A cybercrime investigator tracks a man suspected of force-feeding women to death.
Director:
Writers:
Photos and Videos
Complete, Cast awaiting verification
| Alex O'Loughlin | ... |
Michael Carter
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| Patrick Thompson | ... |
Phillip Jackson
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| Gabby Millgate | ... |
Deidre
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| Jack Thompson | ... |
Richard
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Rose Ashton | ... |
Abbey
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| Matthew Le Nevez | ... |
Nigel
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| David Field | ... |
Father Turner
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Sherly Sulaiman | ... |
Mary
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| Marika Aubrey | ... |
Jesse
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Adam Hunt | ... |
German Cannibal
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| Nicholas Coghlan | ... |
Cannibal Victim
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| Yure Covich | ... |
Hans
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Connor Thompson | ... |
Young Phillip
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| Helene Joy | ... |
Young Phillip's Mother
(as Helen Thearle)
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Peter Holloway | ... |
Young Phillip's Father
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| Shane C. Rodrigo | ... |
Young Phillip's Mother's Lover
(as Shane Rodrigo)
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Adam Young | ... |
Michael - Age 15
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Victoria Doyle | ... |
Young Jesse / Lucy
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Martin Schultz-Moller | ... |
Michael - Age 9
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Tracy Moore | ... |
Kathleen
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Betty Lucas | ... |
Janet
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| David Will No | ... |
Sang
(as David No)
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| Imogen Bailey | ... |
Veronica
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Mary Beaufort | ... |
Nurse
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James Holbrook | ... |
Uniform Policeman
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Irina Bursill | ... |
Stripper
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Steve Athanas | ... |
Radio DJ
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Becky Dickinson | ... |
Doctor
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Octavia Blackman | ... |
Altar Boy
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Maxine's Father | ... |
Dad
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Emily Mees | ... |
Young Girl At Church
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Margaret Lou Davis | ... |
Woman In Leopard Coat
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| Masa Yamaguchi | ... |
Dog Boy
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Directed by
| Brett Leonard | ||
Written by
| Patrick Thompson | ... | (based on an idea by) & |
| Alex O'Loughlin | ... | (based on an idea by) |
| Kieran Galvin | ... | (written by) |
Produced by
| Melissa Beauford | ... | producer |
| Chris Foster | ... | executive producer |
| John Gregory | ... | executive producer |
| John Lee | ... | associate producer |
| Alex O'Loughlin | ... | co-producer |
| Greg Quail | ... | executive producer |
| Jack Thompson | ... | executive producer |
| Patrick Thompson | ... | co-producer |
Music by
| Gregg Leonard | ||
| Geoff Michael | ||
Cinematography by
| Steve Arnold | ||
Editing by
| Mark Bennett | ||
Editorial Department
| Matt Bennett | ... | assistant editor / on-line editor |
| Nicole Bou-Samra | ... | assistant editor |
| Mark Doney | ... | on-line editor |
| Jeff Gaunt | ... | on-line editor |
| Antony Haberl | ... | on-line editor |
| Laurie Hughes | ... | assistant editor |
| Jamal Knight | ... | on-line editor (as Jason Knight) |
| Warren Lynch | ... | colorist |
| Candice McMillan | ... | post coordinator |
| Colin Renshaw | ... | on-line editor |
| Jan Christian Frugård | ... | post-production assistant (uncredited) |
Production Design by
| Jessamy Llewelyn | ||
Costume Design by
| Helen Mather | ||
Makeup Department
| Grant Biffin | ... | makeup effects artist |
| Michelle Chung | ... | makeup effects artist |
| Jo Cotter | ... | makeup supervisor |
| Gab Facchinei | ... | makeup effects artist (as Gab Facchinci) |
| Marea Fowler | ... | makeup effects artist |
| Sherry Hubbard | ... | makeup assistant |
| Emily Hunt | ... | makeup effects artist |
| Sam Jinks | ... | makeup effects artist |
| Paul Katte | ... | prosthetic makeup effects / special makeup effects creator: Make-up Effects Group |
| Erin Leaman | ... | makeup effects artist |
| Debbie Muller | ... | makeup artist: additional photography |
| Nick Nicolaou | ... | prosthetic makeup effects / special makeup effects creator: Make-up Effects Group |
| John Robinson | ... | makeup effects artist |
| Nicole Schipilliti | ... | makeup assistant |
| Colin Wilson | ... | additional makeup artist |
Production Management
| Leonard Coster | ... | post-production supervisor |
| Brendan Fitzgerald | ... | unit manager |
| Sandy Stevens | ... | production manager |
Second Unit Director or Assistant Director
| John Clabburn | ... | second first assistant director |
| Michael Samer | ... | third assistant director |
| Joshua Watkins | ... | second assistant director |
| Gordon Westman | ... | first assistant director |
Art Department
| Suzanne Auerswald | ... | props buyer / set dresser |
| Bertie Blackman | ... | art department assistant |
| Felix Blackman | ... | graphic designer |
| Becky Dickinson | ... | set dresser |
| Jamie Gerlach | ... | art department runner |
| Tisha Lazaro | ... | computer graphics |
| Megan Riakos | ... | property master |
| Anne Robinson | ... | art department assistant |
