A film adaptation of Steve Martin's novel about a complex love triangle between a bored salesgirl, a wealthy businessman and an aimless young man.
Director:
Writers:
Awards:
- 1 win & 7 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
| Steve Martin | ... |
Ray Porter
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| Claire Danes | ... |
Mirabelle
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| Jason Schwartzman | ... |
Jeremy
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| Bridgette Wilson-Sampras | ... |
Lisa Cramer
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| Sam Bottoms | ... |
Dan Buttersfield
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| Frances Conroy | ... |
Catherine Buttersfield
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| Rebecca Pidgeon | ... |
Christie Richards
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| Samantha Shelton | ... |
Loki
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Gina Doctor | ... |
Del Rey
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| Clyde Kusatsu | ... |
Mr. Agasa
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| Romy Rosemont | ... |
Loan Officer
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| Joshua Snyder | ... |
Trey Bryan
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| Rachel Nichols | ... |
Trey's Girlfriend
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| Shane Edelman | ... |
Chet
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| Emily Kuroda | ... |
Japanese Woman
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| Jayzel Samonte | ... |
Houseboy
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Mark Kozelek | ... |
Luther
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John Fedevich | ... |
Hot Tears Band Member
(as Johnny Fedevich)
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Zak Sally | ... |
Hot Tears Band Member
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| Ray Buktenica | ... |
Shrink
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| Alexondra Lee | ... |
Karen
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| Shannon Hile | ... |
SAKS Customer
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| Joe Bays | ... |
Businessman
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| Randy Oglesby | ... |
Tom
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| Richard Fancy | ... |
Eli
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| Anne Marie Howard | ... |
Mandy
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| Kevin Kilner | ... |
Charley
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Mathew Smith | ... |
The Volebeats
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Troy Gregory | ... |
The Volebeats
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Scott Michalski | ... |
The Volebeats
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Russell Ledford | ... |
The Volebeats
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Jeff Oakes | ... |
The Volebeats
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| Kris Deskins | ... |
Armani Seamstress
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| Laura Grady | ... |
Cosmetic Girl
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| Rest of cast listed alphabetically: | |||
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Markus Baldwin | ... |
Man at Cafe (uncredited)
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| Jesse Burch | ... |
Man at Gallery (uncredited)
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Laura Mayes Byrnes | ... |
Art Patron (uncredited)
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| Yorgo Constantine | ... |
Manager (uncredited)
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Barbara Ann Crumm | ... |
Silverlake Hipster (uncredited)
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| Kimberly Demarse | ... |
Accounting Clerk (uncredited)
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| Jeanette Driver | ... |
Saks Customer (uncredited)
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| Zoey Goetsch | ... |
Cafe Girl (uncredited)
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| Tara Hunnewell | ... |
Art Patron (uncredited)
