Ydessa, the Bears and etc... (2004) Poster

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9/10
The meaning of a teddy bear
thao22 November 2013
Once in a while you stumble upon a film that exceeds all your expectations. A documentary about a collection of photographs of teddy bears does not sound like an interesting subject. At least I did not expect much.

Varda walked into an exhibition of photos of teddy bears, Ydessa Hendeles' Teddy Bear Project. Ydessa has collected photos of people with their Teddy Bears and what we discover when looking at those photos is often the dark nature of humanity. Yes teddy bears are cute and innocent but they can stand for so much more than that. Take the photos of people with guns aimed at teddy bears, or nudes with teddy bears. The innocence is not always so obvious and often it becomes a ironic comment, to underline the absence of innocence.

The walls are full of pictures of people with their teddy bears in black frames, almost like a collection of caskets, an overwhelming funeral procession. Then we walk into a room with empty walls and a statue of Hitler kneeling in the middle in a prayer, innocent looking, like a small school boy. No teddy bear here. This image is so interesting in the context of the photos we saw in the other two rooms before it. It pushes us to look at the photos anew in different light.

Varda takes us on this fascinating journey through this exhibition but she also interviews people at the exhibition and asks them how it affected them. We also get to know the ultra strange and mysterious Ydessa Hendeles who lives alone in a adventurous house full of beautiful art and strange things.

Brilliant film from master Varda.
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wonderful x 10
marymorrissey25 April 2005
Warning: Spoilers
I won't make any spoilers. This movie doesn't want to be spoiled.

This is one of those films that takes you away . . . and it's nicest to be taken away when you only little by little discover where you're going, which is so rare in the movies. The way AV negotiates this woman's story (or better, "book" in the Proustian sense. sorry about this hauteur cuisine aside if you don't know what this means), with her camera, with her voice overs and by giving Ydessa space to speak for herself, and for others to talk about her and her work and life (there are no "question and answer" segments, as I recall, which is pretty smart: why is it necessary to hear the questions in interviews, isn't it usually a complete waste of time? in fact when you think about it recording the questions is generally a way of putting across ideas about the point of view of the audience or interviewer, to some extent, why not be always more forthright and do it outwardly as Varda does here? I mean dialogue is a great way to get the material for documentary, but life being short, you could probably squeeze more stuff in being less faithful to the interview process in doc film-making. oh hell I think a lot of people know this already, but for those who don't like I didn't so formally until just now), along with her use of music, is really just absolutely perfect, you are in complete subjugation in your seat in the theater being controlled by Agnes Varda and it's meaningful and delicious. The very sweet sound of Agnes Varda saying "teddy bear" with her thick French accent won't leave you for some time.

Oh, and, this film is set in Canada, not France, and is in English.
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