Hey Hey It's Esther Blueburger (2008) Poster

User Reviews

Review this title
11 Reviews
Sort by:
Filter by Rating:
6/10
Cute but patchy.
oolijan27 May 2011
This is billed as a story about a young Jewish girl and her struggle for acceptance - i.e. the typical high school movie.

I had a favourable overall impression of the film. It was very cute in a lot of places, cringe-worthy in others, with a few moments of humour interjected. I found that there was authenticity in a lot of the small things that I could relate to from my own experiences - the uniform checks, the singing of the school song, how we made out with the boys.

But as another reviewer said, the vast majority of the characters in this film were caricatures of certain types: the uptight mother, the bitchy classmate, the fat kid who got picked on, the friend's mother who is the exact opposite of Esther's mother... a lot of it seemed very contrived and fake.

The opening of the film was rather brilliantly done; Esther watching upon the sheep-like choreography of her school classmates as they gathered for lunch. It kept at this high all through the first act; we could relate to Esther and her troubles - who else flushed with embarrassment as she approached the "popular" girls with invites to her bar mitzvah? I was especially impressed with how quickly Esther could get a story out or parrot off something she had heard earlier.

It was when she met Sunni after the bar mitzvah that things went slowly downhill, starting slow but rapidly spiralling towards the end of the film. My initial impression of Sunni is that she was in Year 12 - she certainly looked like it. So the resulting events of sneaking out of private school to attend class as a Swedish exchange student at the public school really jarred uncomfortably. I don't know of a girls-only public school anyway. It was ..a little too far fetched.

At this point, I lost all sympathy for Esther. As she parrots off sentences from other people, she began to parrot off attitudes of Sunni's friends. Beating up the fat kid for her raincoat was a real low. Kudos to the characterisation of Sunni to be equally disgusted at her actions.

I couldn't figure out the relevance of Sunni's mum's death or the blow job in the street. I didn't think it lent anything to the story at all. Sunni's appearance at the private school was equally unexplainable, as was the presence of her grandmother (?) and Esther's mother. Then Esther standing up to the crowd to say her poem, with the prefects and the teachers standing agape... I didn't get that either. That whole scene was too staged for my liking, as if they just needed something to show that Esther was going back to her likable, quirky self. Anti-climactic is what I would describe it. It soured the entire movie for me.
5 out of 6 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Great Flick
im_a_green_gazelle22 March 2008
This was an excellent film, it was funny, sad, and at times dramatic, i loved this movie and Ester's little duck, i have the soundtrack and there isn't one song i don't like in it a truly great Australian film.

I could relate to Esther as i am a social outcast (however i have never wanted to fit in) like Esther wants to. The storyline was a little predictable but i didn't really care as i just love the feel good ending.

I enjoyed this movie and urge you to see it all the acting performances were excellent especially the first time actress Danielle Catanzariti who played Esther.

Loved it all the way if you are wondering if you should see it or not. See it!
9 out of 14 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Kosher comic Alibrandi
Philby-312 April 2008
This film could be described as the Jewish slapstick comic version of "Looking for Alibrandi", the archetypal Australian girl growing up story. Esther, a tiny but bright 14 year old Jewish girl, is shunned by the other girls at her posh Adelaide school. Sunni, a girl from the nearby state school, takes her under her wing, as it were, and Esther starts attending Sunni's school unofficially as a Swedish exchange student. Plenty of pratfalls follow, but the story turns serious towards the finish.

Danielle Catanzareti is brilliant as Esther and just about carries the film. Keisha Castel-Hughes is convincing as Sunni, as is Essi Davis as Ester's mother Grace (who seems to be channeling Bree from "Desperate Housewives" right down to her dress sense.) Tony Collette, in her brief appearance as Sunni's striptease artist mother, is OK but seems to be in the wrong movie, and the other girls at St Posh are, like the girls of St Trinians, too old and too depraved to be authentic.

About half-way through Esther and her pals go nightclubbing. There are a couple of problems with this. First, no bouncer would let someone of Esther's size and youth in to a strip club, even in Adelaide. Second, Esther giving head to a teenage boy who is no more than an acquaintance, in a dingy alleyway as her friends look on, while it fits in with her attempts to be accepted, proved a bit much for some of the audience with 10-12 year old children who walked out at that stage (the film is rated "M" in Australia). This is a pity because otherwise the film is suitable for kids of about 10 years and up.