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| Alonzo F. Jones | ... |
Restaurant Patron (uncredited)
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| Tom Jourden | ... |
Gallery Owner (uncredited)
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| Nora Paradiso | ... |
Shopper (uncredited)
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| Dana Schick | ... |
Art Patron (uncredited)
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| Ozman Sirgood | ... |
New York Ballroom Guest #1 (uncredited)
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Henry T. Yamada | ... |
Sushi Chef (uncredited)
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| Shannan Leigh Yancsurak | ... |
Gallery patron (uncredited)
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Nina Xining Zuo | ... |
Coffee Shop Girl (uncredited)
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Directed by
| Anand Tucker | ||
Written by
| Steve Martin | ... | (novel "Shopgirl") |
| Steve Martin | ... | (screenplay) |
Produced by
| Ashok Amritraj | ... | producer |
| Simon A. Conder | ... | associate producer (as Simon Conder) |
| Nick Hamson | ... | associate producer |
| Jon Jashni | ... | producer |
| Steve Martin | ... | producer |
| Andrew Sugerman | ... | executive producer |
| Marcus Viscidi | ... | co-producer (as Marcus A. Viscidi) |
| Meredith Zamsky | ... | associate producer |
Music by
| Barrington Pheloung | ||
Cinematography by
| Peter Suschitzky | ... | director of photography |
Editing by
| David Gamble | ||
Editorial Department
| Robert J. Lemos | ... | assistant editor |
| Sheila MacDowell | ... | first assistant editor |
| Pablo Prietto | ... | assistant editor |
| Anna Solorio-Catalano | ... | assistant editor (uncredited) |
| Neil Williams | ... | first assistant editor |
| Lee Wimer | ... | color timer |
| David Dresher | ... | post-production executive (uncredited) |
| Lalit Goyal | ... | assistant editor: lightworks (uncredited) |
| Sandeep Sheth | ... | post-production staff assistant (uncredited) |
Casting By
| Deborah Aquila | ||
| Tricia Wood | ||
Production Design by
| William Arnold | ||
Art Direction by
| Sue Chan | ||
Set Decoration by
| David Smith | ||
Costume Design by
| Nancy Steiner | ||
Makeup Department
| Frank Griffin | ... | makeup artist: Mr. Martin |
| Lydia Milars | ... | department head makeup |
| Ned Neidhardt | ... | key makeup artist |
| Colette Slattery | ... | assistant hair stylist |
| Toni-Ann Walker | ... | hair designer |
| Nacoma Whobrey | ... | makeup artist (uncredited) |
| Joy Zapata | ... | second assistant hair stylist (uncredited) |
Production Management
| Jan Kikumoto | ... | post-production supervisor |
| Shari LaFranchi Blakney | ... | production supervisor (as Shari Lafranchi Blakney) |
Second Unit Director or Assistant Director
| Timothy Bird | ... | first assistant director |
| Leslie Garvin | ... | second assistant director |
| Heather Grierson | ... | second assistant director |
| Keith Jones | ... | second second assistant director (as Keith C.A. Jones) |
| Dana Wagner | ... | second second assistant director |
Art Department
| Armando Abarca | ... | swing gang |
| Michael Berard Anderson | ... | set designer (as Michael Bernard Anderson) |
| John Barbera | ... | labor foreman |
| James R. Barrows | ... | swing gang (as James Barrows) |
| Adriana Dardas | ... | art department intern |
| Mark Davidson | ... | swing gang |
| Andrew P. Flores | ... | stand-by painter (as Andy Flores) |
| Glenn Forbes | ... | second assistant property master |
| Douglas Fox | ... | property master |
| Gerald Gates Jr. | ... | lead scenic (as Gerald Gates) |
| Thomas Gibson | ... | painter |
| Joseph Gilmore | ... | propmaker |
| Canada Johanna Gordon | ... | art department coordinator (as Canada Gordon) |
| Will Grant | ... | swing gang |
| Jerry Gummeson | ... | swing gang |
| Jill Haber | ... | painter |
| James Henry | ... | propmaker |
| Allyson Hollingsworth | ... | drawings |
| Thomas Krueger | ... | construction medic |
| Sasha Madzar | ... | propmaker |
| Cynthia Martinez | ... | greensman |
| Mark McGraudy | ... | toolman (as Mark Magruady) |
| Douglas McKay | ... | swing gang (as Doug McKay) |
| Sebastian Milito | ... | construction coordinator |
