Le quatrième morceau de la femme coupée en trois (2007)
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- 1h 10min
- Drama
- 07 Mar 2007 (France)
- Movie
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Cast
Laure Marsac | ... |
Louise Coleman
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Denis Podalydès | ... |
Dominique
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Claire Borotra | ... |
La mère
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Alexia Stresi | ... |
L'amie
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Justine Gallou | ... |
Louise enfant
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Gisèle Casadesus | ... |
La vieille dame
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Ivan Taieb | ... |
Mathieu
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Emmanuelle Lepoutre | ... |
La caissière de la cafétéria
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Lily Taieb | ... |
Aurore
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Grégoire Auclerc-Galland | ... |
Le jeune homme
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Julie Leibowitch | ... |
La dame de l'auto-école
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Directed by
Laure Marsac |
Written by
Laure Marsac | ... | () |
Produced by
Ivan Taieb | ... | producer |
Music by
Grégoire Auclerc-Galland |
Cinematography by
Nicolas Le Forestier |
Editing by
Audrey Maurion |
Editorial Department
Jimmy Christophe | ... | color timer |
Valérie Pico | ... | assistant editor |
Coralie Van Rietschoten | ... | assistant editor |
Casting By
Dominique Vinant |
Costume Design by
Elena Raggi | ||
Nena Woreth |
Makeup Department
Christian Gruau | ... | key hair stylist |
Marie Lastennet | ... | key makeup artist (as Marie Lastenet) |
Production Management
Aymeric Boutard | ... | assistant unit manager |
Anne Farrer | ... | assistant unit manager |
Jean-Marc Gullino | ... | unit production manager |
Christelle Marty | ... | unit production manager |
Stephanie Micco | ... | assistant unit manager |
Eric Nebot | ... | assistant production manager |
Benoît Pilot | ... | production manager |
Arnaud Wyrzykowski | ... | assistant production manager |
Second Unit Director or Assistant Director
Carlo Da Fonseca Parsotam | ... | first assistant director |
Raphaël De Vellis | ... | assistant director |
Delphine Lamarche | ... | assistant director |
Célia Lévi | ... | assistant director |
Sound Department
Damien Berger | ... | boom operator |
Emmanuel Croset | ... | sound mixer |
Xavier Dreyfuss | ... | sound editor / sound |
Daniel Gries | ... | foley artist |
Camera and Electrical Department
Sarah Bensaïd | ... | second assistant camera |
Edwin Broyer | ... | key grip |
Vincent Buron | ... | assistant camera |
Ludovic Colbeau-Justin | ... | additional cinematographer |
Christophe Duroyaume | ... | grip |
Philippe Hohndorf | ... | still photographer |
Joël Ravon | ... | grip |
Fabien Veillas | ... | grip |
Casting Department
Paul Louisor | ... | casting assistant |
Olivia Seigneurgens | ... | casting assistant |
Location Management
Stephanie Micco | ... | location manager runner |
Script and Continuity Department
Isabelle Ribis | ... | script supervisor |
Transportation Department
Olivier Suffert | ... | picture car |
Additional Crew
Gilles Cappelletto | ... | travelling car |
Eric Nebot | ... | production coordinator |
Alysa Sun | ... | production assistant |
Production Companies
- La Caméra Deluxe
- France 2 Cinéma (co-production)
- Centre national du cinéma et de l'image animée (CNC) (participation)
- CinéCinéma (participation)
- TPS Star (participation)
- TV5MONDE (participation)
- Conseil Régional du Centre (with the support of)
- Fondation GAN pour le Cinéma (with the support of)
Distributors
- Les Films du Paradoxe (2007) (France) (theatrical)
- Les Films du Paradoxe (2008) (France) (DVD)
Special Effects
Other Companies
Storyline
Plot Summary |
Here comes us, Louise Coleman, the lively and dreamy thirties, never really adapted to the world around her. Let us observe together, three key moments in his life, gathered around his relationship to cars. How she learned to drive, deciding to acquire an autonomy of movement which would allow her to finally find the right distance with her companion and her child. How, with this brand new permit, she discovered that moving was not as easy as expected, the day she found herself alone, in the parking lot of a huge country shopping center, without money, without phone: locked up outside his car. How she then plunged back into the memory of the hours of her childhood, when she was driving with her mother, reassured in the mothering cocoon of the car, a passenger transported without worry, without waiting, without loneliness. Louise then breathed the air of her mother, her femininity and her melancholy. Nothing was so bad. |
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Box Office
Budget | EUR1,000,000 (estimated) |