Directed by
| Ken Cameron | ||
Writing Credits
| Richard Mortlock | ... | (written by) & |
| Ken Cameron | ... | (written by) & |
| Terry Hayes | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Terry Hayes | ... | producer |
| Richard Mason | ... | associate producer |
| George Miller | ... | producer |
| Doug Mitchell | ... | producer |
Music by
| Cameron Allan | ||
Cinematography by
| Dean Semler | ||
Editing by
| Henry Dangar | ||
Production Design by
| Igor Nay | ||
Costume Design by
| Jan Hurley | ||
Makeup Department
| Sally Gordon | ... | makeup artist |
| Joan Petch | ... | hair stylist |
Production Management
| Richard Carroll | ... | unit manager |
| Marcus D'Arcy | ... | post-production supervisor |
| Claire O'Brien | ... | post-production supervisor |
| Brenda Pam | ... | production manager |
Second Unit Director or Assistant Director
| Colin Fletcher | ... | first assistant director |
| John Meredith | ... | third assistant director |
| Murray Robertson | ... | second assistant director |
Art Department
| Colin Gibson | ... | stand-by props |
| Penny Lang | ... | art department coordinator |
| Daniel Morphett | ... | art department runner |
| Jane Murphy | ... | graphic artist/set dresser |
| Michael Tolerton | ... | props buyer |
Sound Department
| Nick Breslin | ... | assistant dialogue editor (as Nicholas Breslin) |
| Steve Burgess | ... | sound effects editor |
| Jack Friedman | ... | additional boom operator |
| Tim Jordan | ... | dialogue editor |
| Geoff Krix | ... | boom operator |
| Gerry Nucifora | ... | additional boom operator |
| Ben Osmo | ... | sound recordist |
| Roger Savage | ... | sound mixer |
| Julius Chan | ... | mix assistant (uncredited) |
Camera and Electrical Department
| Johnathan Cohen | ... | additional clapper loader |
| Colin Deane | ... | focus puller |
| Alan Dunstan | ... | best boy (as Allan Dunstan) |
| Tracie Griffith | ... | clapper loader |
| Peter Horton | ... | assistant grip |
| Amanda King | ... | additional clapper loader |
| Candy LeGuay | ... | still photographer |
| Ian McAlpine | ... | assistant grip |
| Darren McLaughlin | ... | electrics |
| Irvine G. McLaughlin | ... | key grip |
| Richard Merryman | ... | camera operator: second unit |
| John Morton | ... | gaffer |
| Ingrid Semler | ... | still photographer |
| William Yang | ... | still photographer |
Casting Department
| Judith Cruden | ... | extras casting |
| Nicky Gluyas | ... | casting assistant |
| Liz Mullinar | ... | casting |
Costume and Wardrobe Department
| Kate Green | ... | stand-by wardrobe |
Editorial Department
| Leo Bahas | ... | negative matching |
| Arthur Cambridge | ... | color grading |
| Miriam Cortes | ... | negative matching |
| Alan Dungey | ... | second assistant editor |
| Richard Piorkowski | ... | laboratory liaison |
| Margaret Sixel | ... | first assistant editor |
| Denise Wolfson | ... | laboratory liaison |
Location Management
| Peter Lawless | ... | location manager |
Music Department
| Glen Muirhead | ... | music performed by |
Script and Continuity Department
| Linda Ray | ... | continuity |
Additional Crew
| Joanne Caldwell | ... | production accountant |
| Grace Clague | ... | production assistant |
| Nicola Dallow | ... | accounts assistant |
| Karen Freeman | ... | general assistant |
| Emma Gordon | ... | production runner |
| Jane Griffin | ... | production coordinator |
| Alistair Jenkins | ... | financial controller |
| Barbara Nolan | ... | producer's assistant |
| Emma Schofield | ... | general assistant |
