Grace Is Gone (2007)
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- PG-13
- 1h 25min
- Drama, War
- 10 Jan 2008 (Israel)
- Movie
- 4 wins & 7 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
John Cusack | ... |
Stanley Phillips
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Emily Churchill | ... |
First Woman
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Rebecca Spence | ... |
Second Woman
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Jennifer Tyler | ... |
Third Woman
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Susan Messing | ... |
Fourth Woman
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Shélan O'Keefe | ... |
Heidi Phillips
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Gracie Bednarczyk | ... |
Dawn Phillips
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Doug Dearth | ... |
Captain Riggs
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Doug James | ... |
Chaplain Johnson
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Alessandro Nivola | ... |
John Phillips
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Zach Gray | ... |
Boy at Pool
(as Zachary Gray)
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Marisa Tomei | ... |
Woman at Pool
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Penny Slusher | ... |
Ear Piercer
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Dana Lynne Gilhooley | ... |
Grace Phillips
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Mary Kay Place | ... |
Woman at Funeral
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Katie Honaker | ... |
Voice of Grace Phillips (voice)
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Ross Klavan | ... |
Additional Voices (voice)
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Robb Pruitt | ... |
Additional Voices (voice)
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Bill Timoney | ... |
Additional Voices (voice)
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Jennifer Bills | ... |
Additional Voices (voice)
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Rest of cast listed alphabetically: | |||
Nathan Adloff | ... |
Highway Driver (uncredited)
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Brian Patrick Farrell | ... |
Balloon Man (uncredited)
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Andrea Frisby | ... |
Military Wife (uncredited)
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Shane Hartline | ... |
Theme Park Employee (uncredited)
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Suzanne Lang | ... |
Soldier's Wife (uncredited)
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Gary Sedlock | ... |
Store Shopper (uncredited)
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Jocelyn Wesler | ... |
Waitress (uncredited)
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Directed by
Jim Strouse | ... | (as James C. Strouse) |
Written by
Jim Strouse | ... | (written by) (as James C. Strouse) |
Produced by
Carina Alves | ... | associate producer |
Paul Bernstein | ... | executive producer |
Roberta Burrows | ... | co-producer |
John Cusack | ... | producer |
Doug Dearth | ... | co-producer |
Demetra Diamantopoulos | ... | co-producer / line producer |
Marilyn Haft | ... | co-producer |
Wes Jones | ... | associate producer |
Jessica Levin | ... | co-producer |
Grace Loh | ... | producer |
Riva Marker | ... | co-producer |
Galt Niederhoffer | ... | producer |
Celine Rattray | ... | producer |
Vail Romeyn | ... | co-line producer |
Reagan Silber | ... | executive producer |
Jai Stefan | ... | executive producer |
Daniela Taplin Lundberg | ... | producer |
Todd Traina | ... | executive producer |
Music by
Clint Eastwood |
Cinematography by
Jean-Louis Bompoint |
Editing by
Joe Klotz |
Editorial Department
Jason Barnes | ... | additional assistant editor |
Pete Conlin | ... | post production |
Matthew H. Giordano | ... | assistant editor |
Jonathan Hoffman | ... | post production |
Paloma Mele | ... | post-production intern |
Brian Reali | ... | digital intermediate producer |
Michael Smollin | ... | digital intermediate colorist |
Renannah Weinstein | ... | assistant editor (as Renannah Seliger) |
Keith Croket | ... | digital intermediate assistant editor (uncredited) |
Casting By
Mickie Paskal | ||
Jennifer Rudnicke |
Production Design by
Susan Block |
Art Direction by
Lissette Schettini |
Set Decoration by
Tanja Deshida |
Costume Design by
Ha Nguyen |
Makeup Department
Karen Brody | ... | makeup artist |
Christina Carlson | ... | makeup artist |
Lisa JelicWatson | ... | key makeup artist (as Lisa Jelic) |
Rosalind Jones-Crosby | ... | makeup artist |
Denise Wynbrandt | ... | hair department head / makeup department head |
