Matrimony's Speed Limit (1913) Poster

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7/10
The days before cell phones....
planktonrules26 March 2020
"Matrimony's Speed Limit" is a comedy from Alice Guy...a director not usually associated with comedies. The story is a very contrived one....and it was later re-used many times...and to its best in Buster Keaton's "Seven Chances".

When the story begins, Fraunie learns that he's lost much of his money in the stock market. So, he tells his girlfriend Marian that their engagement is off and she's free to marry a better man.

Soon, Fraunie receives a letter saying that his aunt has died AND he'll inherit her fortune IF he marries by noon. Considering it's almost noon when he learns this, it's not surprising that he's in a bind....and it's worse when he has trouble finding Marian.

This is a cute film but so much more could have been done with the story to build on the comedy and make the film more exciting. Still, for an early silent comedy, it's far better than most of the slapstick of the day....as most comedies in 1913 were more broad and involved a lot of kicking and gunfire for laughs!
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6/10
Woman uses a trick to marry her man
psteier29 April 2000
Ignore the previous comment - the Keaton film was much later.

A man does badly on Wall Street but refuses to borrow or take money from the woman he is engaged to, so she sends him a message seemingly from a law firm stating that his aunt has died but he must be married by 12 noon that day to be eligible to inherit her money. He makes several comic attempts to marry women who are at hand before marrying the lady who sent the letter just before noon.

Nice shots of suburban Fort Lee, NJ.
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5/10
Matrimony's Speed Limit review
JoeytheBrit29 June 2020
After being wiped out on the stock market, Fraunie Fraunholz learns that his recently deceased aunt has left him a fortune - but only if he is married by midday on the day he receives the telegram giving him the news. Some nice camerawork enhances an otherwise ordinary comedy-drama and compensates for an annoyingly broad performance from the leading man.
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Race-Against-Time Farce
Cineanalyst11 March 2021
I'm fond of the double meanings of such a title as Alice Guy's "Matrimony's Speed Limit," referring to both the car-speeding last-minute-rescue parody and the hurry to get hitched, so why not refer to a double meaning of "race" in my review headline. Because, as much as I enjoy making fun of the popular nickelodeon genre--D.W. Griffith being especially well known for such flicks as "The Girl and Her Trust" (1912)--there's also an example of an all-too-common and repugnant racist gag to ruin the fun. It's especially unfortunate given that Guy and her Solax studio also made an early and generally inoffensive "race film" with an all-African American cast, "A Fool and His Money" (1912), the year prior.

In this one, a man refuses to marry a wealthy heiress without being able to financially support them himself, so the woman sends him a telegram lying about him receiving an inheritance if he's married by noon. Cue a race-to-marry scenario similar to and predating Buster Keaton's "Seven Chances" (1925). The trick almost backfires as, pressed for time, the man looks to marry any woman--with the one exception of a veiled African-American woman. And this after he tries to manhandle another woman into marry him. This gag of recoiling at interracial coupling goes back at least to the Edison company's "What Happened in the Tunnel" (1903), and recently I saw it in another Edwin S. Porter film, "Jack the Kisser" (1907).

As for the last-minute-rescue film, it dates back to at least Pathé's "The Physician of the Castle" (1908) and was thereafter popularized by Griffith. Fellow female filmmaker Lois Weber made an especially innovative one, "Suspense" (1913). Nor was "Matrimony's Speed Limit" the only parody of the genre, as Keystone's "Barney Oldfield's Race for a Life" (1913) demonstrates. Technically, these films were mainly remarkable for the advancement of rapid crosscutting. Ordinarily, the set-up was for a damsel-in-distress to be rescued by her beau, with the picture cutting back and forth between her to be imminently attacked by the baddies and the man or men racing by car or some other transportation to get there and save the day. Usually, modern forms of communication also mediated this rescue--the telegraph, telephone, or telegram as here.

Characteristically, Guy reverses the gender roles, having the man needing to be rescued in the form of being wed and the woman racing off in the automobile to save him, as well as controlling the narrative by initiating the plot with the telegram. By the end, the guy gives up and lies in front of oncoming traffic, which, you guessed it, turns out to be his sweetheart's car. The suicide joke comes full circle here after an opening shot where one might've thought he was going to jump out of a window due to his financial distress, and a steamroller is close behind the newlyweds' transport to drive the picture's particular marriage metaphor home.
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7/10
Amusing short
gbill-748772 April 2020
I like how the guy lays down in front of the car and motions for it to run him over near the end, when he believes he's not going to succeed in his quest to marry by noon to collect an inheritance. It's cool that it's the woman (Marian Swayne) who actually has the money in this relationship and is pulling the strings, and the guy is somewhat "steamrolled" into marriage, which director Alice Guy-Blaché cleverly shows us symbolically. She's a little heavy-handed in how often she shows us the clock, and there's also an unfortunate joke where as he searches desperately for any woman to marry him, he taps on a veiled woman's back, only to discover she's black, and then immediately reacts by running away. It's a small moment but reflects the miscegenation laws and widespread view of white superiority of the period, and is repugnant.

