Two young couples traveling across the backwoods of Texas searching for urban legends of murder end up as prisoners of a bizarre and sadistic backwater family of serial killers.Two young couples traveling across the backwoods of Texas searching for urban legends of murder end up as prisoners of a bizarre and sadistic backwater family of serial killers.Two young couples traveling across the backwoods of Texas searching for urban legends of murder end up as prisoners of a bizarre and sadistic backwater family of serial killers.
- Director
- Writer
- Stars
- Awards
- 4 wins & 8 nominations
Sheri Moon Zombie
- Baby Firefly
- (as Sheri Moon)
William Bassett
- Sheriff Frank Huston
- (as William H. Bassett)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThere is more than one instance where you see a poster for two missing young boys. Those boys were actually pictures of Rob Zombie and his brother (the lead singer of Powerman 5000) as children.
- Goofs(at around 4 mins) When Captain Spaulding and Stucky are having their conversation in the very beginning and Stucky is handed the bathroom key it is on a hand that is flipping the bird, however when the gunmen pull him out of the bathroom he is holding the key on a hand that is giving the devil horns and also missing his glasses.
- Crazy creditsAfter the last scene, the words "The End?" are shown.
- Alternate versionsThe original 105 minute version is out there somewhere but has yet to surface. Rob Zombie has stated that the material is not available. Whether this is true or not remains to be seen. It should be noted however that Zombie willingly cut most of the footage described below while the film was shelved and looking for a distributor. In fact, very little was removed to get an R-rating.
- ConnectionsEdited from Basic Autopsy Procedure (1961)
- SoundtracksEverybody Scream!
Lyrics by Rob Zombie
Music by Rob Zombie & Scott Humphrey
Performed by Rob Zombie
Courtesy of Geffen Records 2002
Published by Demonoid Deluxe Music/WB Music Corp. and Gimme Back My Publishing administered by Bug Music
Featured review
One hell of a directing debut
Rob Zombie's House Of 1000 Corpses is a lot to sit through, and at times is a victim of its own overly zany ambition. Nevertheless, it's the first stepping stone in the path of one of the most fascinating and talented directorial careers in the industry, and is a completely batshit mental curiosity in its own right. Zombie sprung onto the scene with this one and has since been a controversial, much talked about and frequently hated voice of horror. Let's get one thing transparently clear: No one can be blamed for not enjoying his films, they're incredibly niche and not everyone's thing, but you are simply lying to yourself if you won't concede what a hugely talented writer, director and all round filmmaker he is. I've had to get quite stern in conversations with people whose tunnel vision stubbornness supersedes their ability to logically analyze his work, and I simply won't put up with it. Alright, scolding done, over to the film. I'll be the first to admit that House is a splattered mess at times and goes about six light years over the top, but the sheer grungy scope of production design is really something to see. In deepest backwoods Americana, the murderous Firefly clan preys on, terrorizes and murders pretty much anyone who gets in their path. Bill Moseley is a Manson-esque dark angel as Otis Driftwood, renegade bad boy brother, Sheri Moon Zombie is like Harley Quinn on bath salts as Baby, who is definitely the scariest, while gargantuan Matthew McGrory, walking decrepitude grandpa (Dennis Fimple) and giggling slutwhore Mama (Karen Black doing her very best freaky Betty Boop rendition) round out the rest of the brood. They live in some cluttered rural dump right out of Hoarders, luring unsuspecting travellers off the road and murdering them in really over elaborate, exhaustive looking ways. Oh and we see the birth of one of cinema's most jovial and sleazy killer clowns, Sid Haig's motor mouth Captain Spaulding, who bookends the film in uproariously raunchy comic relief. It's a neon fever nightmare of relentless commotion, visual excess, metal music, retro Americana pop culture bliss and sadistic gore, Zombie going all out to solidify his storytelling aesthetic that would continue, in augmented, evolved ways, over the course of his brilliant career. This is certainly as obnoxious a film as you'll find in his stable, and while it ranks in the southern end of my Zombie favourites list, there's just no ignoring the raucous, depraved celebration of all things gross, gooey and grotesque that parades by. Not to mention the whip-smart, trashy and endlessly funny dialogue, writing being skill that the man excels in on another level.
helpful•70
- NateWatchesCoolMovies
- Dec 29, 2017
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- House of 1,000 Corpses
- Filming locations
- Four Aces Movie Ranch - 14499 E Ave Q, Palmdale, California, USA(Captain Spaulding's Gas Station)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $7,000,000 (estimated)
- Gross US & Canada
- $12,634,962
- Opening weekend US & Canada
- $3,400,000
- Apr 13, 2003
- Gross worldwide
- $16,829,545
- Runtime1 hour 29 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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