The Art of Breaking Up (2005) Poster

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5/10
A farce
jotix10023 April 2011
Warning: Spoilers
Georges Feydeau, a French playwright, was a master of the genre. The style required skilled performers that were nimble enough to act at the usually frantic pace his theater pieces required. The farce is more akin to vaudeville than to serious theater. There were always doors, opening, and closing, to reveal, or conceal what was happening on stage. Feydeau's plays are picaresque in nature since most of what he wrote about had a naughty undercurrent going on.

Michel Deville, the director of this French comedy, working with the screenplay by his wife, Rosalinde, probably thought the idea of updating a genre that is seldom seen these days, would improve on the master's text. The results are mixed. It is silly to incorporate in a period piece such as this, modern objects that do not belong there. What he got was a somewhat mildly funny comedy and good performances by the cast he assembled for the film.

Emmanuel Beart plays Lucette, a famous singer. She is the object of affection for men that see in her a sexual creature of desire. Ms. Beart, a beautiful woman, does well as the intelligent woman at the center of the action. Charles Berling, bares it all at the end of the story in a hilarious romp where he is seen naked in his own home. Patrick Timsit, a comic actor, has done better before. Dominique Blanc has some good moments as the Baronne Duberger. Sarah Forestier, Julie Depardieu, and Jacques Bonnaffe are seen in supporting roles.
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4/10
something's not working
annisa25 May 2005
I have played Feydeau on stage and he's a great playwright of his kind. However, something in this film is not working. Although the play is great (the adaptation maybe went too far away from it), and Charles Berling a great actor (one of my favourite ones), "un fil à la patte" is really bad. I was really disappointed by the lack of subtlety in the dialogues, feydeau's humour seems to have been swept away, and sexuality is certainly not described in a subtle and humorous way, but more in a voyeuristic manner, which i don't criticize here, but it's just so not feydeau! you leave the cinema with the feeling of a failure, something that could have been so funny and clever, but is just disappointingly bad.
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3/10
Very disappointing - An am-dram stage production on film
blindlemon5 November 2005
Three stars because it has Emmanuelle Beart, surely the most beautiful actress in cinema today, and talented too, in the right film - but this is not it.

This movie looks and plays like an amateur dramatic production you'd see in a village hall, which is very disappointing given the pedigree of the cast. Beart is always worth watching, sometimes mesmerising; Berling is a fine actor in the right role, but I got the impression after about 3 minutes that both were in this for the paycheck and not much else. A bit embarrassing for both of them, really, especially for Berling who is reduced to running around naked at one point! Check it out if you're a die-hard Beart fan, but don't bother otherwise.
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10/10
Not for the anti-'opéra-bouffe' mind
paulouscan21 March 2011
This film is actually an 'opéra-bouffe' in filmmaking. I must say it takes the taste for the Feydeau's kind and the Belle Epoque to love the movie. But in the genre, it is very successful. The actors play really well, keeping the strong pace and freshness typical of opéra-bouffe. I was surprised and delighted to see Emmanuelle Béart so comfortable in the role and its lines. She really embodies the typical Belle Epoque beautiful lady whom all the gentlemen turn around with the decorous gallantry of the times. Were my grandfather still alive, I should still see him doubled up with laughter and fun in the middle of this world of his thirties.
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