Young Katy claims a wild horse as her own -- an effort to prove to her father that she is capable of taking over the family horse ranch one day.
Director:
Writers:
Stars:
Awards:
- 3 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
| Tim McGraw | ... |
Rob McLaughlin
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| Maria Bello | ... |
Nell McLaughlin
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| Alison Lohman | ... |
Katy McLaughlin
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| Ryan Kwanten | ... |
Howard McLaughlin
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| Danny Pino | ... |
Jack
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| Dallas Roberts | ... |
Gus
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| Kaylee DeFer | ... |
Miranda Koop
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| Jeffrey Nordling | ... |
Rick Koop
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| Dey Young | ... |
Esther Koop
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| Nick Searcy | ... |
Norbert Rye
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| Buck Taylor | ... |
Wagner
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| Wade Williams | ... |
Man with Clipboard
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David Burton | ... |
Rider #6
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| John O'Brien | ... |
Mr. Masterson
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| Armie Hammer | ... |
Male Prefect
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Elizabeth Emery | ... |
Gracie
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Bob Tallman | ... |
Rodeo Announcer
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Angel Santana | ... |
Rodeo Worker
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Emma Ritchie | ... |
Honor Student
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Gene McLaughlin | ... |
Trick Roper
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| Rest of cast listed alphabetically: | |||
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John Eric Brown | ... |
Rodeo attendee (uncredited)
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Michael Dane | ... |
Sheriff (uncredited)
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| Jemma Evans | ... |
Prep School Girl (uncredited)
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Rana Morrison | ... |
Cowgirl at Rodeo (uncredited)
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| Bogdan Szumilas | ... |
Father (uncredited)
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Sebastien Szumilas | ... |
Lasso Kid (uncredited)
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| Rachel Zeskind | ... |
Prep School Mom (uncredited)
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Directed by
| Michael Mayer | ||
Written by
| Mark Rosenthal | ... | (screenplay) & |
| Lawrence Konner | ... | (screenplay) |
| Mary O'Hara | ... | (novel "My Friend Flicka") |
Produced by
| Kevin Halloran | ... | co-producer |
| Gil Netter | ... | producer |
| Howard R. Schuster | ... | financier |
Music by
| Aaron Zigman | ||
Cinematography by
| J. Michael Muro | ... | director of photography |
Editing by
| Andrew Marcus | ||
Editorial Department
| Kenny Becker | ... | color timer |
| Valance Eisleben | ... | digital data conform: Lustre |
| Conor Guy | ... | assistant editor |
| Joe Hathaway | ... | digital color timer |
| Ian Silverstein | ... | first assistant editor |
| Mike Sowa | ... | digital intermediate color timer |
Casting By
| Jim Carnahan | ||
| Mindy Marin | ||
Production Design by
| Sharon Seymour | ||
Art Direction by
| Peter Borck | ||
Set Decoration by
| Maggie Martin | ||
Costume Design by
| Molly Maginnis | ||
Makeup Department
| Rebecca DeHerrera | ... | makeup artist |
| Lynne K. Eagan | ... | makeup artist: Tim McGraw (as Lynne Eagan) |
| Deborah K. Larsen | ... | makeup department head |
| Beth Buckwalter Miller | ... | department head hair stylist (as Beth Miller) |
| Keith Sayer | ... | key makeup artist |
| Rita Troy | ... | hair stylist: second unit |
| Maria Valdivia | ... | key hair stylist |
| Roxy D'Alonzo | ... | makeup artist (uncredited) |
Production Management
| Aaron Downing | ... | post-production supervisor |