| Steven M. Miller | ... | greensman foreman (as Steve Miller) |
| Martin Milligan | ... | on-set dresser |
| Scott Mizgaites | ... | propmaker gangboss |
| Scott Morgan | ... | art department production assistant |
| Keith Sale | ... | swing gang |
| Tommy Samona | ... | swing gang |
| Dixwell Stillman | ... | propmaker foreman (as Dixwell H. Stillman) |
| Michael P. Sweeney | ... | first assistant property master |
| Michaela T. Tupta | ... | set dressing buyer (as Michaela Tupta) |
| Art Vasenius | ... | lead person |
| Amie McCarthy Winn | ... | props buyer (as Amie F. McCarthy-Winn) |
| Paul Zelenka | ... | labor gangboss |
| Ken Donham | ... | set dresser (uncredited) |
| Will Grant | ... | set dressing gang boss (uncredited) |
| Bob Renna | ... | day player set dresser (uncredited) |
| Keith Sale | ... | set dresser (uncredited) |
Sound Department
| Matthew T. Duncan | ... | mixing recordist |
| David Esparza | ... | sound effects editor |
| Matthew Iadarola | ... | re-recording mixer |
| Robert Jackson | ... | co-supervising sound editor (as Robert C. Jackson) |
| Randall L. Johnson | ... | boom operator (as Randy Johnson) |
| Shawn Kennelly | ... | foley mixer |
| Laura Macias | ... | foley artist |
| Andrea M. Metty | ... | mix facility coordinator |
| Michael A. Morongell | ... | mixing engineer (as Michael Morongell) |
| Chris Navarro | ... | adr recordist |
| Lisa O'Donoghue | ... | foley supervisor (as Lisa Varetakis) |
| Paul Rodriguez | ... | mix facility coordinator |
| Sean Rowe | ... | foley artist |
| Leslie Shatz | ... | re-recording mixer / supervising sound editor |
| Ben Sparks | ... | assistant sound editor |
| Eric Thompson | ... | adr mixer |
| Edward Tise | ... | production sound |
| Ace Williams | ... | cable person |
| Paul J. Zydel | ... | adr mixer: New York (as Paul Zydel) |
| Matt Dubin | ... | mixing recordist (uncredited) |
| Marc Meyer | ... | foley editor (uncredited) |
| Onofre Ortega | ... | dubbing mixer (uncredited) |
Special Effects by
| Scott M. Austin | ... | special effects assistant (as Scott Austin) |
| Doyle Smiley | ... | special effects assistant |
| Ron Trost | ... | special effects coordinator |
Visual Effects by
| Jeff Barnes | ... | executive producer: CafeFX |
| Bobby Bell | ... | executive producer: Howard Anderson Company |
| Jeremy Cho | ... | roto/matte artist: CafeFX |
| David Ebner | ... | facility effects supervisor: CafeFX |
| Steven Fagerquist | ... | compositing artist: Howard Anderson Company |
| David Feinner | ... | compositing artist: Howard Anderson Company |
| Mike Fischer | ... | digital effects compositor: CaféFX |
| Kathi Galloway | ... | production assistant: CafeFX |
| Vicki Galloway-Weimer | ... | visual effects producer: CafeFX (as Vicki Galloway Weimer) |
| Christopher Grandel | ... | compositing artist: Howard Anderson Company |
| Erik Henry | ... | visual effects supervisor |
| Joseph Hoback | ... | roto/matte artist: CafeFX (as Joe Hoback) |
| Peter Koczera | ... | senior digital artist: Howard Anderson Company |
| Derek Ledbetter | ... | compositing artist: Howard Anderson Company |
| Bob Micheletti | ... | supervisor of technology: Howard Anderson Company |
| Phillip Moses | ... | visual effects coordinator: CafeFX |
| Toby Newell | ... | roto/matte artist: CafeFX |
| Shannon Noble | ... | lead digital artist: Howard Anderson Company |
| Akira Orikasa | ... | digital effects compositor: CaféFX |
| Desi Ortiz | ... | visual effects editor: CafeFX |
| Larry Thomas | ... | data I/O: CaféFX |
| Rhonda Thompson | ... | production assistant: CafeFX |
| Charmaine Tuason | ... | production assistant: CafeFX |
| Jack Wells | ... | data I/O: CaféFX |
| Alexandra Menapace | ... | motion control operator (uncredited) |
| Brian Smallwood | ... | digital artist (uncredited) |
| Danny Torres | ... | systems administrator (uncredited) |
| O.D. Welch | ... | production executive: CafeFX (uncredited) |
Camera and Electrical Department
| Tim Alatorre | ... | rigging grip |
| Justin Babin | ... | rigging grip |
| Clyde E. Bryan | ... | first assistant camera |
| Richard Brooks Burton | ... | aerial camera assistant (as Richard Burton) |
| Glenn Cannon | ... | video assist |
| Kenny Carceller | ... | grip |
