Well, it' like all american early talkies - stilted... with strange shifts of rythm and also long sequences which look and feel like the best of the late silent era, finally crashing on uninteresting talking moments... It's like rené Clair's "Quatorze Juillet" (not as good, though). It's a strange movie with a happy ending feel, style and script that Capra at the time had not yet mastered and made his own. The film was shot in four versions with the same actors. Like anything from Féjös, it is, at least, interesting - with spots as bright and powerful as one can
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