(TV Series)

(1951)

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2/10
It appeared as if the two leads were trying to out-bad act each other!
planktonrules6 December 2012
"Curtain Call" is about an actor who has been off the stage for a very long time following the death of his wife. Now, years later, he and his daughter are performing comeback. However, this is a problem, as the actor keeps hearing the voices of the dead and he seems emotionally unbalanced. As for his daughter, she doesn't hear anything but based on her emotionality, I assume she was pretty unbalanced as well!

"Lights Out" was an early horror anthology television series. Occasionally, it was very good but too often the shows really let you down--thanks mostly to inconsistent writing. Sure, the budgets were minuscule for the shows, but the cheap sets were NOT the problem. A great example of this is "Curtain Call"--a show ruined by bad writing and bad acting. Now the badness of the performance of Otto Kruger, in particular, surprised me, as he was a wonderful actor. However, he so over-emotes (along with his co-star) that the show really made me cringe. Also, where was the director on this one--why didn't they tell them that less can certainly be better! Don't say I didn't warn you about this one...subtle it ain't!!
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8/10
Enjoyable supernatural yarn
Woodyanders23 July 2014
Warning: Spoilers
Famous, but pompous actor Carlton Dane (robustly played by Otto Kruger) comes out of retirement after ten years to perform in a stage production of "Richard III" with his up and coming actress daughter Lydia (an appealing performance by the fetching Elinor Randel). However, Carlton not only finds himself being haunted by the taunting voice of his late wife Alexis, but also has trouble with his daughter becoming a huge success in her stage debut to the point in which it eclipses his own popularity.

Director Laurence Schwab Jr. relates the engrossing story at a steady pace as the plot unfolds towards a suitably downbeat conclusion. Kruger's lip-smacking histrionics are a hammy blast to watch; Carlton's arguments with his daughter possess a certain crackling electric charge. Moreover, it's easy to hate Carlton because of his raging out of control ego and arrogant inability to handle his daughter's triumphant rise to stardom. Alan Bunce does well as Carlton's loyal and concerned friend Peter. Arlo's shivery ooga-booga score hits the shuddery spot. The start black and white cinematography boasts a few neat fades and overlapping visuals. A fun show.
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