I mean it when I say this is one of the best short films I've ever seen. I guess having a wholly original script, beautiful visuals, dead-#@$%-on casting and evidence of real directorial style doesn't mean what it used to. The (assumed) stunt Cy Carter ricocheting off the windshield is one of the most memorable images I've ever seen in any film. Show me a better short and I'll eat my hat.
I'm giving this film the highest rating imaginable. Does Jeremy Passmore have an enemies list? It's some kind of conspiracy.