Two Irish lads stumble through London's gay scene.
Director:
Writer:
Awards:
- 2 wins.
- See more »
Photos and Videos
Cast
| Glenn Mulhern | ... |
Kenny
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| Brendan Mackey | ... |
Byron
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| Steven Berkoff | ... |
Jeff
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| Michael Praed | ... |
The Queen
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| Vas Blackwood | ... |
Donkey-Dick Dark
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| Fish | ... |
Old Nick
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| Simon Godley | ... |
Golders Green
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| Carol Decker | ... |
Jeff's Wife
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| Raymond Griffiths | ... |
The Desperate Dwarf
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| Abdala Keserwani | ... |
Dick-Cheese Deepak
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| Karen Sharman | ... |
The Iron Lady
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| Leon Herbert | ... |
Nev
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Steven Woodhouse | ... |
Father Ted
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John Michaels | ... |
Third West African Brother
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Rickardo Beckles-Burrowes | ... |
Second West African Brother
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Deban Aderemi | ... |
First West African Brother
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| Bryan Lawrence | ... |
Cop
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Barry Martin | ... |
A Very Camp Man Indeed
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Peter Lochburn | ... |
Moaning Man
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| Bill Hayes | ... |
Dirty Ole' Irish Tramp
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Wayne Crompton | ... |
Gay Gossip
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Mark Gardner | ... |
Gay Gossip
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Neil Howarth | ... |
Gay Gossip
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Peter Keswick | ... |
Gay Gossip
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Harry Harris | ... |
Other Cop
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Yvonne Fischer | ... |
Blind Old Bat
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Janice Frost | ... |
Old Granny
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Cordelia Thomas | ... |
Old Granny
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Laura Hazell | ... |
Old Granny
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Martin Collins | ... |
Breeder
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Karen Coppins | ... |
Breeder
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Nicolas Chinardet | ... |
Orthodox Jew
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Adrian Flack | ... |
Orthodox Jew
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Mark Joyce | ... |
Orthodox Jew
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Jasey Ó Dálaigh | ... |
Othodox Jew
(as Jason Daly)
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| Rest of cast listed alphabetically: | |||
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Ray Jorden | ... |
Russian Solder
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| Adrian Bouchet | ... |
The Gigolo (uncredited)
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| Stephan Erdman | ... |
Porn Star (uncredited)
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Directed by
| Lab Ky Mo | ||
Written by
| Lab Ky Mo | ... | () |
Produced by
| Simon Barnes | ... | associate producer |
| Amit Barooah | ... | executive producer |
| Robert Bevan | ... | executive producer |
| Amanda Coombes | ... | executive producer |
| Peter Errington | ... | associate producer |
| Keith Hayley | ... | executive producer |
| Neil Howarth | ... | assistant producer |
| Helena Mackenzie | ... | associate producer |
