dancer
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Linda Cevallos | ... |
Dancer
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Tim Fournier | ... |
Dancer
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Leslie Geldbach | ... |
Dancer
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Marisa Gilliam | ... |
Dancer
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Tracie Hendricks | ... |
Dancer
(as Tracie Hendrix)
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George Hubela | ... |
Dancer
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| Carrie Ann Inaba | ... |
Dancer
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| Rebecca Lin | ... |
Dancer
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Kimberly Lyon | ... |
Dancer
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Katie Miller | ... |
Dancer
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| Diane Mizota | ... |
Dancer
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| Chris Moss | ... |
Dancer
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| Nancy O'Meara | ... |
Dancer
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| Tracy Phillips | ... |
Dancer
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| Kelleia Sheerin | ... |
Dancer
(as Kelly Sherrin)
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Susie Shoemaker | ... |
Dancer
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Tim Stevenson | ... |
Dancer
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Jenna Stewart | ... |
Dancer
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Becca Sweitzer | ... |
Dancer
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Jessica Tarazona | ... |
Dancer
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| Alysha Wheeler | ... |
Dancer
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| Zachary Woodlee | ... |
Dancer
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Jason Yribar | ... |
Dancer
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| Rest of cast listed alphabetically: | |||
| Tony Collucci | ... |
Dancer (uncredited)
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| Steve Comisar | ... |
Smitty (uncredited)
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| James Cotner | ... |
Waiter (uncredited)
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| M.G. Cross | ... |
Guy in Bar (uncredited)
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| Sabrina Culver | ... |
Girl in Bar (uncredited)
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| Mike DiGiacinto | ... |
Guy in Coffee Shop (uncredited)
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Michael Eliopoulos | ... |
Guy at Golden Gate Bridge (uncredited)
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James Howell | ... |
Student (uncredited)
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Max | ... |
Fan in stands (uncredited)
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| Cal Nguyen | ... |
Student (uncredited)
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Dayna Price | ... |
Homecoming Princess (uncredited)
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| Damon Williams | ... |
Homecoming Prince (uncredited)
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| Evis Xheneti | ... |
Girl in Diner (uncredited)
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Directed by
| Robert Iscove | ||
Written by
| Andrew Lowery | ... | (written by) (as The Drews) & |
| Andrew Miller | ... | (written by) (as The Drews) |
Produced by
| Sue Baden-Powell | ... | co-producer |
| Jay Cohen | ... | producer |
| Lee Gottsegen | ... | producer |
| Kyle Ham | ... | associate producer |
| Jeremy Kramer | ... | executive producer |
| Jill Sobel Messick | ... | executive producer |
| Louise Rosner | ... | line producer |
| Murray Schisgal | ... | producer |
| Bob Weinstein | ... | executive producer |
| Harvey Weinstein | ... | executive producer |
Music by
| Stewart Copeland | ||
Cinematography by
| Ralf D. Bode | ... | (as Ralf Bode) |
Editing by
| Casey O. Rohrs | ... | (as Casey O Rohrs) |
Editorial Department
| John Earl Burnett | ... | apprentice editor (as John Burnett) |
| Gary Burritt | ... | negative cutter |
| Lance Chapman | ... | assistant editor |
| Tirsa Hackshaw | ... | first assistant editor |
| Phil Hetos | ... | supervising color timer |
| Sue Kesler | ... | assistant editor |
| Jim Passon | ... | color timer |
| Sarah Payan | ... | assistant editor |
| Christopher Schmidt | ... | post-production assistant |