Production Management
Demetra Diamantopoulos | ... | unit production manager |
Michael Jackman | ... | executive in charge of post-production |
Michelle Krumm | ... | executive in charge of production |
Matt Landon | ... | executive in charge of post (as Matthew Landon) |
Riva Marker | ... | post-production supervisor |
Vail Romeyn | ... | unit production manager |
Second Unit Director or Assistant Director
Donald Dowd | ... | assistant director |
Michelle Gonsiorek | ... | second second assistant director |
Stephanie Moore | ... | second assistant director |
Curtis Smith | ... | first assistant director |
Art Department
Krystin Auriemma | ... | art department intern |
Ian Bock | ... | swing gang |
Chris Cleek | ... | leadman |
Dean DeMatteis | ... | props |
Suzanne Kofke | ... | painter |
Jenna McDanold | ... | painter |
Merje Veski | ... | property master |
Ricky Nachbar | ... | art department intern (uncredited) |
Sound Department
Michael Barry | ... | re-recording mixer |
Shaun Brennan | ... | foley artist |
Karl Dondlinger | ... | boom operator |
Rusty Dunn | ... | sound designer / sound effects editor |
Tom Efinger | ... | re-recording mixer / sound supervisor |
Michael Feuser | ... | sound editor |
Jaimie Johnson | ... | adr recordist (as Jaimie Siedow) |
Michael Minkler | ... | re-recording mixer |
John Moros | ... | dialogue editor |
David Obermeyer | ... | sound mixer |
Abigail Savage | ... | foley recordist |
Nicholas Schenck | ... | assistant sound editor |
Ian Stynes | ... | re-recording mixer |
Kevin J. Summers | ... | sound utility |
Visual Effects by
John Bair | ... | titles and visual effects designer |
Camille Geier | ... | visual effects executive producer: RhinoFX |
Karin Levinson | ... | production executive: RhinoFX |
Jim Rider | ... | digital artist |
Stunts
Natalie M. Meyer | ... | stunt double |
Carl Paoli | ... | stunt double: Alessandro Nivola |
Jodi Starnes | ... | stunt double |
Camera and Electrical Department
Jonathan Clark | ... | film loader |
Shannon DeWolfe | ... | camera intern |
Fred Folmer | ... | dolly grip |
Zachary Gannaway | ... | second assistant camera |
Bob Gomez | ... | electrician |
Steven Hiller | ... | camera operator |
Charles S. Hodes | ... | still photographer |
Morgan Michael Lewis | ... | key grip |
David Morenz | ... | assistant camera |
William R. Nielsen Jr. | ... | steadicam operator |
Keith Pokorski | ... | first assistant camera: "b" camera |
Stuart Slack | ... | grip |
Jeff Tomcho | ... | camera intern (uncredited) |
Casting Department
Matt Miller | ... | casting associate |
Rebecca Norris | ... | casting intern |
Jessica Remis | ... | casting associate |
Kat White | ... | extras casting coordinator |
Costume and Wardrobe Department
Rose Alexander | ... | costume intern |
Patrick Caulfield | ... | set costumer |
Molly McConnaughy | ... | set costumer |
Kimberly Merlin | ... | stylist |
Location Management
Raul Esparza III | ... | assistant location manager |
Dominic Markiewicz | ... | assistant location manager |
Stefan Nikolov | ... | location manager |
Sherrill Smith | ... | location manager |
Andreas Zachai | ... | assistant location manager: second unit |
Music Department
Jean-Michel Bernard | ... | composer: stock music |
Doug Bernheim | ... | music supervisor |
Joel Cox | ... | music editor |
Doug Dearth | ... | music supervisor |
Kyle Eastwood | ... | music arranger / musician: electric bass |
Graeme Flowers | ... | musician: trumpet |
Angela Leus | ... | soundtrack coordinator |
Andrew McCormack | ... | musician: piano / orchestrator |
Bruno Mercere | ... | music mixer |
Michael Stevens | ... | music arranger / musician: guitar |
Script and Continuity Department
Amy Sobin | ... | script supervisor |
Kathryn Waters | ... | script supervisor |
Transportation Department
David Morales | ... | unit driver |
Bob 'Smitty' Smith | ... | driver: honeywagon |
Additional Crew
Philip Alberstat | ... | sales representative (as Phil Alberstat) |
Chidem Alie | ... | assistant: Ms. Loh (as Chidem Ali) |
Krystin Auriemma | ... | production assistant |
Rudra Banerji | ... | set production assistant |
Jeno Delli Colli | ... | production assistant (as Jeno Dellicolli) |
Elliott Eisman | ... | set intern |
Sara Ellingen | ... | assistant coordinator |
Erin Heidenreich | ... | sales agent |
Kenneth Johnson | ... | trainer: Mr. Cusack |
Shaun Kendall | ... | production assistant |
Ross L. Kulma | ... | first aid medic |
Sara Lane | ... | post-production accountant |
Kevin Lawn | ... | coordinator: New Crime Productions |
Holly Lee | ... | production assistant |
Aurelie Levy | ... | assistant: Mr. Cusack |
Aine McAteer | ... | chef: Mr. Cusack |
Dale McKeel | ... | production assistant |