| Colin McKeown | ... | co-producer |
| Andrew Melmore | ... | executive producer: 9 Films |
| Lamia Nayeb-St. Hilaire | ... | producer |
| Charlie Savill | ... | executive producer |
Music by
| Stephen W. Parsons | ||
Cinematography by
| Damien Elliott | ... | director of photography |
Editing by
| Chris Blunden | ... | (as Christopher Blunden) |
| Jonathan Braman | ... | (as Jonathon Braman) |
Editorial Department
| Vicci Allen | ... | digital intermediate: DFL |
| Whetham Allpress | ... | additional picture editor |
| Hattie Bowering | ... | post-production coordinator |
| Nick Emerson | ... | additional assistant editor |
| John Hinchliffe | ... | digital intermediate: DFL |
| Kris Kolodzieski | ... | digital intermediate: DFL |
| Giles Livesey | ... | colorist |
| Ulrike Münch | ... | assistant editor (as Ulrike Muench) |
| Steve Pang | ... | first assistant editor |
| Andreas Rostock | ... | digital intermediate: DFL |
| Jane Tubb | ... | additional picture editor |
Casting By
| Patrick Duncan | ||
Production Design by
| Nik Callan | ||
Art Direction by
| Gareth Underwood | ||
Costume Design by
| Jane Spicer | ||
Makeup Department
| Amanda Bernadout | ... | make-up trainee |
| Rebecca Burge | ... | hair designer / makeup designer |
| Anita Keeling | ... | additional hair / additional make-up |
| Lara Last | ... | additional hair / additional make-up |
| Leda Shawyer | ... | additional hair / additional make-up |
Production Management
| Sacha Carter | ... | additional production manager |
| Karen Everett | ... | post-production supervisor |
| Anthony Fernandez | ... | additional production manager |
| Paul Melton | ... | production manager |
| Nupu Press | ... | additional production manager (as Nupu Chaudhuri) |
Second Unit Director or Assistant Director
| Peter Errington | ... | first assistant director |
| Nikki Hanbury | ... | second second assistant director |
| Mark C. Wong | ... | third assistant director (as Mark Wong) |
| Wendy Wright | ... | second assistant director |
Art Department
| Louise Corcoran | ... | props mistress |
| Martyn Doust | ... | coordinating art director |
| Jasey Ó Dálaigh | ... | stand-by props (as Jason Daly) |
| Rachael Jones | ... | assistant art director |
| Skye Maunsell | ... | stand-by props |
| Jerry St. Hilaire | ... | scenic operative (as Jerry St.Hilaire) |
Sound Department
| Kai Aulich | ... | foley editor: Reelsound London |
| Peter Baldock | ... | sound effects editor: Reelsounds London |
| Colin Cooper | ... | mixer: Reelsound London (footsteps) |
| Peter Drexler | ... | foley editor: Reelsound London |
| Natasha Ely | ... | boom operator |
| Nigel Galt | ... | additional sound editor |
| Max Hoskins | ... | supervising sound editor: Reelsound London |
| Martin Kelly | ... | additional sound recordist |
| Richard Lewis | ... | assistant sound re-recording mixer: Reelsounds London |
| Peter Maxwell | ... | re-recording mixer |
| Alexandra Raveane | ... | assistant editor: Reelsound London (as Alexandra Raveané) |
| Nikki Ruck | ... | additional sound editor |
| Harry Schnitzler | ... | supervising foley editor |
| James Seddon | ... | dolby consultant |
| Robin Todd | ... | sound recordist |
Visual Effects by
| Giles Livesey | ... | digital film colorist |
Camera and Electrical Department
| Catherine Brown | ... | clapper loader |
| Ferdi Burger | ... | grip |
| Ben Casson | ... | best boy |
| Lisa Cottington | ... | clapper loader |
| Francesco Ferrari | ... | clapper loader |
| Dave Garbett | ... | clapper loader |
| Tom Guy | ... | trainee spark |
| Tony Hockey | ... | grip |
| Chip Mead | ... | grip |
| Karim Merie | ... | still photographer |
| Angus Mitchell | ... | focus puller |
| Andy Morris | ... | grip |
| Ian Mussell | ... | grip |
| Darren Sleebush | ... | still photographer |
| Susie Watson | ... | third assistant camera |
| Mary Jane Webb | ... | genny operator (as Mary-Jane Harradine) |
| Winstan Whitter | ... | grip |
| Clive Williams-Jones | ... | gaffer |
| Matt Wilson | ... | spark |
Casting Department
| Marc Sinclair | ... | casting advice |
