Directed by
| Sarah Watt | ||
Writing Credits
| Sarah Watt | ... | (written by) |
Cast (in credits order)
Produced by
| Bridget Ikin | ... | producer |
| Barbara Masel | ... | associate producer |
| Andrew Myer | ... | executive producer |
| Vicki Sugars | ... | associate producer |
Music by
| Amanda Brown | ||
Cinematography by
| Ray Argall | ... | director of photography |
Editing by
| Denise Haratzis | ||
Casting By
| Angela Heesom | ||
Production Design by
| Rita Zanchetta | ||
Art Direction by
| Simon McCutcheon | ||
Set Decoration by
| Toni McCutcheon | ||
Costume Design by
| Edie Kurzer | ||
Makeup Department
| Penny Armstrong | ... | hair assistant / makeup assistant |
| Marion Lee | ... | additional makeup artist/hair stylist |
| Tracy Phillpot | ... | hair stylist supervisor / makeup supervisor |
| Look Both Ways | ... | additional hair and make-up |
Production Management
| Leone Cichon | ... | production manager (as Leona Cichon) |
| Mark 'Sharky' Johnson | ... | unit manager |
| Maryjeanne Watt | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Brad Lanyon | ... | third assistant director |
| Laurie McInnes | ... | second unit director |
| Chris Odgers | ... | first assistant director |
| Clair Parker | ... | second assistant director |
Art Department
| Zoe Atkinson | ... | graphic artist |
| Andrew Crouch | ... | graphic artist |
| Branwen Davies | ... | art department assistant |
| Andrew Gibbs | ... | stand-by props (as Andy Gibbs) |
| David Hayes | ... | graphic artist |
| Patricia Holleley | ... | artist: Meryl's paintings |
| Chris Landreth | ... | carpenter |
| Matt Landreth | ... | carpenter |
| Kylie Lawson | ... | art department assistant / scenic painter |
| Jeni Lee | ... | art direction attachment |
| Obie O'Brien | ... | art department assistant |
| James Parker | ... | prop buyer |
| Tom Sheridan | ... | art department runner |
| Sarah Watt | ... | artist: Meryl's paintings |
Sound Department
| Marco Arlotta | ... | boom operator |
| Bruce Emery | ... | dolby consultant / sound consultant: Dolby |
| Ashley Klose | ... | dialogue editor / sound effects editor |
| David Knott | ... | sound assistant / sound attachment |
| Toivo Lember | ... | sound recordist |
| Rory McGregor | ... | adr recordist / head of studio services: South Australian Film Corporation |
| Michael McMenomy | ... | sound effects editor |
| Adrian Medhurst | ... | assistant to sound mixer / foley artist |
| Linda Murdoch | ... | sound effects editor |
| Andy Neil | ... | adr recordist (as Andrew Neil) |
| Andrew Plain | ... | sound designer |
| John Simpson | ... | foley artist |
| Pete Smith | ... | sound mixer (as Peter Smith) |
| Michael Thompson | ... | adr recordist |
| Tony Young | ... | dialogue editor |
Special Effects by
| Peter Stubbs | ... | special effects supervisor |
Visual Effects by
| Paul Buckley | ... | 3D animator |
| Dominic Hellier | ... | 2D designer |
| Ineke Majoor | ... | visual effects producer |
| Ross Mitchell | ... | optical blow-up: Cinevex Film Laboratories |
| Jacquie Rynn | ... | compositor: titles / digital effects graphic designer |
| Peter Webb | ... | visual effects designer / visual effects supervisor |
Stunts
| Mitch Deans | ... | stunt coordinator |
Camera and Electrical Department
| Rick Belfield | ... | grip assistant |
| Ben Cunningham | ... | supplier: camera equipment, Lemac |
| Amy Gebhardt | ... | focus puller: second unit |
| Werner Gerlach | ... | best boy / generator operator |
| Bridget Ikin | ... | contributing photographer |
| Nick Kreisler | ... | contributing photographer |
| Nick Remy Matthews | ... | camera operator: TV insert (as Nick Matthews) |
| Laurie McInnes | ... | contributing photographer / director of photography: second unit |
| Tom Moody | ... | gaffer |
| Matt Nettheim | ... | contributing photographer (as Matthew Nettheim) / still photographer (as Matthew Nettheim) |
| Anne Palamountain | ... | contributing photographer |
| Jeremy Rouse | ... | additional camera operator / clapper loader |
| Mike Smith | ... | key grip |
