Directed by
| Deborah Day | ||
Writing Credits (in alphabetical order)
| Kim Clements | ... | (writer) |
| Deborah Day | ... | (writer) |
Cast (in credits order) complete, awaiting verification
| Krista Bridges | ... | The Woman | |
| David Hewlett | ... | The Victim | |
 |
Jake T. Roberts | ... | The Perpetrator (as Jake Roberts) |
| Gabriel Hogan | ... | The Date | |
Produced by
| Tina Beauchamp | ... | executive producer |
| Kim Clements | ... | executive producer |
| Tracey Dodokin | ... | co-producer |
| Janine Heath | ... | line producer |
| Kirk Johnson | ... | producer |
Music by
| Donald Quan | ||
Cinematography by
| Jonah Hart | ||
Editing by
| Dean Evans | ||
Production Design by
| Michelle Convey | ||
Makeup Department
| Amber Chase | ... | makeup artist |
| Danielle Lee | ... | hair stylist (as Danielle Goldschlager) |
Second Unit Director or Assistant Director
| K.T. Howard | ... | first assistant director |
| Jovanni Sy | ... | second assistant director |
Art Department
| Alta Louise Doyle | ... | storyboard artist |
| Sandra Schmidt | ... | assistant designer |
| James Bradley Smith | ... | art department assistant |
| Rabecca Worts | ... | props |
Sound Department
| Marina Adam | ... | foley artist |
| Gordon Creelman | ... | sound recordist (as Gordon Ross Creelman) |
| David Rose | ... | re-recording mixer (as Dave Rose) |
| Phong Tran | ... | dialogue editor |
| Paul Virostek | ... | sound effects |
| Hartley Wynberg | ... | boom operator |
| Randy Wilson | ... | foley recordist (uncredited) |
Special Effects by
| Ron Craig | ... | special effects |
| Max Macdonald | ... | special effects (as Max MacDonald) |
Visual Effects by
| Bret Culp | ... | digital artist: credit sequence: C.O.R.E. Digital Pictures |
Stunts
| Alison Reid | ... | stunt coordinator |
Camera and Electrical Department
| Alex Dacev | ... | key grip |
| Peter Finlay | ... | camera trainee |
| Mark Giles | ... | second assistant camera |
| Reni Hoz | ... | first assistant camera |
| Erik Jacobsen | ... | key grip |
| Eric Lamb | ... | camera trainee |
| Rob Matassa | ... | gaffer |
| Andrew Meredith | ... | grip |
| Neil Saito | ... | gaffer |
| Greg Shean | ... | electrician |
| Lennon Shute | ... | grip |
| John van Seader | ... | second assistant camera |
| Pief Weyman | ... | still photographer |
| Bob Wroe | ... | generator operator |
Editorial Department
| Andrew Coutts | ... | assistant editor |
| Erika Goldthwaite | ... | negative cutter (as Erica Wolf) |
Location Management
| Ganesh Nankoosingh | ... | location manager |
Music Department
| David Krystal | ... | composer: additional music |
Script and Continuity Department
| Trisha Mason | ... | continuity (as Trish Mason) |
Additional Crew
| Paul Anderson | ... | production assistant |
| Berj Bannayan | ... | production assistant |
| Jesse Bradstreet | ... | production assistant |
| Bret Culp | ... | titles |
| Carolyn Hurren | ... | production assistant |
| Kelvin Kanagaraj | ... | production assistant |
| Bob Munroe | ... | titles |
| Reuben Thompson | ... | production coordinator |
| Bob Wroe | ... | equipment manager |
| Lisa Wyse | ... | titles |
| Muriel Zuratas | ... | production assistant |