| Joe Colangelo | ... | rigging gaffer (as Joe Coleangelo) |
| Thomas Crawford | ... | second company grip |
| Jimmy Ellis | ... | electrician |
| Sam Emerson | ... | still photographer (as Sam Young Emerson) |
| Greg Fausak | ... | grip |
| David Garden | ... | camera loader |
| Kirk R. Gardner | ... | steadicam operator (as Kirk Gardner) |
| Bob Gorelick | ... | steadicam operator |
| Adam Harrison | ... | best boy rigging electric |
| Greg Jensen | ... | electrician |
| Jonathan Leary | ... | best boy rigging grip |
| Chris Leidholdt | ... | rigging key grip |
| Richard Mall | ... | key grip |
| Terence McNally | ... | electrician |
| John Joseph Minardi | ... | grip (as John Minardi) |
| Craig Molsberry | ... | assistant chief lighting technician |
| Katie Nilson | ... | electrician |
| David B. Nowell | ... | aerial director of photography (as David Nowell) |
| David Pearlberg | ... | dolly grip |
| Scott Andrew Ressler | ... | camera operator (as Scott Ressler) |
| Alec Shepherd | ... | grip |
| Rob Sweeney | ... | director of photography: second unit |
| Richard Tibbetts | ... | rigging electrician |
| Suzanne Trucks | ... | second assistant camera (as Suzanne M. Trucks) |
| Anthony Van Dyk | ... | electrician (as Anthony Bandyk) |
| John Vecchio | ... | chief lighting technician |
| John Zirbel | ... | rigging electrician |
| John Bratlien | ... | electrician (uncredited) |
| Bruce Del Castillo | ... | grip (uncredited) |
| Bob Gorelick | ... | camera operator (uncredited) |
| Jason Kay | ... | hothead operator (uncredited) |
Casting Department
| Jennifer Ricchiazzi | ... | casting assistant |
| Jennifer L. Smith | ... | casting associate (as Jennifer Smith) |
| Kelly Hunt | ... | extras casting (uncredited) |
| Rich King | ... | extras casting (uncredited) |
Costume and Wardrobe Department
| Anita Louise Brown | ... | key costumer (as Anita 'Snoops' Brown) |
| Heidi Higginbotham | ... | costume supervisor |
| Lina Yoko Hitomi | ... | production assistant: costume department (as Yoko Hitomi) |
| Anton Schneider | ... | additional costumer |
| Alison Stein | ... | additional costumer |
| Don Vargas | ... | costumer: Mr. Martin |
| Christie Wittenborn | ... | assistant costume designer |
Location Management
| Chas. Allan | ... | assistant location manager (as Chas Allan) |
| Judy Heinzen Culotta | ... | assistant location manager (as Judy Heinzen) |
| Leann Emmert | ... | assistant location manager |
| Colleen Gibbons | ... | location manager (as Colleen Hilary Gibbons) |
| Katie Shapiro | ... | location production assistant (as Katie Sadock) |
| Emre Sonmez | ... | assistant location manager |
Music Department
| Niall Acott | ... | music engineer / music mixer / music recordist |
| John Anderson | ... | key musician |
| Alexander Balanescu | ... | orchestra leader (as Alex Balanescu) |
| Mat Bartram | ... | assistant music engineer / assistant music mixer / assistant music recordist |
| Richard Bissill | ... | musician: French horn |
| Andy Brown | ... | orchestral contractor |
| Nicholas Bucknall | ... | key musician (as Nick Bucknall) |
| Darren Campan | ... | music engineer: additional material / music recordist: additional material |
| Nick Cooper | ... | key musician |
| John Finklea | ... | music editor |
| David Heath | ... | key musician (as Dave Heath) |
| Sally Heath | ... | soloist |
| Gary Kettel | ... | soloist |
| Greg Knowles | ... | key musician |
| David Lee | ... | key musician (as Dave Lee) |
| The London Metropolitan Orchestra | ... | music performed by / performer: London Metropolitan Orchestra |
| Steve Morris | ... | key musician |
| Barrington Pheloung | ... | conductor: original music / music producer |
| Heather Pheloung | ... | music assistant |
| Frank Ricotti | ... | soloist |
| Amanda Street | ... | composer agent / music supervisor: London, DNA Music Ltd. |
| Gill Tingay | ... | key musician |
| Ivo van der Worff | ... | key musician (as Ivo-Jan Van Der Werff) |
| Paul Di Franco | ... | music clearance (uncredited) |
| Jean-Paul DiFranco | ... | music coordinator (uncredited) |
| David Esparza | ... | composer: additional music (uncredited) |
| Chris Laurence | ... | key musician (uncredited) |
