Warner Bros. is gearing up for a “Cannonball Run” reboot, with “Dodgeball” director Rawson Thurber and “Reno 911” creators Thomas Lennon and Robert Ben Garant in talks to direct and write, reports Deadline.
Read More: ‘Baywatch’ Review: The Rock and Zac Efron Deliver A Splashy Summer Hit Full of Dick Jokes
The project will relaunch the franchise begun by Hal Needham’s “The Cannonball Run” in 1981, a slapdash comedy starred Frank Sinatra, Burt Reynolds, Jackie Chan, Roger Moore, Dom DeLuise, Farrah Fawcett, and many other stars of the time. The Fox release was universally panned by critics, but was one of the highest-grossing movies of the year. Warner Bros. followed that up in 1984 with “Cannonball Run II,” and Orion released a third film, “Speed Zone,” in 1989. The franchise centers around a cross-country car race, inspired by a real race that took place throughout the 1970’s.
Read More: Thomas Lennon is a...
Read More: ‘Baywatch’ Review: The Rock and Zac Efron Deliver A Splashy Summer Hit Full of Dick Jokes
The project will relaunch the franchise begun by Hal Needham’s “The Cannonball Run” in 1981, a slapdash comedy starred Frank Sinatra, Burt Reynolds, Jackie Chan, Roger Moore, Dom DeLuise, Farrah Fawcett, and many other stars of the time. The Fox release was universally panned by critics, but was one of the highest-grossing movies of the year. Warner Bros. followed that up in 1984 with “Cannonball Run II,” and Orion released a third film, “Speed Zone,” in 1989. The franchise centers around a cross-country car race, inspired by a real race that took place throughout the 1970’s.
Read More: Thomas Lennon is a...
- 6/13/2017
- by Jude Dry
- Indiewire
Hugh Jackman first portrayed Logan, aka Wolverine, in 2000’s “X-Men.” Now eight films later he’s reprising his role as the brooding mutant for the ninth and final time in “Logan.” The first trailer for the highly-anticipated R-rated action film has just been released and is sure to leave fans wanting more.
Read More: ‘X-Men’ Series In The Works At Fox, Matt Nix & Bryan Singer To Produce
Directed by James Mangold, the final Wolverine film is set in 2024, one year after the events of “X-Men: Days of Future Past.” Per IMDb, “Logan and Professor Charles Xavier must cope with the loss of the X-Men when a corporation lead by Nathaniel Essex is destroying the world leaving it to destruction. With Logan’s healing abilities slowly fading away and Xavier’s Alzheimer’s forcing him to forget, Logan must defeat Essex with the help of a young girl named Laura Kinney,...
Read More: ‘X-Men’ Series In The Works At Fox, Matt Nix & Bryan Singer To Produce
Directed by James Mangold, the final Wolverine film is set in 2024, one year after the events of “X-Men: Days of Future Past.” Per IMDb, “Logan and Professor Charles Xavier must cope with the loss of the X-Men when a corporation lead by Nathaniel Essex is destroying the world leaving it to destruction. With Logan’s healing abilities slowly fading away and Xavier’s Alzheimer’s forcing him to forget, Logan must defeat Essex with the help of a young girl named Laura Kinney,...
- 10/20/2016
- by Liz Calvario
- Indiewire
"Yo, holmes to Bel Air" – again!
According to TVLine, your '90s TV dreams just might be coming true – "The Fresh Prince of Bel-Air" will get the reboot treatment.
Will Smith and his production company Overbrook Entertainment are reportedly developing a new spin on the fish-out-of-water story.
Read: Winona Ryder Confirms 'Beetlejuice' Sequel In The Works
Along with the actor, James Lassiter, Caleeb Pinkett (Jada's brother) and wife Jada Pinkett-Smith will reportedly produce the show.
Details on whether it will be a reboot of the original NBC series – which ran for six seasons ...
Copyright 2015 by NBC Universal, Inc. All rights reserved.
This material may not be published, broadcast, rewritten or redistributed.
According to TVLine, your '90s TV dreams just might be coming true – "The Fresh Prince of Bel-Air" will get the reboot treatment.
Will Smith and his production company Overbrook Entertainment are reportedly developing a new spin on the fish-out-of-water story.
Read: Winona Ryder Confirms 'Beetlejuice' Sequel In The Works
Along with the actor, James Lassiter, Caleeb Pinkett (Jada's brother) and wife Jada Pinkett-Smith will reportedly produce the show.
Details on whether it will be a reboot of the original NBC series – which ran for six seasons ...
Copyright 2015 by NBC Universal, Inc. All rights reserved.
This material may not be published, broadcast, rewritten or redistributed.
- 8/13/2015
- by access.hollywood@nbcuni.com (Access Hollywood)
- Access Hollywood
The 1988 cult movie classic, Beetlejuice has been confirmed for a sequel by Winona Ryder during an appearance on Late Night with Seth Meyers on Tuesday. “I think I can confirm it,” Ryder, who was at Late Night to promote HBO new miniseries Show Me A Hero. Winona Ryder Confirms ‘Beetlejuice 2′ “It [the sequel] was very […]
The post Winona Ryder Confirms Sequel For ‘Beetlejuice’ Is In The Works appeared first on uInterview.
The post Winona Ryder Confirms Sequel For ‘Beetlejuice’ Is In The Works appeared first on uInterview.
- 8/12/2015
- by Keiry Sanchez
- Uinterview
Deniz Gamze Ergüven’s Mustang and Eva Neymann’s Song Of Songs among winners; industry awards.
Women filmmakers were the big winners at this year’s Odessa International Film Festival (Oiff) which closed at the weekend with a gala screening of Naomi Kawase’s film Sweet Red Bean Paste (An), which premiered in Cannes in May.
The festival-goers voted to give the “Golden Duke” Grand Prix to Deniz Gamze Ergüven for her feature debut Mustang.
The Turkish director was also named Best Director by the International Competition jury headed by French writer-director-actress Jeanne Labrune.
The Turkish-French-German co-production had its world premiere in Cannes’ Directors’ Fortnight in May and is handled internationally by Kinology.
Ukrainian-born Eva Neymann’s third feature Song Of Songs – which had premiered in Karlovy Vary - was named Best Film by the juries for the International and National Competitions.
Israeli actress Tamar Alkan received the Best Acting Award for her performance as a woman...
Women filmmakers were the big winners at this year’s Odessa International Film Festival (Oiff) which closed at the weekend with a gala screening of Naomi Kawase’s film Sweet Red Bean Paste (An), which premiered in Cannes in May.
The festival-goers voted to give the “Golden Duke” Grand Prix to Deniz Gamze Ergüven for her feature debut Mustang.
The Turkish director was also named Best Director by the International Competition jury headed by French writer-director-actress Jeanne Labrune.
The Turkish-French-German co-production had its world premiere in Cannes’ Directors’ Fortnight in May and is handled internationally by Kinology.
Ukrainian-born Eva Neymann’s third feature Song Of Songs – which had premiered in Karlovy Vary - was named Best Film by the juries for the International and National Competitions.
Israeli actress Tamar Alkan received the Best Acting Award for her performance as a woman...
- 7/20/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
I love Paris! Serving on the jury of U.S. in Progress to judge five American independent films in post production, bonding with filmmakers, organizers and the beautiful city itself, being part of a larger festival which featured films I particularly enjoyed like Nina Simone, Love Sorceress… Forever, It Felt Like Love by Eliza Hittman, Umbrellas of Cherbourg, what’s not to love?
The friendly openness of everyone at the festival made the event special. Sophie Dulac, the festival’s founder (and distributor, producer and exhibitor) whom I interviewed last year and again, almost as old friends again this year (see upcoming blog!), the publicist and programmer, Maxine Leonard, the staff, the Us in Progress organizers – Adeline Monzier (now also Us representative for Unifrance), Ula Śniegowska, Artistic Director of Wroclaw, Poland’s American Film Festival and Mobile New Horizons, my fellow jury members for USinP, and of course, the filmmakers themselves created a fun and inspiring event. What a great international film business we are in!
As I write this, the mailman just delivered a book, entitled Titra Film, A Cinematographic and Family Chronicle, sent to me by my fellow jury-member, Isabelle Frilley, who now, along with her children, owns and operates Titra, now called TitraTVS, the sub-titling company founded by her grandparents in 1933 shortly after talkies made subtitling de riguer . Very involved in the world of cinema, and inspired by her literary tastes, Isabelle has also helped develop multi-lingual subtitling for cinema, subtitling for the hearing impaired, and audio-description for the visually impaired. For many years, Isabelle Frilley has been a member of the juries of “Ciné en Construction” (for Latin-American cinema, in Toulouse), of “Cinéma en Mouvement” (for Mediterranean cinema, in San Sebastian), and of the Caméra d’Or in Cannes. She is only one of the illustrious jury among whom I was honored to count myself. Others included Julie Bergeron who runs Cannes Marche’s Producer Network among other things, Europa Distribution Eve Gabereau of Soda Pictures, a London-based indie distributor, Ciné Cinéma’s Bruno Deloye, Firefly’s Philippe Reinaudo, Commune Image’s Michael Werner, Eaux Vives Production’s Xénia Maingot, and Matthias Lavaux, the cofounder of touscoprod, the French crowdfunding website dedicated to movies, launched in January 2009.
