Directed by
| Simon Corris | ||
Writing Credits
| Alison Reddihough | ... | (screenplay) and |
| Simon Corris | ... | (screenplay) |
Cast (in credits order)
| Frank Finlay | ... | Charlie Fielding | |
 |
Alison Reddihough | ... | Sarah Anderson |
| June Watson | ... | Audrey Hicks | |
| Jacqueline Phillips | ... | Anne Hicks | |
|
|
Josie Kidd | ... | Emily Fielding |
Produced by
| Simon Corris | ... | co-producer |
| Alison Reddihough | ... | co-producer |
Music by
| Barrington Pheloung | ||
Cinematography by
| Gavin Struthers | ||
Editing by
| Simon Cozens | ||
Production Design by
| Luke Smith | ||
Art Direction by
| Tracy Ann Baines | ||
Costume Design by
| Bea Marx-Logerfo | ||
Makeup Department
| Natalie Grosberg | ... | assistant makeup artist |
| Julia Laderman | ... | makeup artist |
Production Management
| Claire Trevor-Roper | ... | unit production manager (as Claire F. Moore) |
| Jackie Wetherill | ... | production manager (as Jacqui Wetherill) / production manager |
Second Unit Director or Assistant Director
| Sam Jones | ... | second assistant director |
| Katia Kogler | ... | third assistant director |
| Philip Shaw | ... | first assistant director |
Art Department
| Rhian Davies Jones | ... | stand-by props |
| Sharon Hunt | ... | art department assistant |
| Danny Jenkins | ... | art department assistant |
| Peter Lamont | ... | consultant production designer |
| Tony Mayor | ... | construction assistant |
| Joanna Sangster | ... | art department assistant |
| Michael Singleton | ... | assistant art director |
| Jemma Smith | ... | property maker |
| Penny Smith | ... | property maker |
| R. Kate Snusher | ... | stand-by art director |
| Rachel Williams | ... | art department assistant |
Sound Department
| Mark Auguste | ... | consultant sound editor |
| Sam Auguste | ... | sound editor |
| Nigel Bennett | ... | sound recordist |
| Ricky Butt | ... | foley artist (as Rikki Butt) |
| Jon 'Scooter' Cousins | ... | sound assistant (as Jonathan Cousins) |
| Brian Greene | ... | sound mixer |
| Robin O'Donoghue | ... | re-recording mixer |
| Dugald Scott | ... | boom operator |
| Richard Street | ... | re-recording mixer |
| David Tyler | ... | adr mixer / foley mixer |
Visual Effects by
| Sule Bryan | ... | digital paint artist (as Sule Bryan-Hurst) |
| Robert Duncan | ... | digital visual effects supervisor |
| Ian Fellows | ... | digital paint artist |
| Ruth Greenberg | ... | visual effects coordinator |
| Darrel Griffin | ... | data |
| Jan Hogevold | ... | digital lab producer |
| Merrin Jensen | ... | digital lab |
| Drew Jones | ... | visual effects producer |
| Roz Lowrie | ... | visual effects editorial |
| Dominic Parker | ... | supervising CG animator |
| Matthew Twyford | ... | digital visual effects supervisor |
Camera and Electrical Department
| Philip Aylewood | ... | grip |
| John Breedon | ... | cinejib operator |
| Luke Chisholm | ... | key grip |
| Jason Coop | ... | clapper loader / second assistant camera |
| Trevor Coop | ... | camera operator: Pinewood Studios |
| Dennis Dillon | ... | cinejib grip |
| Freddie Francis | ... | consultant director of photography |
| Maurice Gillett | ... | executive gaffer |
| Rodrigo Gutierrez | ... | camera operator |
| Dean Thompson | ... | focus puller |
| Adam White | ... | assistant camera |
| Christian Zeidler | ... | camera trainee |
Costume and Wardrobe Department
| Alice Lowe | ... | wardrobe assistant |
Editorial Department
| Phil Ashton | ... | color timer |
Music Department
| Darren Campan | ... | score preparation |
Script and Continuity Department
| Claire Eades | ... | script supervisor |
Additional Crew
| Liesbeth Beekman | ... | production assistant |
| Ian Firth | ... | title designer |
Thanks
| Eddie Dias | ... | thanks |