| David McKimmie | ... | post-production supervisor |
| Susan McNamara | ... | unit production manager |
Second Unit Director or Assistant Director
| Linda Brachman | ... | first assistant director: second unit |
| Michael W. Crotty | ... | second second assistant director: Wyoming (as Mike Crotty) |
| Doug Metzger | ... | first assistant director |
| Lucille OuYang | ... | key second assistant director: second unit |
| Marge Piane | ... | second assistant director: second unit |
| Timothy R. Price | ... | second assistant director |
| Brian Relyea | ... | second assistant director |
| Rebecca Strickland Weathersby | ... | first assistant director: second unit (as Rebecca Strickland) |
Art Department
| Chris Buchinsky | ... | storyboard artist |
| Maureen Farley | ... | property master |
| Erin Fite | ... | set decoration buyer |
| Linda Griffis | ... | art department coordinator |
| Michael A. Heath | ... | prop paperwork |
| Steven Curtis Husch | ... | set dresser |
| Cindy Ingraham | ... | assistant property master |
| Curtis Laseter | ... | construction coordinator |
| Kim Lincoln | ... | graphic designer |
| Jordan Paul | ... | set dresser |
| Natalie Richards | ... | set designer |
| John Risso | ... | paint supervisor |
| Clint Schultz | ... | graphic designer |
| Suzanne Shugarman | ... | art department assistant |
Sound Department
| Paul Apted | ... | sound editor |
| Jeremy Balko | ... | adr mixer |
| Derek Casari | ... | adr engineer |
| Matthew T. Duncan | ... | temp. sound recordist |
| Larry Hopkins | ... | layback sound mixer |
| Ross Levy | ... | utility sound technician |
| David Lucarelli | ... | adr recordist |
| Michael Magill | ... | dialogue editor |
| Paul Massey | ... | re-recording mixer |
| Rob Nokes | ... | additional sound effects library: horses |
| Steve F. Price | ... | foley supervisor |
| Nico Salvato | ... | assistant sound editor (as Monique Salvato) |
| Joel Shryack | ... | boom operator |
| Christine Sirois | ... | adr recordist |
| Wyatt Sprague | ... | sound effects editor |
| Greg Steele | ... | adr mixer |
| Donald Sylvester | ... | supervising sound editor |
| Elliot Tyson | ... | re-recording mixer |
| Paul Urmson | ... | sound designer |
| Richard Van Dyke | ... | production sound mixer |
| Bernard Weiser | ... | supervising effects editor |
| Greg Zimmerman | ... | adr recordist |
| Onofre Ortega | ... | dubbing mixer (uncredited) |
| John Soukup | ... | sound transfer (uncredited) |
Special Effects by
| Chris Brenczewski | ... | special effects technician |
| Mark R. Byers | ... | special effects coordinator |
| Mark Rappaport | ... | animatronic effects (uncredited) |
| Chris Wolters | ... | animatronics (uncredited) / creature effects (uncredited) |
Visual Effects by
| Ryan Beadle | ... | digital i/o |
| Kevin Chase | ... | visual effects camera rigger |
| Samuel M. Dabbs | ... | digital department assistant |
| Scott Dougherty | ... | visual effects executive producer: Furious FX |
| Tim Drnec | ... | spydercam coordinator/rigging |
| R.J. Harbour | ... | digital compositor |
| Shaina Holmes | ... | digital compositor / digital coordinator |
| David Lingenfelser | ... | executive visual effects supervisor: Furious FX |
| Kevin Lingenfelser | ... | creative director: Furious FX |
| Sean O'Connor | ... | digital compositor: Furious FX |
| Kim O'Donnell | ... | digital compositor: Furious FX |
| Bill Phillips | ... | digital compositor |
| Stephanie Rogers | ... | digital compositor: Furious FX |
| Terry Shigemitsu | ... | digital effects artist |
| Mark Shoaf | ... | cg supervisor: Furious FX |
| Tiffany Smith Llorens | ... | visual effects producer: Furious FX (as Tiffany Smith) |
| Mai Suzuki | ... | digital restoration artist |
| Rich Volp | ... | Spydercam flight control |
| Diane Wright | ... | digital asset manager: Laser Pacific |
| Christina Garberson | ... | visual effects executive (uncredited) |
Stunts
| Keith Adams | ... | stunt coordinator |
| Richard Bucher | ... | stunt double: Ryan Kwanten |
| Darrell Davis | ... | stunts (as Craig Davis) |
| Kanin Howell | ... | stunt performer |
| Cliff McLaughlin | ... | stunts |
| Kori Murray | ... | stunts |
| JD Roberto | ... | safety diver |
| Wesley Scott | ... | stunts |
| DeAnna Weippert | ... | stunts |
