Star E. Knight is my favorite player in Jill Kelly's heaven of beauties who worked for her production label back when, and she doesn't disappoint as host and star of this odd but oddly satisfying porn feature positing the battle of the sexes in sort-of-science-fiction terms.
Her introduction of each of 6 sex vignettes intones the notion that Men from Mars are not only visiting our Earth to have sex with our women but are also creating a series of robot women back home, seeking perfection. Virtually all the SF content consists of Knight's narration, but it still colors the scenes to make them more interesting beyond the requisite beauties humping in explicit fashion.
A very fine cast is headed by Ashton Moore, who made a name for herself in the Couples Romance genre at Adam & Eve Productions. A centerpiece has three early-model robots having a lesbian threesome (replete with daisy chain) shot by director Fred Lincoln on an appealing plastic set with plastic costumes to match -how to create an alien world aspect on a low-low budget.
Lee Stone appears in several segments, getting to hump not just Moore but also Knight. Contrasting with the big-breast contingent of Knight, Moore and a young Holly Halston (big upfront but not at her current huge size), we get Jill's contract star Haven in the threesome and a spotlight on the actress who would turn out to be the biggest star of all, Jenna Haze, mighty appealing opposite Pat Myne.
At film's end, Knight turns the whole premise around and dumps it in the viewer's lap in an effective send-off for an entertaining erotic time- filler.
Her introduction of each of 6 sex vignettes intones the notion that Men from Mars are not only visiting our Earth to have sex with our women but are also creating a series of robot women back home, seeking perfection. Virtually all the SF content consists of Knight's narration, but it still colors the scenes to make them more interesting beyond the requisite beauties humping in explicit fashion.
A very fine cast is headed by Ashton Moore, who made a name for herself in the Couples Romance genre at Adam & Eve Productions. A centerpiece has three early-model robots having a lesbian threesome (replete with daisy chain) shot by director Fred Lincoln on an appealing plastic set with plastic costumes to match -how to create an alien world aspect on a low-low budget.
Lee Stone appears in several segments, getting to hump not just Moore but also Knight. Contrasting with the big-breast contingent of Knight, Moore and a young Holly Halston (big upfront but not at her current huge size), we get Jill's contract star Haven in the threesome and a spotlight on the actress who would turn out to be the biggest star of all, Jenna Haze, mighty appealing opposite Pat Myne.
At film's end, Knight turns the whole premise around and dumps it in the viewer's lap in an effective send-off for an entertaining erotic time- filler.