| Steve Mair | ... | musician: double bass (uncredited) |
| Allen Walley | ... | musician: double bass (uncredited) |
Script and Continuity Department
| Valeria Migliassi Collins | ... | script supervisor |
Transportation Department
| Greg Bauer | ... | production driver |
| Michael Catanzano | ... | production driver |
| Jeff Couch | ... | transportation captain |
| Dave Haldeman | ... | production driver (as David 'Super Dave' Haldeman) |
| Wesley Hazelton | ... | production driver |
| Jerry Jackson | ... | production driver |
| Alan Kaminsky | ... | transportation co-captain (as Al Kaminsky) |
| Brian Kay | ... | production driver |
| 'Wild Bill' Laczko | ... | production driver (as William 'Wild Bill' Laczko) |
| A. Welch Lambeth | ... | transportation coordinator (as Welch Lambeth) |
| Scott Loveless | ... | driver: Mr. Tucker |
| Manuel Martinez | ... | production driver |
| Anthony T. Mazzola | ... | production driver (as Anthony Mazzola) |
| Margo McKay | ... | production driver (as Margo Hunt) |
| John McLaughlin | ... | production driver |
| Tony 'Bear' Mihalopoulos | ... | production driver |
| Marco A. Orozco | ... | driver: Mr. Martin (as Marco Orozco) |
| Wayne Parviainen | ... | production driver |
| Lawrence J. Romanoff | ... | production driver (as Larry Romanoff) |
| Paul Smith | ... | production driver |
| Jim Stevens | ... | production driver |
| Pat Stubbs | ... | production driver |
| Matthew Talamantes | ... | production driver |
| David Teasley | ... | production driver |
| Scott Tyler | ... | production driver |
| Harold L. Woods | ... | production driver (as Harold Woods) |
| Paulie DiCocco III | ... | driver: Claire Danes (uncredited) |
Additional Crew
| Newell Alexander | ... | adr voice: L.A. MadDogs |
| Rosemary Alexander | ... | adr voice: L.A. MadDogs |
| Tom Amundson | ... | adr voice: L.A. MadDogs |
| John Benzing | ... | team: SAKS |
| Ted Campbell | ... | set production assistant |
| Mitch Carter | ... | adr voice: L.A. MadDogs |
| Jeff Castelluccio | ... | set production assistant |
| Adrian Castillo | ... | team: SAKS |
| Eric Cross | ... | team: SAKS |
| Robert de Miro | ... | adr voice: L.A. MadDogs (as Robert Miro) |
| Jonathan Deiner | ... | office production assistant |
| Ben Dietz | ... | assistant: Mr. Amritraj |
| Ken Donham | ... | team: SAKS |
| Michael Donner | ... | post-production accountant |
| Joshua Dupre | ... | assistant chef: Hanna Brothers Catering |
| Adam Ellison | ... | assistant: Mr. Tucker |
| Stuart Fink | ... | publicist |
| Donald Fullilove | ... | adr voice: L.A. MadDogs |
| Nindia Gabichvadze | ... | team: SAKS |
| Elisa Gabrielli | ... | adr voice: L.A. MadDogs |
| Phil Giovanelli | ... | team: SAKS |
| Joe Hanna | ... | chef: Hanna Brothers Catering |
| Esther Harvey | ... | assistant: Ms. Danes |
| Allyson Hollingsworth | ... | photographs provider |
| Kathy Inscore | ... | team: SAKS |
| Nicholas Irwin | ... | first assistant accountant |
| Carrie Mae Jones | ... | assistant accountant (as Carrie M. Jones) |
| Christian Laffey | ... | office production assistant |
| Ronald Lepine | ... | assistant chef: Hanna Brothers Catering |
| Marsha R. Levine | ... | placement: Dassault Falcon Jet |
| Hope Levy | ... | adr voice: L.A. MadDogs |
| Tory Littman | ... | assistant craft service |
| James E. Maddux | ... | first aid |
| Charissa McLain | ... | production coordinator |
| Meredith Meade | ... | second assistant accountant (as Meredith G Meade) |
| Matt Melis | ... | office production assistant |
| Edie Mirman | ... | adr voice: L.A. MadDogs |
| Cate Nelson | ... | set production assistant |
| Elion Olson | ... | set production assistant (as Elion S. Olsen) |
| Robert L. Oppenheim | ... | production legal (as Robert Oppenheim) |
| Jordan Otis | ... | set production assistant |
| Amy Perlman | ... | team: SAKS |
| Roger Poirier | ... | assistant chef: Hanna Brothers Catering |
| Lori Rhodes | ... | public relations: SAKS Fifth Avenue |
| Danielle Robertson | ... | assistant: Mr. Sugerman |
| Jacqueline Saygan | ... | accounting clerk |
| John Smart | ... | clearance coordinator (as John Smart) |
| Bryan Stamp | ... | assistant: Mr. Jashni |
| Barbara-Ann Stein | ... | production accountant |
| Jessica Strauss | ... | assistant: Mr. Martin |