Costume and Wardrobe Department
| Liz Cooper | ... | costume trainee |
| Yvonne Duckett | ... | costume supervisor |
| Rebecca Stott | ... | costume assistant |
Location Management
| Bill Hayes | ... | location manager |
| Michael O'Byrne | ... | location assistant |
Music Department
| Ian Habgood | ... | composer: additional music score |
| Georgia Masters | ... | music coordinator |
| Jackie Parsons | ... | music clearances |
| Andrew Wilkinson | ... | music editor: Reelsound London |
Script and Continuity Department
| James Leathers | ... | additional script supervisor |
| Harri Logan | ... | script supervisor |
| Victoria Scott | ... | additional script supervisor |
Additional Crew
| Warren Bacci | ... | p.a.: producer |
| Rickardo Beckles-Burrowes | ... | runner |
| Lizzie Bloom | ... | runner |
| Yvonne Boulos | ... | production assistant |
| Phil Brown | ... | runner |
| Antony Buonomo | ... | website design: Vertigo Productions |
| Colin Butler | ... | production consultant |
| Lizzy Cambell | ... | runner |
| Charles Collicut | ... | runner |
| Darren Daly | ... | runner |
| Karen Everett | ... | head of production: Little Wing Films |
| Marcie Gatsky | ... | production co-ordinator: Little Wing Films |
| Kelly Hardwick | ... | production assistant |
| Elaine Hutton | ... | production assistant |
| Richard Juneman | ... | production accountant: Little Wing Films |
| Gordon Kemp | ... | runner |
| Albert Martinez Martin | ... | production accountant: Little Wing Films (as Albert Martinez) |
| Rachel Martinez | ... | runner |
| Martin McGlone | ... | laboratory liason: Soho Images |
| Sinéad McGoldrick | ... | runner (as Sinead McGoldrick) |
| Claire Morgan | ... | runner |
| Richard Morrison | ... | titles designed & directed by |
| Toby Norways | ... | runner |
| Angel Nunez | ... | runner |
| Carol O'Hanlom | ... | runner |
| Lucy Parker | ... | runner |
| Michael Rodgers | ... | production accountant: 9 Films |
| Lena Sabharwal | ... | production coordinator |
| Olive Segré | ... | titles producer |
| Hannah Sharpe | ... | production assistant |
| John Taylor | ... | rushes contact: Soho Images |
| Piers Tempest | ... | head of development: Little Wing Films |
| Melanie Tesseron | ... | assistant: Richard Morrison |
| Pauline Thompson | ... | runner |
| Jon Thornton | ... | runner |
| Piers Wallace | ... | website design: Vertigo Productions |
Thanks
| Dom Aarons | ... | thanks |
| Thomas Auchincloss | ... | the producers would like to thank |
| Simon Barnes | ... | special thanks |
| Cris Bevir | ... | special thanks |
| Lawrence Bowen | ... | special thanks |
| Lee Burrows | ... | the producers would like to thank |
| Paul Claydon | ... | special thanks |
| Andrew Close | ... | special thanks |
| Adam Cohen | ... | the producers would like to thank |
| Christine Corner | ... | special thanks |
| Geraldine East | ... | special thanks |
| Steve Felton | ... | special thanks |
| Fu | ... | extra special thanks: Without whom, this film couldn't have been made |
| Georgia Gatsky | ... | a special thanks to |
| Jeremy Gawade | ... | special thanks |
| Peter Hermann | ... | the producers would like to thank |
| Harry Hicks | ... | special thanks |
| Mark Hillery | ... | the producers would like to thank |
| John Hodgson | ... | the producers would like to thank |
| Jim Howell | ... | special thanks |
| Ikuo | ... | extra special thanks: Without whom, this film couldn't have been made |
| Screenivas Jayaraman | ... | the producers would like to thank |
| Ashley Kent | ... | the producers would like to thank |
| Lee Lee | ... | extra special thanks: Without whom, this film couldn't have been made |
| Beverley Manson | ... | thanks |
| James McCartan | ... | special thanks |
| Ian McNeil | ... | the producers would like to thank |
| Nicole Mitchell | ... | thanks |
| Mummy & Daddy Mo | ... | extra special thanks: Without whom, this film couldn't have been made |
| Stanley Munson | ... | special thanks |
| Keith Nixon | ... | thanks |
| Josephine Okorefe | ... | a special thanks to |
| Nicki Parfitt | ... | special thanks |