| Raliegh Wilson | ... | stunt performer |
| Ryan Happy | ... | stunts (uncredited) |
Camera and Electrical Department
| Nancy Ellen Anzalone | ... | camera intern |
| Paul Arnold | ... | electrician |
| Chris Bangma | ... | technician: libra remote head |
| Art Bartels | ... | key grip |
| Dominic Bartolone | ... | film loader |
| Brian Bernstein | ... | additional camera operator |
| Jerry Bertolami | ... | dolly grip |
| Lee Blasingame | ... | first assistant camera: "a" camera |
| Glenn Brown | ... | assistant camera |
| Bruce Chimerofsky | ... | best boy grip |
| Jesse Crusing | ... | additional grip |
| Thomas A. Curran | ... | company grip |
| Will Dearborn | ... | second assistant camera: "b" camera |
| Jim Duggan | ... | company grip |
| Steven W. Gage | ... | rigging best boy grip |
| Jason Goebel | ... | camera loader: second unit |
| Dana Gonzales | ... | camera operator / director of photography: second unit |
| Joseph Graham | ... | key rigging grip |
| Jason Griffiths | ... | grip |
| Lisa Guerriero | ... | second assistant camera: "a" camera |
| Renee Kayon | ... | electrician |
| Damon Liebowitz | ... | electrician |
| Justin Loeb | ... | camera intern |
| Don McCuaig | ... | director of photography: additional photography |
| Merrick Morton | ... | still photographer |
| Dayton Nietert | ... | gaffer |
| David B. Nowell | ... | director of aerial photography: Wyoming |
| Jesse Olivares | ... | key video engineer |
| Tony Olivieri | ... | additional first assistant camera |
| Thoma Reavis | ... | electrician |
| Jesse Rushton | ... | electrician |
| Jim Saldutti | ... | company grip |
| David A. Santos | ... | camera atv operator |
| Sean Shinneman | ... | company grip |
| Victor Svimonoff | ... | rigging gaffer |
| Paul Threlkeld | ... | dolly grip: "b" camera |
| Steven J. Winslow | ... | aerial camera technician: Wescam camera |
| Christopher A. Zwirner | ... | assistant chief lighting technician |
| Kelly Clear | ... | chief lighting technician: second unit (uncredited) |
| Scott Medcalf | ... | lighting technician (uncredited) |
Casting Department
| Michael Hothorn | ... | casting executive |
| Kara Lipson | ... | casting associate |
| Laura Drake Mancini | ... | extras coordinator |
| Dixie Webster | ... | extras casting |
| Samantha L. Morris | ... | casting assistant (uncredited) |
Costume and Wardrobe Department
| Danielle Baker | ... | set costumer |
| Nanrose Buchman | ... | key costumer |
| Sandy Kenyon | ... | costume supervisor |
| Suzy Magnin | ... | costumer |
| Jean Bone Weiss | ... | costumer (as Jean Bone) |
Location Management
| Briana Burke | ... | location manager |
| Sara Dering | ... | assistant location manager |
| Heather Haase | ... | locations |
| Kei Rowan-Young | ... | key assistant location manager |
Music Department
| Nico Abondolo | ... | musician: bass |
| Eun-Mee Ahn | ... | musician: violin |
| Jason Alexander | ... | music supervisor |
| Brian Bulman | ... | music editor |
| David Campbell | ... | arranger, orchestrator, conductor |
| Rudy Chung | ... | music coordinator |
| Wade Culbreath | ... | musician: percussion |
| George Doering | ... | musician |
| Bruce Dukov | ... | musician: violin |
| Greg Hayes | ... | score recordist |
| Larry Hopkins | ... | music |
| Scott Hosfeld | ... | musician |
| Steve Juliani | ... | music preparation |
| Brian Kilgore | ... | musician: percussion |
| Christian Kollgaard | ... | musician: bass |
| Robert Kraft | ... | executive in charge of music |
| Armen Ksajikian | ... | musician: cello |
| Annette Kudrak | ... | music editor |
| Tim Lauber | ... | score recordist |
| Ernest Lee | ... | music recording engineer |
| Kier Lehman | ... | music coordinator |
| Daniel Lewin | ... | musician: violin |
| Jon Lewis | ... | musician: trumpet |
| Jason Lloyd | ... | scoring stage manager |
| Darrin McCann | ... | musician: viola |
| Daniel Pinder | ... | additional music editor |
| Satnam Ramgotra | ... | musician: percussion |
| Michele Richards | ... | musician: violin |
| Cassandra Richburg | ... | musician: viola |
| Peter Rotter | ... | orchestra contractor |
| Dennis S. Sands | ... | music scoring mixer |
| Dan Smith | ... | musician: cello |
| Tom Steel | ... | scoring stage manager |
| Michael Stern | ... | additional score engineering |