There are some good comic moments, such as the massed choir of the posh school singing a heavily over-written version of the Yardbirds' "House of the Rising Sun", Esther and her geek brother Jacob's send-up of genteel family dining, and the "Esther cam" view of the Bar-Mitzvah reception. There is also a "magic realism" element which emerges occasionally such as when we are told about the school's tribes. But the ending is a bit unsatisfactory. One again a first-time writer –director has been let loose with some taxpayer's money and the result is an interesting but patchy piece. There is imagination at work here and freshness, but the film doesn't draw the viewer in the way "Looking for Alibrandi" did.
9 out of 17 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Some interesting things to say but it's unsure just how to say them
Burdrew1 April 2008
Esther Blueburger (Danielle Catanzariti) is thirteen. She's from a Jewish family and attends a private school where she's an outsider. Her classmates cartwheel, dance and eat with geometric precision, while the victimised Esther spends her lunchtimes watching them from the confines of an upper-storey classroom.

Esther crosses paths with Sonni (Keisha Castle-Hughes), an offbeat teen who attends a neighbouring State school. A friendship develops and it's not long before Esther decides to enrol at Sonni's school, without her parents knowing. There she enjoys a newfound popularity and very quickly uses it to victimise other outsiders. This doesn't impress Sonni one bit.

The awkwardly-titled HEY HEY IT'S ESTHER BLUEBURGER sits uncomfortably between a Saturday morning children's television show and a more intense, coming-of-age drama. The supporting characters, like Esther's gullible parents, teachers and peers are caricatures, which is quite alright as they represent real people with which we're familiar. Esther's change of schools is far too easy for her. While many obvious questions about this are left unaddressed, we're willing to accept it because we understand this approach to story telling.

But when Esther tries to prove her worth by fellating a boy in a dark alley one night, it just doesn't gel with what's gone before. It feels as though the screenplay needed some toughening up and the writer responded by throwing in this seriously out-of-place scene. And surely someone must have pointed out at the script stage that this would severely restrict the film's target audience, the tweens. (Footnote: Does anyone remember an equally unnecessary fellatio scene in Michael Thornhill's BETWEEN WARS (1974)?)

Esther loses her appeal as the film progresses and we really don't care for her at all by the end. Yes, teenage years are confusing times but her use of her new popularity to belittle others makes her unlikeable. The rift between Esther and Sonni is of Esther's making. And the friendship between the two isn't explored anywhere near as well as it could have been. Neither is the difference between private and State schools. Neither is Esther's religion. The sad tale of Esther's duck, however, is most effective.

Toni Collette appears briefly as Sonni's "cool" biker Mum. But the situation involving her character at the film's end is also gravely misplaced. So too is the final school assembly scene but by this stage, anything goes.

HEY HEY IT'S ESTHER BLUEBURGER is the work of first-time writer/director Cathy Randall and first-time producer Miriam Stein. It shows. Comparisons to THE BLACK BALLOON, another recently released, coming-of-age Australian film are to be expected. THE BLACK BALLOON is vastly superior because its screenwriters have a much keener sense of character construction and plot development.

HEY HEY IT'S ESTHER BLUEBURGER has some interesting things to say but it's unsure just how to say them. And I'm tired of films where the story continues as the credits roll. It's a sign of indecisiveness. Do we really need to hear about Esther's braces being removed? Maybe it makes a difference to the next boy she blows in a back alley.
22 out of 28 found this helpful. Was this review helpful? Sign in to vote.
Permalink
2/10
A vile, confusing, child-unfriendly, and unentertaining film
ffymgdpqbt22 November 2022
Warning: Spoilers
DON'T be fooled by the rather glossy, well-framed promo for the movie that posits that it is akin to "Looking for Alibrandi" or perhaps "Welcome to the Dollhouse" or "Mean Girls". This was a vile experience.

A coming-of-age drama with an a under-age girl fellating a fairly confused and random under-age teenage boy in an alleyway, as some kind of an aggressive dare to fellow teen girls? Esther finishes 'her turn' and asks 'who's next?'

This bleak act was followed by some bizarre "sexy" fantasy tap-dance routine to indicate the lead character's embrace of... well, we're not entirely sure? Esther's new sense of "legitimacy" as a modern teenager? A rejection of her religious morals? Her opinion of public vs private school fees?

Perhaps this act of sexual aggression (imagine if it was a group of teen boys doing the same to one girl?) was meant to balance out the oddly PG "stripping career" of Toni Collette's character Mary, who comes across as scandalous as a suburban mum who takes a fun pole-dance class now and then. The plot can't figure out if it's gritty realism, absurdist fantasy or just plain daft.