Terry Mettger | ... | production accountant |
Kim 'Corkey' Miller | ... | animal wrangler |
Fred Moyse | ... | set paramedic: Florida |
Ricky Nachbar | ... | production assistant |
Margaret J. Orlando | ... | production coordinator |
Rosemary Orlando | ... | production coordinator: Tampa, FL |
Natasha Parker | ... | set production assistant |
Diane Perry | ... | stand-in: female |
Stefan Rand | ... | key set production assistant |
Paul Ruffolo | ... | set production assistant |
Jenny Shields | ... | assistant: Ms. Niederhoffer |
AnneMarie Spizuoco | ... | production assistant |
Emily Strange | ... | assistant: Ms. Niederhoffer |
Saul Villarruel | ... | office production assistant: pre-production |
Whit Vogel | ... | production assistant |
Thanks
Casey Affleck | ... | special thanks |
Steve Buscemi | ... | special thanks |
Matthew Dixon | ... | special thanks |
Mike Eisner | ... | thanks |
Joyce Hiller Piven | ... | special thanks (as Joyce Piven) |
Regina Spektor | ... | thanks |
Production Companies
- Plum Pictures
- The Weinstein Company (presents)
- New Crime Productions
- Benedek Films (in association with)
- Hart-Lunsford Pictures (in association with)
Distributors
- The Weinstein Company (2007) (United States) (theatrical)
- Odeon (2007) (Greece) (theatrical)
- Prorom Media-Trade (2007) (Romania)
- Vértice 360 (2007) (Spain)
- Central Film (2008) (Germany) (theatrical)
- Golden Village Pictures (2008) (Singapore) (theatrical)
- Paradiso Entertainment (2008) (Netherlands) (theatrical)
- Xanadeux (2008) (Japan) (theatrical)
- Discovery Film & Video Distribution (2008) (Croatia) (DVD)
- Nordisk Film (2008) (Finland) (DVD)
- Distribution Company (2009) (Argentina) (theatrical)
- Londra Films P&D (2009) (Bolivia) (theatrical)
- Argentina Video Home (2009) (Argentina) (DVD)
- CatchPlay (2009) (Taiwan)
- Paradiso Home Entertainment (2009) (Netherlands) (DVD)
- Paris Filmes (2009) (Brazil) (DVD)
- Senator Home Entertainment (2009) (Germany) (DVD)
- Paradiso Home Entertainment (2010) (Netherlands) (DVD)
Special Effects
- Edgeworx Studios (visual effects)
- RhinoFX (additional visual effects)
Other Companies
- Dig-It Audio (sound editorial)
- Todd-AO Studios (West) (re-recording facilities)
- Atlantis Group Recording (additional adr recorded at)
- Bel Air Studio (score recorded at)
- Pear Tree Catering (catering)
- The Film Worker's Club (video dailies)
- Goldcrest Post Production New York (on-line editing)
- Mega Playground (digital intermediate lab services)
- Chapman/Leonard Studio Equipment (camera dollies)
- Cinetic Media (filmmakers representation)
- Eisner & Frank (production legal)
- Fintage CAM (collection account management)
- IndieClear (script clearance)
- Lightnin' Production Rentals (transportation equipment)
- Milan Records (soundtrack)
- Postworks New York (digital intermediate)
- Screen Cuisine Catering (catering: Second Unit)
- William Morris Independent (filmmakers representation)
Storyline
Plot Summary |
Stan Philipps's wife Grace is a sergeant with the U.S. Army. While she's posted to Iraq, the earnest Stan is home in Minnesota with their daughters, Heidi, 12, and Dawn, 8. He manages a home supply store. After morning visitors bring Stan news, he takes the girls for a car ride that turns into a spontaneous trip to Dawn's favorite place, a Florida amusement park. On the way, they stop at Stan's mother's house, where his brother is staying. Heidi is an insomniac, who tries to fathom her father's uncharacteristic behavior. Dawn is cheerfully unreflective. They have fun at the park. Stan summons his courage.
Written by |
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Parents Guide | View content advisory » |
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Box Office
Budget | $2,000,000 (estimated) |
Opening Weekend United States | $13,880, 09 Dec 2007 |
Did You Know?
Trivia | First film for which Clint Eastwood composed the score without directing as well. See more » |
Goofs | When the girls bring the dish of food left on the porch, the Heidi says "someone left a casserole." In Minnesota, it is more likely she would have called it a "hot dish" instead of a "casserole." See more » |
Movie Connections | Featured in John Cusack (2007). See more » |
Soundtracks | Makeup See more » |
Quotes |
John Phillips:
It's important that people have their own views based on an understanding of facts. But, it's also important not to trust the facts, because most of them are lies. Heidi Phillips: I don't get it. John Phillips: It basically comes down to a gut thing. You just have to be open to allowing for a truth which differs from your own opinions. Or else you'll never actually see the truth at all. See more » |