This two-reel number is apparently intended for serious comedy-drama, but it hovers on the edge of burlesque much of the time. It was hard to imagine Lillian Walker as the daughter of an Italian musician and more difficult to imagine Wally Van a young clubman willing to marry her under all the circumstances. Yet the scenes are well pictured and the principals throw sufficient spirit into the acting to make the production attractive, even though it lacked conviction. A New Year's celebration is a pleasing feature toward the close, and this is followed by interior views at the Vitagraph studio. - The Moving Picture World, January 17, 1914
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