It's understandable that Castle-Hughes' character Sonni seems to spend most of the film rolling her eyes at the goings-on. Clearly the actress couldn't keep in her emotions about the dregs she's found herself in.

By the end, it felt like the filmmakers just wanted to swing a chicken around on a string and see if anyone was noticing. Yes, we noticed the defiled corpse of what might have been a once-living thing of an idea. It just wasn't worth it.

Thankfully I never saw this in the cinemas as a school excursion and it's not on any school lists as a study resource. Best forgotten.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
Classic coming of age film that everyone can relate to
demitrijames9 March 2008
Hey Hey it's Esther Blueburger is a cool flick telling the story of a young teenage girl's attempts to fit in. Esther, played wonderfully by the pixie like Danielle Cantanzariti, is trapped in a life of non-recognition by an idiosyncratic family and the lonely side of classic school yard tribal exclusion that everyone has experienced.

After befriending local girl Sunni, (Keisha Castle Hughes of Whale Rider fame), Blueburger begins a double life that is both laugh out loud funny and touching as she looks for her place in the world.

I saw Danielle & Keisha at the Sydney premiere and they are even cuter in person than on film. Danielle, although diminutive in size, projects large on screen & Keisha has a certain star power, especially on camera, which is undeniable. It's amazing that both Keisha (in Whale Rider) and Danielle in 'Esther' have been plucked from obscurity to give such fantastic debut performances especially seeing as both were in their early teens at the time. They are supported ably by their on screen parents (Essie Davis & Russell Dykstra) and Sunni's mum, Toni Colette who plays a character which is the anti-thesis of Esther's 'normal' parents, a source of fascination & enchantment for Esther.

There's something about wanting to be in with the cool kids and the lengths we go to to do that that we all recognise. It's part of growing up and becoming the person you are. That's what makes this film funny, beautiful, and sad at the same time.

This is an excellent film by first time writer & director Cathy Randall & I loved it. It's great to see talented writers and film-makers in Australia being given a chance & supported in an industry where much talent goes unnoticed and is usually substituted for 'celebrity'. It's definitely one of the better films to come out of Australia in recent years. Do yourself a favour and see this film. It's definitely not 'normal'!
25 out of 29 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
A coming of age story that plays by the numbers
clivy24 May 2009
Warning: Spoilers
As soon as I read the description of "Hey Hey It's Esther Blueburger" on the DVD box I wanted to rent the film. I've never seen an Australian movie about Jewish people; moreover, I've never come across very many accounts of Australian Jews.

"Hey Hey It's Esther Blueburger" is unusual; while there are many films that reference Bar Mitzvahs, the coming of age ceremony for Jewish boys, I can't think of any other movie that features the Bat Mitzvah, the ceremony for girls. It's very quirky, like "1966", which portrays a British boy worrying about his upcoming Bar Mitzvah ceremony and party during the summer of that year, while England was hosting the World Cup. However, while "1966" presents the Bar Mitzvah boy and his parents and their friends as multilayered individuals, Esther and her friend Sonni are the most fully realised characters in "Esther Blueburger". Esther's parents are stereotypes of the upwardly mobile but distant mother and father. The audience doesn't discover why it's so important to them to send their children to private schools. After Esther's brother claims he's been suffering from anti-Semitism at his school, he's sent to a Jewish private school, but Esther isn't asked to attend the school as well. Perhaps it's an all boys school, but I would think they would also try to protect their daughter from prejudice and find a Jewish girls' school for her. At any rate, I found Esther's brother the most interesting of all the characters aside from the two female leads; his conversion from a number obsessed nerd bordering on violent weirdo to a devout praying stickler for ritual at the dining table is very funny. I loved how he insisted on saying a blessing at the dining table and made his father cover his head with a napkin: he reminded me of many of my Jewish friends I met at school growing up in Miami.

The film would have benefited from further exploring what Judaism signifies to Esther and her family; aside from their accents, the relatives at the Bat/Bar Mitzvah party are straight out of central casting for any Bar Mitzvah sequence in a Hollywood movie. The story the father tells about the bread falling schmaltz side up feels authentic at first, but alas otherwise the Jewishness is portrayed as schmaltz -- or shtick, rather.