| Chance P. Tassone | ... | craft service (as Chance Tassone) |
| Steve Trombatore | ... | assistant accountant |
| Kenny Vasquez | ... | set production assistant |
| Ilene Waterstone | ... | executive assistant: Mr. Martin |
| Allan Bragg | ... | stand-in: Steve Martin (uncredited) |
| Patrick Gregston | ... | consultant (uncredited) |
| Seth Hansen | ... | additional set production assistant (uncredited) |
| Michael Heithaus | ... | stand-in: J. Schwartzman (uncredited) |
| Steve Hertler | ... | technician: Wescam XR (uncredited) |
| Alan D. Purwin | ... | helicopter pilot (uncredited) |
Thanks
| Peter Alexander | ... | acknowledgment: artist of supplied artwork |
| Casey Hanrahan | ... | acknowledgment: artist of supplied artwork |
| Vicky Hanrahan | ... | acknowledgment: artist of supplied artwork |
| Luc Leestemaker | ... | acknowledgment: artist of supplied artwork |
| Jennifer Long | ... | acknowledgment: artwork supplied by |
| Sofia Nuccio | ... | acknowledgment: artist of supplied artwork |
| Mike Puccio | ... | acknowledgment: artist of supplied artwork |
| Marta Rogoyska | ... | acknowledgment: artist of supplied artwork |
| Sharon Ryan | ... | acknowledgment: artist of supplied artwork |
| Ilona Suschitzky | ... | acknowledgment: artist of supplied artwork |
| Dauna Whitehead | ... | acknowledgment: artist of supplied artwork |
Production Companies
- Touchstone Pictures (presents)
- Hyde Park Entertainment (presents)
- Brass Hat Films Slate 1 Shopgirl
- Epsilon Motion Pictures
Distributors
- Buena Vista Pictures Distribution (2005) (United States) (theatrical)
- Twentieth Century Fox (2005) (Non-US) (theatrical)
- Twentieth Century Fox (2005) (United Kingdom) (theatrical)
- Medusa Distribuzione (2005) (Italy)
- Ascot Elite Entertainment Group (2006) (Switzerland) (theatrical)
- 20th Century Fox Home Entertainment (2006) (Hong Kong) (DVD)
- 20th Century Fox Home Entertainment (2006) (Hong Kong) (video) (Video Compact Disc)
- Buena Vista Home Entertainment (2006) (United States) (DVD)
- Buena Vista International (2006) (Argentina)
- Deltamac Co. (2006) (Hong Kong) (DVD)
- Deltamac Co. (2006) (Hong Kong) (video) (Video Compact Disc)
- Gativideo (2006) (Argentina) (DVD)
- Gativideo (2006) (Argentina) (VHS)
- PlazaVista Entertainment (2006) (Switzerland) (DVD)
- Tiglon (2006) (Turkey) (DVD)
- Touchstone Home Entertainment (2006) (United States) (DVD)
- Touchstone Home Video (2006) (United States) (DVD)
- Universum Film (UFA) (2006) (Germany) (DVD)
- 20th Century Fox Home Entertainment (2007) (Japan) (DVD)
- Film1 (2007) (Netherlands) (tv) (limited)
- A-Film Home Entertainment (2009) (Netherlands) (DVD)
- Canale 5 (2016) (Italy) (tv)
Special Effects
- CafeFX (visual effects)
- Howard Anderson Digital Effects (additional visual effects)
Other Companies
- Hyperactive Broadcast (editing equipment)
- Adrienne Landau (acknowledgement: gowns at SAKS)
- American Humane Association (animal action monitored by: AHA-00600)
- Angel Recording Studios (music recorded at)
- Angel Sanchez Couture (acknowledgement: gowns at SAKS)
- Araks Modern Amusement (the producers would like to thank)
- Armani Casa (the producers would like to thank)
- Art Tribe (artwork provided by)
- Artists Rights Society (artwork provided by)
- Badgley Mischka (acknowledgement: gowns at SAKS)
- Bob Mackie Gowns (acknowledgement: gowns at SAKS)
- Bradley Bayou Couture (acknowledgement: gowns at SAKS)
- CD Greene (acknowledgement: gowns at SAKS)
- Capresso (the producers would like to thank)
- Chapman/Leonard Studio Equipment (cranes and dollies)
- Collette Dinnigan (the producers would like to thank)
- Cosabella (the producers would like to thank)
- DNA Music (music supervision: London)
- DNA Music (soundtrack)
- Delfino Studios (sound stage)
- Donald Deal Gowns (acknowledgement: gowns at SAKS)
- Eric Gaskins Design (acknowledgement: gowns at SAKS)
- Film Art (artwork provided by)
- Film Finances (completion guarantor)
- Finale Gloves (gloves provided by)
- Giorgio Armani (the producers would like to thank: Beverly Hills)
- Hanna Brothers Catering (caterer)
- Hanna Brothers Film & Event Catering (catering)
- Helen Morley Designs (acknowledgement: gowns at SAKS)
- Hermès (the producers would like to thank)
