"Route 66" Welcome to the Wedding (TV Episode 1962) Poster

(TV Series)

(1962)

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9/10
"In My Country We All Become Monsters"
AudioFileZ7 March 2012
Warning: Spoilers
Academy Award winning actor Rod Steiger guests in "Welcome to the Wedding" the eighth episode in season three of Route 66. Mr. Steiger's talents are not wasted as it is one of the darkest and most dramatic episodes in the entire series.

Portraying character Justin Lezama, a twice convicted murder, Steiger brings true menace to the part of a desperate convict seeking freedom in hopes he may, for once, feel something - anything. Lezama is demented having absolutely no conscience or emotions. He manipulates a transfer where he has a layover in Cleveland's central train station. Tod becomes a hapless victim/hostage as he is approached by the officer transporting Lezama, played by Ed Asner, to retrieve the prisoner's brother for a kind of humanitarian meeting during the layover. The ensuing hour, or so, is fraught with tension created by Steiger's truly cold and detached performance.

This is one of the better episodes of Route 66's crime based drama type vignettes directed by seasoned TV and film director George Sherman. Milner is in most every scene, but it is Steiger's performance, portraying what he calls a "monster", that shines (Maharris is along, but is seen sparingly). A must see episode.
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9/10
Superb Writing
mylancer0313 November 2018
I loved the Rod Steiger episode.I would have loved to find the dialogue somewhere on line. I wanted to send some of the quotes to a friend of mine. The writing even though a little heavy for the afternoon is always superb.
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For Fans Of Steiger
dougdoepke7 August 2015
It's a Steiger showcase. He's given a lot of introspective dialogue and solo screen time, while Tod looks on stoically. Seems Lezama's (Steiger) an affectless killer who's now trying to escape from custody (Asner) in the middle of Cleveland, using Tod as a hostage. There's a subplot, for some reason, about the boys getting the maid-of-honor to church on time. Needless, to say the two don't blend well, suggesting some kind of backstory to the production. Rather surprisingly, Steiger low-keys the chance to do big time emoting. Looks like he's reaching for tragedy instead of menace, but the extended ruminations do slow things down. Then too, fans of Maharis may be disappointed since he hardly appears, and has few lines. To me the best part is in the train station and the banter between Tod and the pretty blonde girl. It's done with verve and style. Anyhow, the 60-minutes is mainly for fans of a different brand of Steiger. I'm just glad they managed to work in some good shots of downtown Cleveland.
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11/9/62 "Welcome to the Wedding"
schappe18 August 2015
Warning: Spoilers
Zap! We're back in the series old favorite venue, Cleveland, where Buz and Tod are attending a wedding. The maid of honor missed her train and Tod agrees to wait for her at the train station while the wedding waits for her to arrive. Overhearing this discussion is Ed Asner, (making his fourth appearance on the show and his second straight fatal one- he's also gotten killed twice on the same producer's "Naked City"), who is a police officer taking the dangerous convict Rod Steiger to a different prison. He's doing this alone, with Steiger handcuffed to him, (the way Richard Kimble would be handcuffed to Lt. Gerard a year later). Steiger wants his brother to come see him while they are waiting for their train and has convinced the dubious Asner that that is a good thing to do. But Asner is concerned that if they call the "brothers" number someone may come to spring Steiger, not the brother. He wants somebody to go to the brother's address and make sure that the person there actually is the brother, (using some ID info he's given) and bring him to the train station if he really is the brother. Tod at first wants no part of it until Steiger gives him a lecture on caring. Tod then agrees to go to the brother's address while he waiting for the maid of honor's train to come in, (he has 3 hours to kill).

The great problem of a road show like this is implant the hero(s) into the personal stories of the people they encounter. This surely has to be the most awkward way of doing this in the history of the show. Why not simply have Asner call the brother and Tod becomes the nearest potential hostage for Steiger after the shoot-out?

But it turns out to be a memorable show anyway. The 'brother' brings two guns with him, (unbeknowest to the naive Tod) and whips them out when he gets there, giving one to Steiger. In the resulting shoot- out, Asner is killed and the 'brother' is wounded. Steiger coldly finishes him off, then explains he has no brother. This guy was just an employee who played along with the scheme in order to get a share of some hidden money which Steiger will now not have to share. He now uses Tod as a hostage and chauffeur, making this the book-end episode to "Aren't You Surprised to See Me?", where David Wayne made Buz taking him around Dallas at gunpoint. Steiger even decides he wants to attend the wedding. Having been in jail since the age of 17, he's never been to a wedding. He's not a very welcome guest, telling the bride that death is inevitable. When he leaves with Tod, Buz wonders why and takes down their license plate, (they are in the brother/employee's car), resulting in a final confrontation with the police where Steiger basically invites them to kill him.

Steiger's performance, as strong a one as he's ever given, including all his movies, makes this episode. He plays a man who is calm but ruthless. He has no normal human feelings and knows it. He wants to feel something. He's always thought that getting out of prison into the outside world would be the answer but isn't and, per a note he left, that's the reason he decides on "suicide by cop". This is one of only three appearances on episodic TV for an actor famous for his movie performances, (he was in a Wagon Train- they also have a number of other appearances by movie types- and a Ben Casey). The role must have had a special appeal for him and he certainly makes a meal of it. Acting is reacting, they say and Martin Milner does a great job of playing his victim, defiant but wary, with no attempts at nervous humor and nothing to distract the audience's attention away from Steiger's powerful performance.
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Where'd the hubcap come from?
cwjonesfam17 August 2020
The first time we see Todd driving the 56 Chevy with Justin in the back seat in a full length shot, the car has no drivers side front wheel hubcap, but there is one on the back drivers side wheel. The next time we see the car moving from that same angle, there are hubcaps on the front and back wheels. Where and when did they get one for the front wheel? Perhaps the second scene was shot first and they lost the hubcap along the way before they shot the first scene, but no one on scene noticed. Very obvious for those of us that know vehicles of that era. I learned to drive in a 56 Chevy like that one and went with my Dad in it to get my daylight license at age 14 in South Carolina in 1962.
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