So too is Esther's journey as she tries to truly become a woman. It felt like many films and made for TV movies about girls struggling to break away from their upbringing and find their identities as adults. I smiled at Esther customising her Bat Mitzvah dress, turning the yellow embroidered ruffles into a multi layered mini dress with a halter top, and covering her white high heels with red glitter. Her makeover doesn't go much further than cosmetic. I can't see how her Swedish act would win over the public school girls and her private school fellows so quickly. Her transformation seems like a fantasy she dreams up after being emotionally shattered by the brutality of her school and the girls her mother wants her to befriend: it comes too easily, and too painlessly, aside from her split from Sonni and the loss of Sonni's mother. I agree that the nightclub scenes are too gritty; surely Esther would love to dress up for clubbing and maybe take a swig of booze but at her age would find wandering the strip and giving boys oral sex way too frightening. I take the point that she scared Sonni by behaving coarsely, but that was suggested by Esther mugging her old school friend for her raincoat. I wish I could have just walked in another school and life so smoothly, without the school ever contacting my parents or challenging me about my absence. Furthermore, it's not clear why Sonni is sent to the Ladies College once in her relatives' care.

"Hey Hey It's Esther Blueburger" is an entertaining movie about the passage from adolescence to young adulthood, and teenage girls would certainly find much in it that they could identify with. But it doesn't travel much further than the stages usually followed by films about young girls growing up. It's a shame, because the film has the potential to be an engrossing study of how Esther and her family find new ways of fulfilling themselves and engaging with their community.
5 out of 6 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
The story of a smart, rueful and dead-on portrait of life's unending quest to fit in...and the girl who solves it by completely breaking out.
ncotwsd18 March 2008
Esther Blueburger's (Danielle Catanzariti) quest begins when she escapes from her Bar Mitzvah party and is befriended by Sunni (Keisha Castle-Hughes), the effortlessly cool girl who is everything Esther thinks she wants to be. With the help of Sunni, Esther goes AWOL from her ordinary life and leaves behind her malfunctioning Jewish family to hang out with Sunni's far breezier and super-hip single mum Mary (Toni Collette) and attend Sunni's forbidden public school as a Swedish exchange student.

Finally, here is an intelligent film for teenage girls! This film manages to be funny and uplifting while exploring some more serious themes, of family and peer relationships. The scriptwriter and director, Cathy Randall, and the star, Danielle Catanzariti are new talents and people to watch in the next generation of Australian film. Congratulations to all involved!
13 out of 21 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
amazing
mr_cow-com23 April 2011
This movie was brilliant! I think what deterred some of the other reviewers here was that they thought it was a children's movie. While it does have 13 year-old girls as the centre characters, trying to fit in and grow up in and out of their school lives, it is definitely not for children.

Believe it or not, I found peculiar things like social-economics to be key parts, as the difference between Sunni and Esther is never looked at directly, but determines Sunni's character and her upset with Esther. It also looks at different types of friendships, family religion and the way we lash out at people for trivial things like *we* having hurt *them*.

I didn't realise it was one of those movies that you either love or hate, but perhaps it is. A must-see, though if you're expecting a light-hearted comedy simply about fitting in, you'll be surprised - it goes into so much more depth than that
1 out of 4 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
The mailbox is broken
nogodnomasters13 February 2018
Warning: Spoilers
Esther is an outcast at a private school. The uniformity of the school is shown to the extreme. Esther wants to be part of the crowd, yet at the same time strives not to be part of the group. She attempts to talk to her parents, but they ignore her to excess. Esther meets Sunni (Keisha Castle-Hughes), a public school student. They connect and become friends and she also makes friends with Sunni's mom (Toni Collette) who works as a dancer. Esther decides to stop going to Rowan and attend public school with the unorthodox Sunni...without really telling anyone. Here she finds her comfort zone.

The story is basically a witty coming of age story. The story becomes serious and sad toward the end, which I thought ruined the flow.

No f-bombs, sex, or nudity. Sex is mentioned and the film has ummm- err-ah....those female things.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Quirky Australian coming-of-age story.
TxMike4 November 2020
Not a newer movie, I found this on the Kanopy streaming site via my public library's subscription.

The featured character is Danielle Catanzariti as 13-yr-old Jewish girl Esther Blueburger. She has a twin brother but his story doesn't come into play much. Both teens are going through typical changes that accompany hormone changes.

Esther is pretty much an outcast at her private school and after a chance encounter with a girl attending the local public school Esther decides she will go there too. No transfer, no registration, just borrow school clothes and start attending.

The movie is very entertaining, young Danielle Catanzariti is really very good in her role. (As an aside she is also a talented singer, doing "Sometimes" as one of the songs on the soundtrack.) Her decisions make for some interesting and mostly unexpected turns of events, and kept my attention for the entire running time.

Good movie!
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed