"Have Gun - Will Travel" The Silver Queen (TV Episode 1958) Poster

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8/10
Have Will, Will Travel
zsenorsock13 March 2007
Palladin accompanies the lovely Annette (Lita Milan) to claim the mine left to her by her late admirer Leadhead (Earle Hodgins). When he gets to the town, Paladin discovers Leadhead's crooked partner Crawford (Whit Bissell) plans to challenge the will--and keep Paladin and Annette away from the hearing at any cost.

This is a good episode that lets Boone play lawyer as well as have a little of the usual gun play. Hodgins has a touching performance as the old man who's life is enlivened by the innocent Annette and the episode is enriched by the presence of several other old character actors, notably Ralph Moody as the Judge and Tom London (who used to play the comic sidekick to Sunset Carson) as one of the jurors.

In addition, Milan is both sweet and hot at the same time. The year she would star with Paul Newman in "Left Handed Gun" then according to her IMDb bio, a couple of years later she left the business to marry the son of a South American dictator--making her own life as exciting as some of the parts she played!
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8/10
Lover for a night
hudecha4 September 2018
The episode has three parts.

The middle section, the action part linked to the mine, is actually the least interesting of the three. It is not outstanding but adequate to its purpose, with at least one bright Paladin idea which does not seem to have been used too often.

The opening and closing parts are those for which the episode is worth remembering. They are quite touching, using a slightly easy means to move us - broaching the subject of the loneliness of old miners who are close to the end of their life and never have known anything close to real happiness, let alone love. The opening is charming and folksy. The ending is a trial scene which fulfills the two main requirements most often missed by such scenes - it is crisp and to the point, and it manages to generate emotions - through close-ups of the old miners.

They are pushed by Paladin to identify themselves with their much happier fellow prospector Leadhead, and we spectators are encouraged by the story to identify ourselves with them, their past suffering and still not extinct longings. Both may appear in a way as manipulative tricks, but in the end they are well-meaning tricks and therefore, quite interestingly, they both work out fine...
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8/10
What one night of happiness brings about
theowinthrop10 January 2009
Warning: Spoilers
I watched GUNSMOKE and BONANZA more frequently than I watched HAVE GUN-WILL TRAVEL, but I always felt there was an edginess in the Richard Boone series that was not found in the other two. Matt Dillon, Kitty, Doc, Chester, and Festus were the good people as were the Cartwrights. But Boone's Paladin (although a learned gentleman) is a professional killer, and one who is constantly considering if the cause he takes up is the right one or not.

This episode was one where he knew the cause was just. While at home in San Francisco, Paladin and his elderly friend Leadhead go to see a singer that Leadhead once saw before. The singer Annette Vargas (Lita Milan) is very sweet, and she joins the two men for dinner. Soon Leadhead finds he is having the best night of his life (not sexually, but enjoying a really friendly conversation with a person he likes). At the end of the night he asks Annette to autograph the photo on his program. Instead she gives him a locket with her picture as a gift.

The next day Paladin finds Leadhead died during the night (he had a heart condition). Paladin learns that Leadhead actually wrote out a will that was properly witnessed leaving his half of a silver mine to Annette. Annette never intended to become Leadhead's heir, and she tells Paladin that she probably won't take the inheritance. Then, Leadhead's partner Vance Crawford (Whit Bissell) shows up at Annette's door with an offer: he'll give her $1,000.00 for the will so he can destroy it. Crawford keeps reminding her that the will is no good and would be dismissed, that she can make some money for herself by doing what he asks, and then ruins everything by insinuating that she entrapped a foolish old man into making that will. Annette soon visits Paladin and says she is now determined to get the will probated.

Going to the town that the mine is in, Paladin and Annette are soon targeted at the hotel in the town by Crawford's man Jess Hagan (Martin Balk), and when they go to the mine to put up a sign as a preliminary to the probate they are ambushed. They are unable to leave the mine because Jess and two others are outside firing at them (on the other hand none of these three are able to get into the mine without facing Paladin's shooting ability). Paladin and Annette realize that if they are kept in the mine until after the probate of Leadhead's estate, then Crawford can be declared sole owner.

Eventually they do get out of the mine (I'll leave that to you to discover how). They also have their day in court, with (for a change) Paladin winning his victory without having to kill anyone (even the obnoxious Crawford). It turns on the sad life in small town Western America in the 19th Century. It was hard and it was tedious...and quite lonely.

The episode moves along, and given the degree of violence in Western and police shows it was refreshing to see a solution that was done bloodlessly.
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Missed Opportunity
dougdoepke2 March 2010
Episode starts off in promising fashion—lonely, rich, old Leadhead (great name) is befriended by gorgeous French entertainer (Milan). Captivated, he leaves her his fortune in a will and then obligingly drops dead. Now the question arises—was she playing the old man for a sucker. Is she really a gold-digging opportunist who sees a great opportunity. She certainly seems honest, besides Paladin apparently trusts her. Still, the suspicion is unavoidable.

I wish the script had developed this aspect and saved a disclosure till the end. That would have generated real interest. Instead, the screenplay veers off in a different, more hackneyed direction that includes a poorly staged shoot-out in LA's favorite cheap location, Bronson Canyon. At least, the entry is a payday for a lot of veteran actors, especially Earle Hodgins (Leadhead) whose amusing opening scene with Boone is a little gem of unspoken affection. Still, the entry strikes me as a missed opportunity for something more memorable.
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