L.A. Law (TV Series)
Hello and Goodbye (1993)
Alan Rachins: Douglas Brackman, Jr.
Quotes
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Douglas Brackman, Jr. : Any word on Daniel's baby?
Leland McKenzie : No, not yet, but we're all working on the problem.
Arnie Becker : My old colleagues at Channel 3 have been...
Jonathan Rollins : I've got city councilmembers getting the word out in their districts.
Douglas Brackman, Jr. : Well, let's hope these efforts pay off before time runs out for Lucy.
[Leland is looking at his appointment book]
Douglas Brackman, Jr. : Well, Collins vs. Reeve and KINX News. Wasn't this settled?
Melina Paros : KINX is offering nuisance value, but on my advice, Mrs. Collins has refused.
Leland McKenzie : What cause of action?
Melina Paros : Wrongful death. We're suing the cameraman and the news group for 1,000,000 bucks.
Arnie Becker : Come on, this poor guy's distraught over losing his job, barbecues himself on TV, you blame the press?
Melina Paros : If a cameraman weren't there, my client's husband would be alive.
Jonathan Rollins : Except for the First Amendment, you might have a case.
Melina Paros : I know I'm pushing the envelope, but the people are tired of the media's lack of responsibility. I think it'll fly.
Douglas Brackman, Jr. : Who knows? Maybe you'll set a precedence. We could use the publicity.
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Douglas Brackman, Jr. : Ann Kelsey vs. City of Los Angeles. What's this?
Ann Kelsey : I'm suing the LAPD for inadequate response during the riots. They had a helicopter overhead during Stuart's attack, and all they did was watch.
Leland McKenzie : Stuart, you're not involved in this action?
Stuart Markowitz : No, I'm not. This is Ann's show.
Douglas Brackman, Jr. : What kind of damages are you looking for?
Ann Kelsey : Loss of consortium.
Leland McKenzie : Well, you're aware with a case such as this, you can expect questions about your intimacies...
Stuart Markowitz : Doesn't matter, Leland. Clearly, I'm a shadow of my former self.
[Stuart needs to take a moment and be alone at his office]
Ann Kelsey : I understand that this is a matter of public record, but it's not up for discussion here.
[Ann closed her desk folder]
Ann Kelsey : Excuse me.
Leland McKenzie : Yes, ma'am.
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Arnie Becker : Roxanne, you got crumbs all over the Behringer file!
Roxanne Melman : Better than the alternative. At least soda crackers stay down.
[Looking up the Behringer file]
Roxanne Melman : Good as new.
Douglas Brackman, Jr. : Any word on Lucy?
Roxanne Melman : Still missing. Uhh.
Arnie Becker : What?
Roxanne Melman : I guessed wrong about the soda crackers.
[Roxanne heads to the ladies' room]
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Douglas Brackman, Jr. : So, what's the latest on my oeuvre?
Arnie Becker : Oeuver-budget.
Douglas Brackman, Jr. : How's that?
Arnie Becker : Long and short of it, your book's overwritten. We had to make cuts.
Douglas Brackman, Jr. : What did you take out?
Arnie Becker : A little judicious trimming here and there. Chapters 4-12.
Douglas Brackman, Jr. : Those chapters were the heart of my story.
Arnie Becker : Douglas, worldwide wouldn't have to make any cuts if we rescaled the production. The scope of the material may be too intimate for a big-budget release.
Douglas Brackman, Jr. : Ah, a smaller boutique presentation, similar to a foreign film?
Arnie Becker : No, more like a... movie of the week. Now it takes place in a women's prison. Ah!