| John Snee | ... | art department assistant |
| Michel Westoll | ... | art department assistant |
Sound Department
| Helen Brown | ... | foley artist |
| Jake Brown | ... | boom operator |
| Nicholas Byrnes | ... | foley editor |
| Matt Connolly | ... | sound designer |
| Peter Cormack | ... | foley editor |
| Mark Cornish | ... | sound recordist |
| John Dennison | ... | re-recording mixer / sound supervisor |
| Bruce Emery | ... | dolby consultant |
| Pete Jones | ... | sound designer |
| Steve Lambeth | ... | dialogue editor |
| Duncan McAllister | ... | foley recordist |
| Warren Pearson | ... | audio supervisor (as Warren 'Wazza' Pearson) |
| Tony Vaccher | ... | re-recording mixer |
| Luke Young | ... | foley editor |
Special Effects by
| David Trethewey | ... | special effects |
Visual Effects by
| Kate Auld | ... | digital compositor: Cutting Edge: main titles |
| Jodie Camilleri | ... | visual effects producer |
| Matt Chance | ... | compositor |
| Mark Doney | ... | lead compositor |
| Ben Folkman | ... | on set vfx supervision: Cutting Edge |
| Elie Jamaa | ... | compositor / on-set visual effects |
| Tim Jones | ... | compositor |
| Jamal Knight | ... | digital compositor (as Jason Knight) |
| Melanie Marcello | ... | visual effects coordinator |
| Kurtis Richmond | ... | main titles designer / matte painter |
Stunts
| Mike Duncan | ... | stunt assistant |
| John Walton | ... | stunt coordinator |
Camera and Electrical Department
| Robert Agganis | ... | steadicam operator |
| David Carrette | ... | additional photographer |
| Peter Carrette | ... | still photographer |
| Brian Cole | ... | electrician: additional photography |
| Andrew Davey | ... | electrician: additional photography |
| Iñaki de Ubago | ... | camera assistant (as Iñaki De Ubago) / second assistant camera (as Inaki DeUbago) |
| Tom Gleeson | ... | additional cinematographer |
| Brycen Horne | ... | cinematographer: second unit / focus puller |
| Greg Molineaux | ... | crane operator |
| Jimmy Page | ... | best boy |
| Liam Resnekov | ... | assistant camera |
| Andrew Robertson | ... | gaffer (as Andy Robertson) |
Location Management
| Lisa Scope | ... | location scout |
Music Department
| Gregg Leonard | ... | music supervisor |
Script and Continuity Department
| Sarah Muir | ... | third continuity |
| Gillian Stein | ... | script supervisor |
| Kristin Witcombe | ... | second continuity |
Additional Crew
| Rhiannon Beattie | ... | assistant to producer |
| Annmaree Bell | ... | production secretary (as Annmaree J Bell) |
| Emma Cohen | ... | nurse |
| Gigi De Couvreur | ... | baker |
| Sophie Dick | ... | production coordinator |
| Rosanna Dickerson | ... | baker |
| Rita Drake | ... | caterer: Movie Meals |
| Fiona Dunford | ... | production assistant |
| Tony Garland | ... | armourer |
| Tony Gibbs | ... | insurance: HW Wood |
| Adam Hunt | ... | consultant: dark |
| Tony Pizzamiglio | ... | computer playback |
| Greg Robinson | ... | safety supervisor |
| Steven Rosen | ... | production accountant |
| Claudia Solomon | ... | caterer: Fed Up Catering |
| Dan Weavell | ... | body double: Michael |
Production Companies
- All At Once
- Becker Entertainment (produced in association with)
- Cutting Edge (produced in association with)
- Feed Productions
Distributors
- ShowboxMedia (2005) (United Kingdom) (theatrical)
- Ascot Elite Home Entertainment (2006) (Germany) (DVD)
- Force Entertainment (2006) (Australia) (DVD)
- Pan Vision Oy (2007) (Finland) (DVD)
- Platina Filmes (2007) (Brazil) (DVD)
- TLA Releasing (2006) (United States) (DVD)
- Videoville Showtime (2006) (Canada) (DVD)
Special Effects
Other Companies
- Audioloc Sound Design (foley services & sound re-recording mixing)
- Cutting Edge (post-production) (Dailies)
- Cutting Edge (post-production) (VFX)
- Cutting Edge (post-production) (color grading)
- Cutting Edge (post-production) (opening and closing titles and chapter headers)
- Cutting Edge (sound post-production)
- Film Finances (completion guarantor)
Storyline
| Plot Summary |
An Interpol cop from Sydney, who has his own demons, pursues a man in the United States who liberates women from the cultural norms of thinness by feeding them to gross weights. He also shows their photographs to Internet subscribers. But what else is he up to? The Aussie suspects murder or worse. The cop, Phillip Jackson, and his mark, Michael Metszencalmpf, are in a game of cat and mouse - but which is the cat?
Written by |
| Plot Keywords | |
| Taglines | Can you stomach it? See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
| Trivia | The "German Cannibal" scene at the start of the film is based on the real life case of Armin Meiwes, a 42 year old computer technician from Rotenburg, Germany, who caused a worldwide scandal in 2003, when it was reported that he had killed and partially ate 43 year old Bernd Brandes, an Engineer from Berlin. While the facts of the crime were gruesome, the difficulty German prosecuters had in actually charging Mr. Meiwes with ANY crime was the truly shocking part of the tale. Because the two men had met in an and internet chatroom devoted to Gay cannibal fetishism in which Mr, Brandes had clearly expressed his desire to be killed and eaten, Mr. Meiwes was shielded from murder charges under laws that were originally enacted to protect doctors who assist terminally-ill patients commit suicide. At the time, cannibalism was not explicitly forbade in any statute, and it was unclear whether a crime had even been committed under existing German law, a situation that many both in Germany and abroad found absurd and macabre. These real-life events also inspired the song "Mein Teil" by the German Industrial band Rammstein. See more » |
| Goofs | When the camera is angled at Deidre's crotch, you can clearly see that the "fat suit" is build up from separate segments. See more » |
| Movie Connections | Featured in Feed: Meat the Cast (2006). See more » |
| Soundtracks | Cherish See more » |
| Quotes |
Phillip Jackson:
It's not your run-of-the-mill lick my boots, drink my piss kind of relationship. See more » |