Papillons de nuit (2002)
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- 1h 22min
- Comedy, Drama
- 16 Jan 2002 (France)
- Movie
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Cast
Léa Drucker | ... |
Roberta
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Eric Poulain | ... |
Danny
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Pierre Chevallier | ... |
Le père
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Marie-Christine Lafosse | ... |
La mère
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Jonathan Reyes | ... |
Le fils
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Ronald Guttman |
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Electra Weston | ... |
La barmaid
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Eric Cornet |
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Fleur Houdinière |
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Gérard Legrand |
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Jean-Hugues Laleu |
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André-Max Leplaix |
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Michel Chesneau |
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Monique Ramaut |
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Joseph de Cauchy |
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Directed by
John R. Pepper |
Written by
Pascal Bancou | ... | () |
John R. Pepper | ... | () (as John Pepper) |
John Patrick Shanley | ... | (book) |
John Patrick Shanley | ... | (play "Danny and the Deep Blue Sea") |
Produced by
Cathy Lemeslif | ... | executive producer |
Marie-Françoise Rousset-Rouard | ... | producer |
Music by
Hervé Legrand |
Cinematography by
Eduardo Serra |
Editing by
Jacques Witta |
Editorial Department
Manuel De Sousa | ... | assistant editor |
Christel Dewynter | ... | assistant editor |
Production Design by
Jean-Louis Povéda |
Costume Design by
Sylvie de Segonzac |
Makeup Department
Hugues Lavau | ... | makeup artist |
Joël Lavau | ... | key makeup artist |
Production Management
Béatrice Chauvin | ... | production manager |
Guillaume Farny | ... | unit manager |
Maxime Midière | ... | unit manager |
Second Unit Director or Assistant Director
Valérie Paulin | ... | first assistant director |
Manuel Pouet | ... | second assistant director |
Art Department
Loïc Chavanon | ... | property master |
Guy Vanderplaetsen | ... | property master |
Sound Department
Annabel Acquaviva | ... | sound assistant |
François Domerc | ... | sound assistant |
Judith Guittier | ... | assistant foley artist |
Paul Lainé | ... | sound |
Mourad Louanchi | ... | sound editor |
Jean-Paul Loublier | ... | sound mixer |
Laurent Lévy | ... | foley artist |
Béatrice Pilorge | ... | sound assistant |
Jean-Charles Ruault | ... | sound |
Stunts
Virginie Arnaud | ... | stunts |
Dominique Fouassier | ... | stunts |
Daniel Herroin | ... | stunts |
Frédéric Mouquet | ... | stunts |
Thierry Saelens | ... | stunts |
Daniel Vérité | ... | stunts |
Camera and Electrical Department
Claude Atanassian | ... | gaffer |
Pierre Barougier | ... | camera operator |
Philippe Bessy | ... | camera operator |
Vincent Blasco | ... | grip |
Pierre Chevrin | ... | assistant camera |
Cendrine Dedise | ... | assistant camera |
Michel Foropon | ... | electrician |
Laure Gemy | ... | assistant camera |
Colin Houben | ... | assistant camera |
Franck Leclerc | ... | assistant camera |
Thierry Pouget | ... | camera operator |
Daniel Salmon | ... | key grip |
Jean-Baptiste Thibaud | ... | camera operator |
Casting Department
Vincent Jouan | ... | extras casting |
Betty Laheurte | ... | extras casting |
Location Management
Manuel Pouet | ... | location scout |
Script and Continuity Department
Claude Luquet | ... | script supervisor |
Additional Crew
Abdelhadi El Fakir | ... | administrator |
Josianne Manne | ... | administrator |
Production Companies
Distributors
- Euripide Distribution (France)
Special Effects
Other Companies
Storyline
Plot Summary |
On a moonless night, in pouring rain, in the port of a big city, a three-on-one fight. Danny, the "victim" although badly beaten, finds the energy to stand up and slaughter his opponents. Wounded, exhausted, he takes refuge in the only open bar. There, a girl as lost as him, Roberta, ends her night dancing alone to the music of a jukebox. They unwittingly have similar wounds, and live in the same loneliness. Roberta tries to seduce Danny but their part of seduction looks like an arm wrestling where each throws at the other's face their despair and a heavy and confused past. Roberta, that night, doesn't want to come home alone, even though Danny is dangerous. She takes him home, to her strange refuge. A kind of rather harsh tenderness settles between them; the night soothes them, and love consoles them. For a few moments, they dream of a possible happiness, of a "normal" life for two with a wedding and a white dress - They fall asleep at dawn smiling - All their dreams become possible . |
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