- Hollywood Rentals Productions Services (grip and lighting package)
- Howard Anderson Digital Effects (opticals)
- J.L. Fisher (camera dollies and jib arms by)
- Kodak (motion picture film)
- L.A. Mad Dogs (adr casting)
- Lightworks (edited on)
- Lizzy Schenk (the producers would like to thank)
- London Editing Machines Ltd. (editing equipment)
- Magic Film Works (negative cutter)
- Mardine Davis Art Consulting (artwork provided by)
- Me&Ro Jewelry (the producers would like to thank)
- Movie Movers (star trailers)
- Nike (special thanks)
- Norton Simon Museum (artwork provided by)
- Orrefors Kosta Boda (the producers would like to thank)
- Oscar de la Renta (acknowledgement: gowns at SAKS)
- Panavision (filmed in)
- Peacock Alley (the producers would like to thank)
- Prada (the producers would like to thank)
- Rich King Casting (extras casting)
- Saks Fifth Avenue (the producers would like to thank)
- Sessions Payroll Management (extras payroll services)
- Studio Animal Services (animal handlers)
- Teenage Millionaire (the producers would like to thank)
- The Wilshire Stages (sound re-recording at)
- Visual Data Media Services (digital asset servicing)
- Zang Toi (acknowledgement: gowns at SAKS)
Storyline
| Plot Summary |
Twenty-something native Vermonter Mirabelle Buttersfield, having recently graduated from college, is finding her new life in Los Angeles not quite what she was expecting or hoping. An aspiring artist, she is barely eking out a living working as a clerk at the women's evening gloves counter at Saks Fifth Avenue in Beverly Hills and thus she can barely make the payments on her massive student loans. She treats her job with a certain distance, often daydreaming as she watches the life of the rich as they shop at the store. She has made no friends, including from among her Saks colleagues, and thus lives a solitary existence, which does not assist in her dealing with her chronic clinical depression. So it is with some surprise that two men with a romantic interest in her enter her life almost simultaneously. The first is poor slacker Jeremy, who works as an amplifier salesman/font designer. Mirabelle continues dating Jeremy as only a relief to her solitary life, as Jeremy doesn't seem to understand how to treat her in the way she wants. Shortly after meeting Jeremy, she meets the second, wealthy fifty-something Ray Porter, who is the antithesis of Jeremy in almost every respect, including the fact that Ray is unwilling or unable to commit to Mirabelle, about which he is up front to her. To Mirabelle, that lack of commitment from Ray seems to be in name only, and as such she increasingly sees Ray as her boyfriend. Mirabelle has to decide if a long term future is either in the cards with Jeremy or Ray, which is made all the more complicated by an action by Jeremy to an off the cuff comment that she makes to him. Written by Huggo |
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| Taglines | Relationships don't always fit like a glove. See more » |
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| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Opening Weekend United States | $229,685, 23 Oct 2005 |
Did You Know?
| Trivia | For the scene in Mirabelle's bedroom where the cat jumps on the bed and watches her and Jeremy, there were actually two cats used. The director explains in his commentary that one could jump but never watched, and the other was good at watching but couldn't jump. See more » |
| Goofs | The card that Ray sends to Mirabelle reads "I would like to have dinner with you" in block print, with a signature at the bottom. When we see this card again at the very end of the movie, the signature has been replaced by "Ray Porter" in block print. See more » |
| Movie Connections | Featured in Episode #13.53 (2005). See more » |
| Soundtracks | Lily & Parrots See more » |
| Quotes |
Ray Porter:
As Ray Porter watches Mirabelle walk away he feels a loss. How is it possible, he thinks, to miss a woman whom he kept at a distance so that when she was gone he would not miss her. Only then does he realize that wanting part of her and not all of her had hurt them both and how he cannot justify his actions except that... well... it was life. See more » |