| Bill Talbott | ... | scoring technician |
| Jesse Voccia | ... | music engineer |
| Thomas Cavanaugh | ... | music business & legal affairs (uncredited) |
| Ellen Ginsburg | ... | music clearance (uncredited) |
| The Hollywood Studio Symphony | ... | music performed by (uncredited) |
| Malcolm McNab | ... | musician: trumpet (uncredited) |
| Scott McRae | ... | music preparation (uncredited) |
| Rebecca Morellato | ... | music production executive (uncredited) |
Script and Continuity Department
| Alexa Alden | ... | script supervisor |
| Rebecca Boyle | ... | script supervisor: second unit |
| Jillian Giacomini | ... | additional script supervisor |
Transportation Department
| Jim Chesney | ... | transportation coordinator |
| Cody Driver | ... | driver |
| Joe Feeney | ... | transportation captain |
| Alan Kaminsky | ... | transportation captain: re-shoots |
| Jimmy Kaminsky | ... | transportation coordinator |
| Rita Lundin | ... | transportation |
| Derek Raser | ... | transportation |
| Shaun Ryan | ... | transportation |
| DeAnna Weippert | ... | driver |
| Robert A. Wood | ... | driver: production van |
Additional Crew
| Mike Ades | ... | assistant: Mr. Netter |
| Joel Almquist | ... | animal trainer: cougar |
| Charlene Amoia | ... | voice actor |
| Jonelle S. Anderson | ... | production assistant |
| Michael Barnes | ... | financial legal services |
| Lisa Brown | ... | horse handler |
| Adrian Casas | ... | assistant: Mr. Halloran |
| Russell Chadwick | ... | set production assistant |
| Ernesto Cornejo | ... | puppeteer |
| Noreen Coyne | ... | accounting clerk |
| Kate D'Angelo | ... | assistant: Mr. Mayer |
| Ted M. Davila | ... | first accounting assistant |
| Joy Ellison | ... | dialect coach |
| Evan Feuerman | ... | assistant post-production accountant |
| Stacy Foot | ... | assistant production coordinator / production coordinator: Wyoming |
| Todd Forsberg | ... | animal wrangler |
| Emily Freeman | ... | stand-in |
| Shane T. French | ... | production assistant: re-shoot |
| Shilo Frontierro | ... | set production assistant: re-shoots |
| Jeffrey Gladu | ... | payroll accountant |
| Justin Haut | ... | assistant production coordinator: re-shoot |
| Doris Hellmann | ... | production accountant |
| Rusty Hendrickson | ... | horse wrangler |
| Russ Herpich | ... | puppeteer |
| Michael Hird | ... | additional medic |
| Mark Kurzweil | ... | second accounting assistant |
| Susan Laprelle | ... | puppeteer |
| James Lemus | ... | craft service: second unit |
| Thomas Longo | ... | extras coordinator |
| Randy Miller | ... | cougar trainer |
| Daniel A. Mondschain | ... | production coordinator |
| Rex Peterson | ... | horse trainer |
| Allen 'Biff' Petty | ... | production assistant |
| Mark Rappaport | ... | puppeteer |
| Steven Rau | ... | production assistant |
| Cristi Rickey | ... | set production assistant |
| John Paul Roche | ... | set production assistant |
| Chris Sanata | ... | assistant: Mr. Mayer (as Christopher Sanata) |
| Donnie Saylor | ... | technical consultant |
| Deborah Simmrin | ... | publicist |
| Cody Smith | ... | animal trainer |
| Monty Stuart | ... | ramrod |
| Dawn Terashima | ... | production assistant |
| Kim Thio | ... | supervising medic |
| Mark Thomason | ... | stand-in |
| Natalie Truly | ... | post-production accountant (as Natalie Mathes) |
| Howard R. Schuster | ... | financing (uncredited) |
Production Companies
Distributors
- Twentieth Century Fox (2006) (World-wide)
- Twentieth Century Fox (2006) (United States) (theatrical)
- Fox-Warner (2006) (Switzerland) (theatrical)
- Twentieth Century Fox (2006) (France) (theatrical)
- Twentieth Century Fox (2006) (Germany) (theatrical)
- Warner Bros. F.E. (2006) (Philippines) (theatrical)
- 20th Century Fox Argentina (2007) (Argentina)
- 20th Century Fox Home Entertainment (2007) (Germany) (DVD)
- 20th Century Fox Home Entertainment (2007) (United States) (DVD)
- Gativideo (2007) (Argentina) (DVD)
- Gativideo (2007) (Argentina) (VHS)
- Twentieth Century Fox Home Entertainment (2007) (Netherlands) (DVD)
- RTL (2009) (Germany) (tv)
- 20th Century Fox Home Entertainment (2011) (United States) (Blu-ray) (DVD)
- Moviemax Family (2012) (Turkey) (tv)
- Disney Channel (2018) (Germany) (tv)
- Disney+ (2019) (Australia) (video) (VOD)
