Graham struggles to connect the pieces of his shattered short-term memory. Unable to recall the most basic facts of his life and his sexual past, he quickly falls prey to the erotic appetites of the women he encounters.
Director:
Writers:
Photos and Videos
Cast
| Eduardo Noriega | ... |
Graham / Pablo
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| Anna Mouglalis | ... |
Irène
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| Nathalie Richard | ... |
Sabine
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| Éric Caravaca | ... |
Fred
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| Paz Vega | ... |
Isabelle
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Lény Bueno | ... |
Antoine
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| Julie Gayet | ... |
Julie
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Agathe Dronne | ... |
Céline
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Bernard Bloch | ... |
Docteur Sagem
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Vincent Dissez | ... |
Simon
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Catherine Bidaut | ... |
Nadine
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Pascal Tokatlian | ... |
Gérard
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| Dominic Gould | ... |
Gilles
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Stéphanie Picard | ... |
La serveuse
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André S. Labarthe | ... |
L'homme au musée
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Directed by
| Jean-Pierre Limosin | ||
Written by
| Christophe Honoré | ... | (screenplay) & |
| Jean-Pierre Limosin | ... | (screenplay) |
Produced by
| Monte Christo | ... | executive music producer |
| Enrique González Macho | ... | associate producer |
| Hengameh Panahi | ... | producer |
| Tiziana Soudani | ... | associate producer |
Music by
| Zend Avesta | ||
| Loïc Dury | ||
| Mathieu Dury | ... | (as Kouz-1) |
| Christophe Minck | ||
Cinematography by
| Julien Hirsch | ||
Editing by
| Cristina Otero Roth | ||
Editorial Department
| Mathilde Fleury | ... | assistant editor |
| Christian Rever | ... | color timer |
| Camille Toubkis | ... | assistant editor |
Casting By
| Stéphane Batut | ||
| Alex Zimo | ||
Production Design by
| Jimmy Vansteenkiste | ... | (as Christian Vansteenkiste) |
Costume Design by
| Maripol | ||
Makeup Department
| Nurith Barkan | ... | key makeup artist |
| José-Luis Casas | ... | key hair stylist (as José Lucas Casas) |
Production Management
| Belén Bernuy | ... | production manager: Spain |
| Mohand Hadjlarbi | ... | assistant unit manager |
| Daniel Marchaudon | ... | unit manager |
| Thierry Peythieu | ... | assistant unit manager |
| Thierry Verdier | ... | production manager |
Second Unit Director or Assistant Director
| Laurent Perdeau | ... | assistant director |
| Thierry Peythieu | ... | assistant director / unit director |
Art Department
| Marie-Pierre Cazaban | ... | assistant decorator |
| Sylvie Cousin | ... | painter |
| David Fargot | ... | painter |
| Sebastien Teillet | ... | construction coordinator |
Sound Department
| Cédric Deloche | ... | boom operator |
| Eric Ferret | ... | foley recordist |
| Laurent Gabiot | ... | sound |
| Gabriel Hafner | ... | sound editor / sound mixer |
| Dominique Mazière | ... | foley artist |
| Pascal Mazière | ... | foley artist |
| François Musy | ... | sound editor / sound mixer |
| Johann Nallet | ... | sound recordist |
Visual Effects by
| François Dumoulin | ... | digital compositor |
Stunts
| Francis Auguy | ... | stunt driver |
| Gilles Cappelletto | ... | stunt driver |
| Richard Dieux | ... | stunt coordinator |
| Christophe Marsaud | ... | stunts |
| Eric Mondoloni | ... | stunts |
| Alexandrine Roux | ... | stunts |
| Frédéric Vallet | ... | stunt coordinator |
| Olivier Vitrant | ... | stunts |
Camera and Electrical Department
