The latest collaboration between Dominique Abel and Fiona Gordon is a delicate, breezy and entirely endearing comic tale of love and kinship. Herewith I will admit to my shameful, total ignorance of the couple's previous features, L'iceberg (2005), Rumba (2008) and La fee (The Fairy; 2011, reviewed by our own Jim Tudor). They actually have been working together in film since at least 1994, when their short Merci Cupidon was completed. Per Cineuropa, they "met in Paris through their love of the circus" some 37 years ago and make their films in Belgium. I mention all that because Lost in Paris (Paris pieds nus) feels simultaneously fresh and also studied, like the latest chapter in a continuing, lighthearted epic that has little to do with...
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[Read the whole post on screenanarchy.com...]...
- 6/15/2017
- Screen Anarchy
To follow up on yesterday's roundup of Un Certain Regard remainders...
"The Tati-inspired dance trio of Dominique Abel, Fiona Gordon, and Bruno Romy are at it again, crafting an awfully similar follow-up to their previous feature, Rumba." Blake Williams for Ioncinema: "The Fairy is light on magic and the supernatural, but flutters breezily along with joke-a-minute fluff…. As in their other films, the 'plot' — this one involving a wish-granting fairy — is only really a conceit by which to give the illusion of continuity to what is essentially a string of short films." Screen's Fionnuala Halligan's enjoyed it, though: "Theirs is an old-fashioned, almost silent, routine (their first feature L'Iceberg was virtually wordless) blended beautifully with an arresting dance element." In the Hollywood Reporter, Jordan Mintzer notes that "Tati's hand is evident in the exceptionally precise art direction and camerawork by regulars Nicholas Girault and Claire Childeric."
"The Silver Cliff was...
"The Tati-inspired dance trio of Dominique Abel, Fiona Gordon, and Bruno Romy are at it again, crafting an awfully similar follow-up to their previous feature, Rumba." Blake Williams for Ioncinema: "The Fairy is light on magic and the supernatural, but flutters breezily along with joke-a-minute fluff…. As in their other films, the 'plot' — this one involving a wish-granting fairy — is only really a conceit by which to give the illusion of continuity to what is essentially a string of short films." Screen's Fionnuala Halligan's enjoyed it, though: "Theirs is an old-fashioned, almost silent, routine (their first feature L'Iceberg was virtually wordless) blended beautifully with an arresting dance element." In the Hollywood Reporter, Jordan Mintzer notes that "Tati's hand is evident in the exceptionally precise art direction and camerawork by regulars Nicholas Girault and Claire Childeric."
"The Silver Cliff was...
- 6/1/2011
- MUBI
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