| Kimberly L. Sewell | ... | assistant editor |
Casting By
| Lesa Lotito | ||
| Joseph Middleton | ||
Production Design by
| Marcia Hinds | ... | (as Marcia Hinds-Johnson) |
Art Direction by
| Bo Johnson | ||
Set Decoration by
| Suzette Sheets | ||
Costume Design by
| April Ferry | ||
Makeup Department
| Debra Dietrich | ... | hair stylist: San Francisco |
| Scott H. Eddo | ... | makeup artist |
| John M. Elliott Jr. | ... | makeup department head |
| Lumas Hamilton Jr. | ... | key hair stylist (as Lumas D. Hamilton) |
| Yolanda Toussieng | ... | key hair stylist |
Production Management
| Erica Kay | ... | production supervisor: additonal unit |
| Tom Proper | ... | post-production supervisor |
| Louise Rosner | ... | unit production manager |
Second Unit Director or Assistant Director
| Maria Battle-Campbell | ... | second second assistant director (as Maria K. Battle) |
| Mark Tobey | ... | second assistant director |
| Jeffrey Wetzel | ... | first assistant director |
Art Department
| Emilio R. Aramendia | ... | leadman: San Francisco (as Emilio Aramendia) |
| Al Arthur | ... | greensman: San Francisco |
| Adam L. Barker | ... | lead plasterer |
| Susan A. Burig | ... | graphic designer |
| James Burke | ... | on-set greens |
| John Coven | ... | storyboard artist |
| Richard Crain | ... | propmaker |
| Matthew D. Egan | ... | propmaker gang boss |
| Susana Inés Fattorini | ... | art department coordinator |
| Stephen J. Gardner | ... | property master: San Francisco |
| Rusty Gray | ... | set dresser (as Rusty Schmidt) |
| Vincent Guarriello | ... | key construction grip |
| Scott Herbertson | ... | set designer |
| Janet Kusnick | ... | concept artist |
| Geoffrey Lake | ... | greensman: San Francisco |
| Greg Lake | ... | greensman: San Francisco |
| Richard Lambert | ... | leadman |
| Doni McMillan | ... | set dresser |
| Steven B. Melton | ... | property master |
| Dutch Merrick | ... | additional on-set dresser |
| Melody Miller | ... | assistant property master |
| John Oster | ... | set construction foreman |
| Ron Petagna | ... | construction coordinator |
| Ronnie Petagna | ... | carpenter |
| Lars Petersen | ... | construction coordinator |
| Jim Poynter | ... | set decorator: San Francisco |
| Tom Richardson | ... | stand-by painter: San Francisco |
| Glenn H. Roberts | ... | on-set dresser |
| Jonathan Robertson | ... | construction gang boss |
| Amy Ryder | ... | buyer |
| John L. Sullivan | ... | propmaker gangboss |
| Steven C. Voll | ... | general foreman |
| Craig Zumbroegel | ... | propmaker gangboss |
| Byron K. Lovelace | ... | set dresser (uncredited) |
Sound Department
| Brian Basham | ... | adr recordist |
| Frank Bradley | ... | sound utility |
| Paul Timothy Carden | ... | supervising sound editor |
| Lawrence L. Commans | ... | boom operator |
| Patrick Cyccone Jr. | ... | re-recording mixer |
| Gary Dowling | ... | cableman: San Francisco |
| Eric Flickinger | ... | sound recordist |
| William Jacobs | ... | sound effects editor |
| Michael Keller | ... | re-recording mixer |
| Jeff Kushner | ... | sound effects editor |
| Nancy MacLeod | ... | sound effects editor |
| Brian F. Mars | ... | sound editor |
| Joe Milner | ... | sound editor |
| Hugh Murphy | ... | assistant sound editor |
| Steve Nelson | ... | sound |
| Nick Neutra | ... | foley mixer |
| Thomas O'Neil Younkman | ... | first assistant sound editor |
| Michelle Pazer | ... | dialog editor |
| Jon Title | ... | sound effects editor |
| Mark Weingarten | ... | sound |
Visual Effects by
| Jonathan Alvord | ... | avid editor |
| Floyd Burks | ... | special effects digital scanning and lightning recorder operator |
| Erin M. Cullen | ... | roto artist |
| Scott Dougherty | ... | visual effects producer: Cinesite |
| Tim Gibbons | ... | digital compositor |
| Fred Jimenez | ... | 2D technical assistant |
| Karen Klein | ... | digital compositor |
| Christopher Lance | ... | digital compositor |
| Sarah Moore | ... | digital compositor: Cinesite |
| Jerry Pooler | ... | visual effects supervisor: Cinesite |
| Kevin Schwab | ... | digital imaging: Cinesite |
| Ken Sjogren | ... | digital compositor |
| Tiffany Smith Llorens | ... | visual effects production coordinator: Cinesite (as Tiffany Smith) |
| Tracy Takahashi | ... | visual effects associate producer: Cinesite |
| Toby Wilkins | ... | inferno artist: main title sequence, New Wave Entertainment |
| Vincent Lavares | ... | digital asset manager: Cinesite Hollywood (uncredited) |
Stunts
| Dustin Meier | ... | stunt driver |
| Troy Robinson | ... | stunt coordinator |
| Tim Sitarz | ... | stunts |
Camera and Electrical Department
| Corwin A. Bibb | ... | rigging gaffer (as Cory Bibb) |
| Murray Close | ... | still photographer |
| Eric Cochran | ... | electrician |
| Raymond Collins | ... | electrician |
| Dino Corti | ... | electrician: San Francisco |
| Kim Cousins | ... | loader |
| Patrick Figueroa | ... | grip: San Francisco |
| Pat Fitzpatrick | ... | best boy electric |
| Jeff Gatesman | ... | electrician |
| Jeff Gilliam | ... | electrician: San Francisco |
| Todd Griffith | ... | key grip |
| Gregg Guellow | ... | best boy grip |
| John Harmon | ... | grip |
| Jason Hicks | ... | grip |
| Jay M. Huntoon | ... | video assist operator |
| Kenneth 'Spike' Kirkland | ... | grip: San Francisco (as Ken Kirkland) |
| Craig Kvinsland | ... | electrician |
| Lorna Leslie | ... | camera loader: San Francisco |
| Nicholas Meeks | ... | electrician: San Francisco |
| Dan Michalske | ... | grip: San Francisco (as Daniel Michalske) |
| Matthew Moriarty | ... | assistant camera |
| Tony Olivieri | ... | first assistant steadicam |
| Orlando Orona | ... | grip |
| Jeffrey W. Petersen | ... | gaffer |
| Joseph Prado | ... | grip (as Joe Prado) |
| Andy Shuttleworth | ... | steadicam operator |
| Philip Sloan | ... | rigging grip (as Phil Sloan) |
| Don Steinberg | ... | a camera first assistant |
| Michael Stone | ... | camera operator: "a" camera / director of photography: second unit |
| Paul Threlkeld | ... | dolly grip |
| Brian Webster | ... | electrician |
Casting Department
| Dena Berman | ... | casting assistant |
| Jessica Gee-George | ... | adr voice casting: TV/Airline Version |
| Nina Henninger | ... | location casting |
| Lesa Lotito | ... | casting associate |
| Michelle Morris | ... | casting associate |
| Cash Oshman | ... | president: Big Crowds |
| Lesa Shapiro | ... | extras casting |
Costume and Wardrobe Department
| Donna Berwick | ... | assistant costume designer |
| Joseph Markham | ... | key costumer (as Joe Markham) |
| Nancy Servin | ... | seamstress: San Francisco |
| Pamela Wise | ... | costume supervisor (as Pam Wise) |
Location Management
| Ynze Bijl | ... | assistant location manager: San Francisco |
| Christine Bonnem | ... | location manager |
| Michael Pew | ... | location manager |
| Michael White | ... | assistant location manager: San Francisco |
| Ernest Belding | ... | key assistant location manager (uncredited) |
| Rick Poyner | ... | key assistant location manager (uncredited) |
| Steven Ritchie | ... | location assistant: San Francisco (uncredited) |
| Scott Trimble | ... | location assistant: San Francisco (uncredited) |
Music Department
| Pete Anthony | ... | conductor |
| Jennifer Barak | ... | music editor |
| Tom Brown | ... | music preparation |
| Stewart Copeland | ... | musician: drums & percussion |
| Michael Dittrick | ... | music editor / supervising music editor |
| Sharyn Gersh | ... | assistant music editor (as Sharyn M. Tylk) |
| Jim Hoffman | ... | music preparation |
| Paul Holliday | ... | music assistant |
| Fred Johnston | ... | music playback |
| Sara Kapuchinski | ... | music assistant: assistant to Mr Copeland |
| Lesle Lewis | ... | music supervisor (as Leslie Lewis) |
| Joseph Magee | ... | orchestral scoring mixer |
| Judd Miller | ... | musician: electric valve instrument |
| John Rodd | ... | orchestral scoring recordist |
| Jeff Seitz | ... | Music recordist and mixer |
| Steven L. Smith | ... | music preparation |
| Randy Spendlove | ... | music supervisor |
| Michael Thompson | ... | musician: guitar |
| Rachel Bolt | ... | musician: viola (uncredited) |
| Louise Di Tullio | ... | musician: flute (uncredited) |
Transportation Department
| Krister C. Johnson | ... | transportation captain |
| Paul Jones | ... | driver |
| Michael Merrick | ... | transportation coordinator |
| John O'Rourke | ... | driver: San Francisco |
| David Pappas | ... | transportation captain: San Francisco |
Additional Crew
| Tamara Allen | ... | production coordinator: San Francisco |
| Wendy Altman-Cohen | ... | principal eyewear |
| Bryan Anthony | ... | assistant choreographer |
| Heath Jacob Baldwin | ... | production coordinator: New York |
| Jennifer Bauman | ... | production assistant: San Francisco |
| Amy Carr | ... | assistant: Sue Baden-Powell |
| James Chandler | ... | craft service: San Francisco |
| Michael Chickey | ... | office production assistant: San Francisco |
| Dante | ... | warm-up comic |
| Christopher Desmond | ... | set medic coordinator: San Francisco |
| Brian Dettor | ... | set production assistant |
| Janette Evans | ... | payroll accountant |
| Jerry Evans | ... | choreographer |
| Gwen Everman | ... | production accountant |
| Mark Gerald | ... | paramedic: Los Angeles |
| Allan Graf | ... | football coordinator |
| David Guilbeau | ... | craft service (as David 'Cajun' Guilbeau) |
| Pamela Hill | ... | stand-in: Claire Forlani (as Pamela Malof) |
| Tony Hill | ... | set medic (as James Anthony Hill) |
| Leah Holmes | ... | post-production accountant |
| Robin Jonas | ... | senior executive |
| Eric Layne | ... | first assistant accountant |
| David Linck | ... | unit publicist |
| Mark R. Lindsay | ... | sales representative (as Mark Lindsay) |
| Emilie Maison | ... | press attache france |
| Dina Mande | ... | title designer: New Wave Entertainment |
| Rob McCabe | ... | stand-in: Freddie Prinze Jr. |
| Katie McCaffrey | ... | assistant production coordinator: San Francisco |
| John Pontrelli | ... | production assistant |
| Meryl Poster | ... | production executive |
| Josh Schneider | ... | accountant |
| Matt Springer | ... | production assistant |
| Jude S. Walko | ... | office production assistant |
| Robert 'Bobby Z' Zajonc | ... | aerial coordinator / helicopter pilot |
| Ami Zins | ... | film commissioner |
| Scott Macleod | ... | production assistant (uncredited) |
| Andy Steinlen | ... | adr voice (uncredited) |
| Scott Trimble | ... | office production assistant: San Francisco (uncredited) |
Production Companies
Distributors
- Dimension Films (2000) (United States) (theatrical)
- New Films International (2000) (Non-US)
- Alliance Atlantis Communications (2000) (Canada) (theatrical)
- Buena Vista International (2000) (United Kingdom) (theatrical)
- Kinowelt Filmverleih (2000) (Germany) (theatrical)
- Dimension Home Video (2000) (United States) (DVD)
- Walt Disney Home Video (2000) (United States) (VHS)
- Alliance Atlantis Vivafilm (2000) (Canada) (VHS) (Québec) (Doublé au Québec)
- Miramax (2000) (World-wide)
- RCV Home Entertainment (2001) (Netherlands) (VHS)
- Walt Disney Home Video (2001) (United States) (VHS)
- Gativideo (2001) (Argentina) (VHS)
- Bac Films (2001) (France) (theatrical)
- Laurenfilm (2001) (Spain) (theatrical)
- RCV Home Entertainment (2002) (Netherlands) (DVD)
- American Broadcasting Company (ABC) (2003) (United States) (tv) (broadcast premiere)
- Veronica (2005) (Netherlands) (tv)
- Reel Corporation (2006) (Australia) (DVD)
- Reel DVD (2006) (Australia) (DVD)
- Zeyliv (2008) (Japan) (DVD)
- HBO Max (2020) (United States) (video) (VOD)
Special Effects
- Cinesite (Hollywood) (visual effects)
Other Companies
- 20th Century Fox Studios (score recorded at)
- Aero Mock-Ups (aircraft mock-up rental)
- Ark 21 Records (soundtrack published by)
- Big Crowds (crowd casting)
- Bill Dance Casting (extras casting)
- Chapman/Leonard Studio Equipment (camera cranes)
- Chapman/Leonard Studio Equipment (camera dollies)
- Cinemobile System (lighting equipment)
- Design Lighting Group (automated lighting)
- Entertainment Partners (payroll services)
- Gateway Security (security: San Francisco)
- Great Northern Brokerage Services (insurance)
- J.L. Fisher (camera dollies)
- Ken and Art's Catering (catering)
- Kona Cutting (negative cutting)
- L.A. Mad Dogs (voice casting)
- Location Security Service (security)
- Micdi Productions (music editorial)
- New Wave Entertainment (main and end titles)
- Pacific Title (titles and opticals)
- Rockbottom Rentals (cell phone rentals)
- Sabron Payroll Services (payroll: orchestra)
- Soundelux (post-production services)
- TM Equipment Rentals (additional grip and lighting equipment)
- Thomson & Thomson (script clearance)
- Todd-AO Studios (sound transfers)
- Troop, Steuber, Pasich, Reddick & Tobey LLP (production legal services)
- Universal Studios (courtesy of: posters from the motion pictures entitled "The Breakfast Club" and "Sixteen Candles")
Storyline
| Plot Summary |
Jennifer and Ryan are students at UC Berkeley, acquaintances off and on since early adolescence. She's quick, witty, ironic, literary, and independent; he's deliberate, literal, serious, studying structural engineering, always working on a plan. They take walks, they console each other over break-ups, he shares his plans. She's headed for Italy after graduation. Then, to their equal surprise, they spend a night together. Her response is to skitter away from continued intimacy and want to stay friends; he's hurt by her response, so he withdraws. Can it all get sorted out before she leaves town?