I'm not sure who first came up with the concept for the story line, whether that was Guy-Blaché or someone earlier, but it would certainly be repeated afterwards, e.g. just three weeks later, in the short 'Jane Marries,' and then in countless others over the years. You may also recognize it from Buster Keaton's film 'Seven Chances' in 1925, based on a play from 1916 - though it's sadly ironic that Keaton would also include a touch of racism with a stupid character in blackface. Just as in that film, if you can look past those painful moments, this is an amusing little short.
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7/10
Cliché But Fun
gavin694231 May 2016
A man must marry by noon or lose his inheritance. It's 11:50 a.m. and he can't find his fiancée.

This was produced and directed by pioneering female film maker Alice Guy-Blaché. It was produced by Solax Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey at the beginning of the 20th century. That makes it doubly interesting -- the female director, and the fact it came out of New Jersey, which seems odd today.

One of only two of Guy-Blaché's films to survive out of her ouvre of more than 300, its preservation was initially financed by the Women's Film Preservation Fund upon its inauguration in 1995. I have no idea how you lose 298 or more films, but apparently this happens.
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4/10
Not one of Guy's best Warning: Spoilers
Maybe shorter is better in the case of early female filmmaker Alice Guy as her work here, the 14-minute "Matrimony's Speed Limit" was not really a great watch, even if the National Film registry thought otherwise. Guy was around the age of 40 when she made this film during a prolific 1913. The drama here is not really serious, so it is a comedy film from start to finish. Of course, looking at who made this and that it is already over 100 years old, this is a silent film and in black-and-white. Romance aspect is solid and there are one or two funny moments, but I felt that it simply was not enough to be an interesting watch, even if it runs just for a quarter of an hour, or maybe I should say for so long as this runtime was not common at all by 1913. There were also a few not-so-great moments like towards the end when the male protagonist decides to commit suicide because the payday does not seem to happen. I mean if he really loved his girl, then there's no way he would have even considered such a thing. The allegedly funny moment from briefly before that when he sees a woman whose face is covered and we know of course it is not his significant other, even if he thinks it is (or exactly because he thinks it is), has not aged too well either from a comedy perspective. The ending then is full-on happy as you may have guessed and the two are united in love, harmony and togetherness following a little bit of cheekiness. I still found it difficult at times to really follow and understand what was going on here, especially early on, and the plot was certainly not too complex, so the execution feels a bit shoddy. More intertitles would have been a wise choice. I also felt as if the male lead was laughing (or at least smiling) during moments early on when it was not appropriate given the story.

Anyway, I give this film a thumbs down, also because the whole plot and idea that you have to get married until noon to get the money is a bit too absurd for my liking and just as unrealistic as the car that the man is ready to succumb to includes his sweetheart then. What a coincidence! There are more negative or forgettable aspects to this film than there is good quality and that is why overall I do not recommend the watch here despite the two fairly prolific and talented actors from back in the day. If you speak German, you will maybe initially be confused by somebody named Fraunie Fraunholz being male. In the intertitles you also read his first name and the first name of lead actress Marian Swayne on several occasions and they/Guy just used their actual first names for the characters. For both actors it was still relatively early in their careers and overall Swayne acted in more films afterwards, also lived longer than Fraunholz, even if neither of the two managed to continue an acting career with the introduction of sound film. But that was a common fate for actors back then. If we go back to this film here, it also needs to be said that there are many other cast members with screen time included, even if all of them are featured only very briefly, but still the cast list should be or have been more than two names. That's it. Even if this film is easily available on the big video website everybody knows, I think that the best choice is to skip the watch.
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9/10
Breezy little romp
silent-1218 August 2000
I have to disagree with the other reviewer--I found "Matrimony's Speed Limit" fun and breezy, even if the plot has been recycled a million times. What makes this version different (at least to me) is that the girl dupes her boyfriend into marriage by sending him a fake telegram, and then ends up giving him all of her own money. The ending is particularly charming, with the new husband realizing the deception and the girl wheedling him into compliance.
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amusing comedy short, even though clichéd
FieCrier17 May 2005
A ticker-tape spells out a man's doom: he's lost his investments. His girlfriend, who is very well off, offers him her finances, but he won't have it. A telegram is sent that he is due an inheritance if he is married before noon. She rushes out in her car with a priest in tow to meet him, while he tries proposing to every woman in sight.

It's an amusing comedy, not uproariously funny, but cute. "Marry by a certain time, or forfeit your inheritance" was probably an old plot device even when this was made, and yet it's still around. Here, though, it's the woman's attempt to save the pride of the man she loves. A bit embarrassing that he didn't think to call her when he got the telegram - I don't know if she'd be happy to learn he tried proposing to everyone he encountered.
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