| Marco Beaurepaire | ... | gaffer (as Marc Baurepaire) / gaffer (as Marco Baurepaire) |
| Richard Dumas | ... | stills photographer |
| Denis Gaubert | ... | second camera operator |
| Sebastien Gaulon | ... | additional electrician (as Sébastien Gaulon) |
| Thibault Grabherr | ... | still photographer |
| Arnaud Gross | ... | additional electrician |
| David Le Mevel | ... | electrician (as David le Mevel) |
| Jean-Claude Moireau | ... | still photographer |
| Sophie Pejus | ... | first assistant camera |
| François Perrault-Alix | ... | key grip |
| Bertrand Perrotin | ... | second assistant camera |
| Pénélope Pourriat | ... | additional assistant camera |
| Ivan Rémy | ... | additional electrician |
| Honoré Soubrie | ... | additional grip / grip |
Casting Department
| Florence Ayivi | ... | casting: children |
| Audrey Gatimel | ... | extras casting |
Costume and Wardrobe Department
| Dolores Gonzalez | ... | costume assistant (as Dolorès Gonzalez) |
Music Department
| Eric Michon | ... | music supervisor |
Script and Continuity Department
| Augusta Riva | ... | script supervisor (as Pupa Riva Forni) |
Additional Crew
| Benjamin Baltimore | ... | title designer |
| Bruno Bimbard | ... | groupman |
| Tina Boillat | ... | production administrator: Switzerland |
| Patrick Morch | ... | groupman (as Patrick Morsch) |
| Carlos Pardo | ... | speech coach |
| Pascal Pillas | ... | locksmith |
| Robert Franck Sauvineau | ... | production administrator: Paris |
Thanks
| Jean-Jacques Aillagon | ... | thanks: president of the Pompidou Centre |
| Frédéric Mitterrand | ... | thanks |
Production Companies
Distributors
- Alphaville (2004) (Mexico) (theatrical)
- BIM Distribuzione (2003) (Italy) (theatrical)
- Gaga (2003) (Japan) (theatrical) (as GAGA Communications)
- Haut et Court (2002) (France) (theatrical)
- IFC Films (2005) (United States) (theatrical) (subtitled)
- Pan Terra (Russia) (theatrical)
- A-Film Home Entertainment (2004) (Netherlands) (DVD)
- Tartan Video (2005) (United Kingdom) (DVD)
- Vídeo Mercury Films (2002) (Spain)
Special Effects
Other Companies
- Cinemontage (avid editing)
- Ciné Lumières de Paris (electrical equipment)
- Cinécool (titles and opticals)
- Eclair (film lab)
- Panavision Alga (camera equipment)
- S.I.S. (adr facilities)
Storyline
| Plot Summary |
Those who loved Graham yesterday shouldn't count on today. Those who love him today risk being heartbroken tomorrow... Suffering from recurring memory loss, Graham is restricted to a limited short-term memory. He forgets most things after only a few minutes. He no longer recognizes his wife Isabelle nor his young son Antoine nor his best friend Fred. Since each day is a new day, Graham copes with life by referring to the details of his little notebook, the defining key to his identity. He works as a photocopy clerk under the close watch of his sexy boss Sabine, who uses him to his libido's advantage. Pretty new temp Irene can't help falling for Graham's spontaneous charm. But how can Graham really fall in love with her when he sees each time as the first time? Irene is about to experience all new ways of romance. She'll just have to remember everything for the both of them. Everyone around Graham has their reasons why he should or shouldn't fully recover...
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Did You Know?
| Trivia | About this film, Anna Mouglalis said, "It was very difficult to act naked for so long. I am very modest. Nudity seems like the easiest and simplest thing to do, but it's not. At the beginning of my career, I didn't even want to do kissing scenes, and now all my films have nudity." More than the film, which was not seen by so many people, what stayed in the minds of the Parisians was the poster, in which she appears half-naked and with her legs spread wide open. "I didn't like that poster at all," she said. "That certainly wasn't the film". See more » |
| Soundtracks | Sex With Strangers (Sly & Robbie Dub Mix) See more » |