| Mike Pitt | ... | thanks |
| Raju Raymond | ... | special thanks |
| Michael Rodgers | ... | special thanks |
| Charles Rosier | ... | the producers would like to thank |
| Allen Stark | ... | the producers would like to thank (as Talbot Stark) |
| Sharon Steele | ... | thanks |
| Suki | ... | extra special thanks: Without whom, this film couldn't have been made |
| Julian Summer | ... | the producers would like to thank |
| Brendan Terrill | ... | special thanks |
| Declan Walsh | ... | the producers would like to thank |
| Dominic West | ... | thanks |
| Yuk | ... | extra special thanks: Without whom, this film couldn't have been made |
Production Companies
- Kalm Boy Films
- Little Wing Films (presents)
- Nine Films (in association with)
Distributors
- CMV Laservision (2011) (Germany) (DVD)
- Guerilla Films (2004) (United Kingdom)
- TLA Releasing (United States)
Special Effects
Other Companies
- A&L Goodbody (legal services: 9 Films)
- AON (insurance: 9 FIlms)
- Acorn (thanks)
- Aimimage / Ice Film (camera equipment provided by)
- Audiolink Radio Communications (thanks)
- Baker Tilly (financial advisors)
- Barclays Bank (bankers: 9 Films)
- Bibby Factors (thanks)
- Bickers A Frame (thanks)
- Bickers Action Vehicles (action vehicles)
- Bluu (thanks)
- City Carwash (thanks)
- Condor Post Production (main title sequence)
- Counting House (thanks)
- Coutts & CO (production banking)
- Dealers Agency (thanks)
- Digital Film Lab (post-production)
- Dining Bus Company (thanks)
- Direct Lighting (thanks)
- Dolby Digital (sound system: selected theatres)
- Dubbs (thanks)
- Electric Light Company (thanks)
- Epra Fabrics (thanks)
- FSC Blanx (thanks)
- Fatts (post-production script services)
- Fillum (thanks)
- Filmflow (facilities company)
- Fintage CAM (world revenues collection and distribution)
- Fisher Lights (thanks)
- Gearbox Sound and Vision (Avid AudioVision systems supplied by)
- Goldcrest Post Production London (thanks)
- Goldcrest Studios (editing facilities)
- HSS Hire (thanks)
- Hackney Film Office (thanks)
- Ice Film Equipment (thanks)
- Joe Dunton & Company (thanks)
- Kodak (film stock)
- Kodak (thanks)
- Lee & Thompson (film legal services)
- Media & Entertainment Insurance Services (insurance)
- Moving Brands (thanks)
- Mr. Youngs Screening Rooms (thanks)
- Place Invaders (thanks)
- Premiere PR (publicity)
- Reelsound (sound post-production)
- Rushes (thanks)
- Saffron Catering (catering)
- Simply Loos (thanks)
- Sixt Kenning (thanks)
- Soho Computamatch (negitive cutting)
- Soho Images (thanks)
- Sprockets and Bytes (edl fixers)
- St Peter's Church, Thorington (thanks)
- Stanley Productions (thanks)
- Tarlo Lyons Solicitors (legal services: partnership)
- The Bricklayers Arms (thanks)
- The Lab (thanks)
- The Owl & The Pussycat (thanks)
- The Real Spice of Life (catering)
- The Sound Design Company (post-production sound services)
- Top Copy (thanks)
- Valiant Lamps (thanks)
- Vertigo Films (thanks)
Storyline
| Plot Summary |
The story of two lads from Belfast as they stumble their way through the London gay underworld in search of 'gainful employment,' this being the offering of sexual favors to older gay men in order to subsidize their respective giros. However, when one of the lads accidentally shags a punter to death, they are forced to look for 'work' elsewhere. It is then that they discover the myth of 'The Bread in the Bed': a huge bed full of money. 'Nine Dead Gay Guys' is the result of the ensuing caper as the lads begin the search for the elusive bed. Written by Anonymous |
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| Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
| Trivia | The name of the gay bar (in the movie) where much of the movie takes place is "The Elephants Graveyard" (sic)(sign posted outside the entrance). In real life, "The Elephants Graveyard" (sic) is the popular nickname of an actual London gay bar, real name "The Quebec." See more » |
| Movie Connections | Edited into Hanging Out with 9 Dead Gay Guys (2004). See more » |
| Soundtracks | Big Train See more » |