(TV Series)

(1974)

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8/10
A brother and sister serial killer combo
pkfloydmh12 September 2021
This one is about a brother and sister who are killing off the judges who kept their father in prison by refusing to grant him parole.

Stefanie Powers plays the sister half of this family killing machine and looks really good and her performance is solid, as is Elliott Street's, who plays the brother half. He played another serial killer in a memorable episode of Hawaii Five-O (Draw Me a Killer, 1973).

This is a really good episode with lots of action, tension and suspense. It's a big improvement over the previous episode (Walk a Tightrope), which was a real skunk.

Ryker continues to bark out orders and yell and scream like a raving lunatic. I really despise this guy.

There's a nice car chase towards the end, one of the best ones I've seen on the show yet.

This is one of the best episodes of the season so far.
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4/10
A Great Idea Spoiled by a Poor Script
reprtr12 September 2021
Warning: Spoilers
This story of revenge and escalating violence has a lot of promise in its opening minutes, but it quickly falls apart amid some absurdities in the behavior of the regular principal characters and a weirdly unbalanced last act. Stefanie Powers is scary as the vengeance-driven mastermind, out to kill the judges that she blames for her father being denied parole and dying in prison. And almost as good is Elliott Street as her somewhat less competent sibling, who is just as dangerous in his unfocused way of living. And Eduard Franz is superb as their intended victim, the only surviving member of the parole panel that denied their father his freedom. But midway through the episode, things go haywire -- an officer, a partner to the other officer (who is a witness to the first attempt), is shot in the line of duty, and no one is in attendance at the hospital except the partner and their lieutenant (my, how cavalier they are -- who the hell was the technical advisor on this series?). And no one among these law-enforcement professionals ever stops to think that maybe the shooting of the officer is more than just a coincidence, coming just a day or two after his partner witnessed an attempt on the life of a sitting judge? And the writers fail to ever even include any kind of verbal confrontation between Powers' avenging, murderous felon and the police. It all winds up with a hastily occurring (and just as quickly resolved, and also ridiculously resolved) hostage situation in the final minutes of the episode -- the irony is that this scene is so beautifully played, that it shows what the script could have been, if the writers had gotten it right.
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