| Vicki Sugars | ... | contributing photographer |
| Sarah Watt | ... | contributing photographer |
| William West | ... | contributing photographer |
| Jules Wurm | ... | focus puller |
Animation Department
| Clare Callinan | ... | animation painter |
| Emma Kelly | ... | animator |
| Sarah Watt | ... | animation painter |
Casting Department
| Wizzy Evans | ... | additional casting: Mullinars Casting (as Wizzy Ringer) |
| Angela Heesom | ... | extras casting: Angela Heesom Casting |
Costume and Wardrobe Department
| Mariot Kerr | ... | wardrobe supervisor |
| Yasmin Sabuncu | ... | costume attachment |
| Heather Wallace | ... | costume stand-by |
Editorial Department
| Peter Balfour | ... | rushes colorist: Digital Pictures Melbourne (as Peter 'Biff' Balfour) |
| Paul Cross | ... | negative matching supervisor: Cinevex Film Laboratories |
| Miranda Dear | ... | commissioning editor: SBS Independent |
| Steve Doyle | ... | assistant editor |
| Pamela Hammond | ... | post-production telecine and tape coordinator: Digital Pictures Melbourne |
| Tim Lewis | ... | editing facility manager: The Joinery |
| Stanley Lopuszanski | ... | high definition colorist: Digital Pictures Melbourne (as Stanley Lopuszansk) |
| Ross Mitchell | ... | negative select: Cinevex Film Labopratories |
| Luc Mollinger | ... | post-production assistant |
| Tony Poriazis | ... | film recording supervisor |
| Rachel Roberts | ... | post-production coordinator |
| Penny Teal | ... | post-production telecine and tape coordinator: Digital Pictures Melbourne (as Penelope Teal) |
| Caroline Whiteley | ... | color grader: Cineven Fiulm Laboratories |
Location Management
| Sarah Abbey | ... | location manager / location scout |
| Jain Moralee | ... | location assistant |
Music Department
| Richard Boxhall | ... | musician: guitars |
| Amanda Brown | ... | musician: guitar, rhodes, strings, percussion |
| Garrett Costigan | ... | musician: pedal steel |
| Ken Gormly | ... | musician: bass |
| Stephen Hadley | ... | musician: double bass (as Steven Hadley) |
| Julie Hodges | ... | music supervisor: Mana Music |
| Ian Kitney | ... | musician: drums |
| Lisa Miller | ... | musician: singer |
| Shane O'Mara | ... | music score mixer: Yikesville Studio / musician: guitars, elbow |
Script and Continuity Department
| Mojgan Khadem | ... | continuity |
| Barbara Masel | ... | script editor |
| Daryl Watson | ... | continuity attachment |
Additional Crew
| Ian Anderson | ... | laboratory post-production manager: Cinevex Film Laboratories |
| Lance Anderson | ... | safety report |
| Rebecca Anderson | ... | accounting assistant (as Rebecca Anbdersen) |
| Wouter Barendrecht | ... | sales agent: Fortissimo Film Sales |
| Jennifer Bichard | ... | nurse (as Jen Bichard) |
| Miro Bilbrough | ... | press kit |
| Andrew Davies | ... | caterer |
| Mitch Deans | ... | safety supervisor |
| Timea Dixon | ... | dog wrangler |
| Benjamin Garland | ... | production runner |
| Amy Gebhardt | ... | electronic press kit |
| Tony Gibbs | ... | insurance: H.W.Wood Australia |
| Claire Hall | ... | production coordinator |
| Philip Henderson-Wilson | ... | assistant to unit manager (as Phil Henderson-Wilson) |
| Kerri Hudson | ... | production secretary |
| Tiara Lowndes | ... | electronic press kit |
| Michelle McGowan | ... | nurse |
| Adrian Medhurst | ... | assistant to sound mixer |
| Kylie Miller | ... | consultant journalist |
| Alison Peck | ... | supporter: film stock, Fuji |
| John Russell | ... | post-production accountant |
| Steve Russell | ... | additional assistant to unit manager |
| Corrie Soeterboek | ... | completion guarantor: Cinefinance |
| Kate Todd | ... | product placement: Vision Splendid Media |
| Peggy Todd | ... | product placement: Vision Splendid Media |
| Caroline Verge | ... | legal services: Verge Whitford & Co |
| Michael Werner | ... | sales agent: Fortissimo Film Sales |
| Deborah Wilde | ... | production accountant |
| Rita Zanchetta | ... | title designer |
| Anna Cheney | ... | unit nurse (uncredited) |
Thanks
| Joan Scheckel | ... | special thanks |