Written by |
| Plot Keywords | |
| Taglines | Opposites Attack See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | $35,000,000 (estimated) |
| Opening Weekend United States | $7,008,950, 18 Jun 2000 |
Did You Know?
| Trivia | The students seen in several scenes at UC Berkeley are actual Berkeley students; the movie was filmed while classes were in session. See more » |
| Goofs | There is no way that Jennifer and Amy, as college students, would be able to afford such an apartment in the Bay Area (especially in San Francisco, which is an illogical place to live for Berkeley students anyway). See more » |
| Movie Connections | Featured in Shaft/Boys and Girls/Jesus' Son/Titan A.E./Pop and Me (2000). See more » |
| Soundtracks | Love Stinks See more » |
| Crazy Credits | In a dream sequence during the credits, Hunter visits a department store, tries on a pair of Jaguar boxers and meets four Victoria's Secret models who really like farting. We then see him talking to Amy's psychologist, inquiring what she thinks the dream means. See more » |
| Quotes |
Ryan:
What? Jennifer: What? This. This, what is this? Ryan: I don't know! Nothing's going on. Jennifer: Really? Because I just ran into Megan and she told me that you broke up with her. Is that what this is about? Because I thought I told you not to tell her anything. Ryan: Yeah, I know. Jennifer: Well are you upset? Ryan: No! Jennifer: So what's going on? Ryan: I don't know! Things are different. Jennifer: But I thought we talked about that. Ryan, I thought that we said that we didn't want anything to be different. I thought we said that having sex was just a huge mistake and - and I mean, I mean it was weeks ago now, I thought we'd go back to being just friends, I thought that that would just... Ryan: Why was it a mistake? Jennifer: What? Ryan: You and me. Why was that a mistake? I'm curious. Jennifer: I thought we talked about it, what - you wanna go over it again? Ryan: No, you wanna talk - let's talk. Was it a mistake because anything that even comes close to real intimacy freaks you out? Or just that I'm not good enough for you? Jennifer: Ryan, you - you kissed me and - and I responded. But I wouldn't have done it if I thought it was gonna end our friendship. Ryan: And neither would I. Jennifer: Ryan, if I could take it all back, I would. Ryan: Take it. It's yours. Put it on the shelf with all your other one-night stands. Jennifer: Why are you doing this? Ryan: Look, that night was as much a surprise to me as it was to you. But being with you was like going to a place that I had never been before. And after you fell asleep I just laid there, staring up at those cheap fluorescent stars you have stuck on your ceiling, and - after a while they just started forming a pattern, this weird glow-in-the-dark pattern that linked together our entire relationship. And for the first time everything seemed clear to me - like one logical progression. It felt like you and I were the greatest plan ever made and I had nothing to do with it. Being with you made me feel that maybe I didn't have to keep planning anymore because it felt like I was actually living. And that for once in my life I wouldn't have to work so hard at being happy. That it could just happen. Nothing will ever hurt me as much as your reaction to that same experience. Jennifer: Ryan... Ryan: What, what - you wanna go hang out at the library and pretend like nothing happened? I can't do that. Jennifer: I'm sorry. I'm sorry - I don't know what to say. Ryan: Look, you don't have to say anything. I have to go. Have fun in Italy. See more » |