- Disney+ (2019) (United States) (video) (VOD)
- Disney+ (2020) (United Kingdom) (video) (VOD)
- CBS (United States) (tv)
- Tribune Broadcasting Company (United States) (tv)
- WGN (United States) (tv)
- WPIX (United States) (tv)
Special Effects
- Furious FX (visual effects and animation)
- Custom Film Effects (digital opticals)
- Creature Effects (animatronic animals)
- KNB EFX Group (cougar dummy)
Other Companies
- Avon Studio Transportation (transportation)
- Chapman/Leonard Studio Equipment (cranes, dollies and remote camera systems)
- Curb Records (soundtrack)
- Jetplane Films (titles)
- LaserPacific (digital film recording)
- LaserPacific (digital intermediate)
- LaserPacific (high-definition telecine)
- Pictorvision (aerial camera system)
- Scarlet Letters (end title crawl)
- Sessions Payroll Management (extras payroll services)
- Varèse Sarabande (soundtrack)
Storyline
| Plot Summary |
Coming-of-age story set in the mountain vistas, A headstrong 16-year-old Katy McLaughlin desires to work on her family's mountainside horse ranch, although her father insists she finish boarding school. Katy finds a mustang in the hills near her ranch. Katy then sets her mind to tame a mustang and prove to her father she can run the ranch. But when tragedy happens, it will take all the love and strength the family can muster to restore hope. Written by devine308 |
| Plot Keywords | |
| Taglines | The biggest dreams take the most courage. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | $15,000,000 (estimated) |
Did You Know?
| Trivia | At 27 years of age, Alison Lohman was 11 years older than the character she plays in the film. See more » |
| Goofs | During one of the first times Katy mounts Flicka to ride her around, Flicka isn't wearing a bridle. Then there's suddenly a bridle visible. See more » |
| Movie Connections | Featured in Flicka: Turning a Beloved Novel Into Film (2006). See more » |
| Soundtracks | 4:35 A.M. See more » |
| Crazy Credits | Because of the accidental death of two horses during filming, the usual disclaimer of "No animals were harmed in the making of this film" does not appear in the end credits. See more » |
| Quotes |
Katherine "Katie" McLoughlin:
The stories we hear about how the West was won are all lies. The history of the West was written by the horse. Wherever a settler left his footprint there was a hoof print beside it. Men came further and further west to stake their claim on the great American wilderness. But they encountered a strength that couldn't be tamed - wild horses. Mustangs. The settlers called them parasites that would strip the land and starve their own herds. They couldn't domesticate them so they destroyed them. Isolated and hungry, they were on their way to disappearing from the face of the earth. Sometimes when the light disappears an afterimage remains - just for a second. Mustangs are an afterimage of the West, no better then ghosts, hardly there at all. No one really wants them, not ranchers, not city people - that's their destiny. Let them disappear once and for all, along with all the other misfits, loners, and relics of a wilderness no one cares about anymore. Lucky for us a few mustangs survived, hidden away in the mountains. We need to protect them, for they are the hope of some kind of living memory of what the promise of America used to be - and could be again. I believe there is a force in this world that lives beneath the surface, something primitive and wild that awakens when you need an extra push just to survive, like wildflowers that bloom after fire turns the forest black. Most people are afraid of it, and keep it buried deep inside themselves. But there will always be a few people who have the courage to love what is untamed inside us. One of those men is my father. There was once a time when Americans came West to discover their destiny. Today they seem to move around every which way, restless and unsettled. But I think they're still looking for the same thing - a place where they can be optimistic about the future, a place that helps them to be who they really want to be, where they can feel that this life makes sense, a place where they can feel what I feel when I'm riding Flicka - because when we're riding, all I feel... is free. See more » |