A three-reel offering, which works up to some rather new situations in the third reel. The opening of the story is somewhat conventional, the young wife being separated from her husband and leaving her child on her grandfather's porch. Years later, the mother plays the part of her own child and yet in spite of this, the grandfather does not suspect her identity as his granddaughter, a weak feature of the production. The scenes in the third reel are dramatic and help the picture wonderfully. The cotton field scenes were attractive and the photography good. The overseer and his mulatto companion are the troublemakers in this piece. - The Moving Picture World, July 5, 1913
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