1982 by Tommy Oliver
USinP’s winner, Tommy Oliver, whose previous film Kinyarwanda was a favorite of mine at Sundance a couple of years ago which Roger Ebert ranked 6 on his top ten films of 2011, is now in post on 1982 and won Us$60,000 worth of post production services.
Tommy’s directorial debut, 1982, starring Hill Harper, Sharon Leal, La La Anthony, Bokeem Woodbine, Wayne Brady and Ruby Dee, tells the story of a black father whose wife succumbs to a crack cocaine addiction and his efforts to shield their 10-year old daughter from the ill effects of having a drug addicted mother while trying to wean her off of her addiction. It's set in 1982 in Philadelphia at the very onset of the crack cocaine epidemic and ultimately, it's a story about a father doing whatever he can to protect his family. It's semi- autobiographical story and inspired by true events.
He also wrote and produced 1982 which also received a prestigious San Francisco Film Society Krf grant .
Tommy himself is a graduate of Carnegie Mellon University, a Microsoft alum and founder of Seattle-based interactive media firm Viliv Studios as well as La- based production company Confluential Films, which he started with actor/ author/ speaker Hill Harper.
I can confidently predict that this film will be seen on the festival circuit as it brings a humanity to the issue we’ve seen dozens of time – crack in communities – but never like this. We don’t see the ugly community violated by violence. We see a loving family coping with a personal and private disaster. Hill Harper plays a loving, compassionate good man. Comparisons will be made with Fruitvale Station, another African American “issue” film (police brutally killing an innocent family man) which will be released July 12 by The Weinstein Company. We need more such films to create a consistent pipeline for audiences who will pay to see these films. AFor his film 1982, he has devised a super-sophisticated, break-the-record domestic marketing plan. I am eager to watch the trajectory of this one.
The runner-up film, Bfe was supported with great gusto by its director and producer, Shawn Telford and producer, Mark Carr who brought a special energy to the entire event and were full of fun throughout. Shawn charmed his French hosts with his French. Watch for the film and with it, watch for Shawn!
I Believe In Unicorns is the feature debut of director Leah Meyerhoff. It was nominated for a Calvin Klein grant at the 2012 Gotham Independent Film Awards and stars Natalia Dyer, Peter Vack, Toni Meyerhoff, Julia Garner, Joshua Leonard and Amy Seimetz.
As noteworthy as the film is and as talented as Leah is, the producers themselves are also notable and prolific! Allison Anders, Katie Mustard and Heather Rae who also produced the Academy Award nominated film Frozen River, starring Melissa Leo, which won the 2008 Grand Jury Prize at Sundance, opened the New York Film Society’s New Directors/New Film series and was acquired by Sony PicturesClassics. She won the 2008 Independent Spirit Award for her production work on Frozen River. Heather also produced Mosquita Y Mari (Sundance 2012), Backroads (Sundance 2000), Trudell (2005 Sundance Film Festival), Ibid (2008 SXSW), The Dry Land (Sundance 2010), Magic Valley (Tribeca 2011), and is currently in post-production on Five Thirteen (with Tom Sizemore), Ass Backwards (with Alicia Silverstone and Vincent D’Onofrio) and Plastic Jesus (with Paul Schneider and Mackenzie Foy). For six years she was a programmer for the Sundance Film Festival and ran the Native Program at the Sundance Institute and recently joined the Sundance Board of Trustees.
Ping Pong Summer
Michael Tully made his directorial debut, Cocaine Angel, world premiered at the 2006 International Film Festival Rotterdam, Michael Tully (Director) was named one of Filmmaker Magazine’s 25 New Faces of Independent Film. His follow-up, Silver Jew, world premiered at the 2007 South By Southwest Film Festival. In 2011, he wrote, directed, and acted in Septien, which world premiered at the Sundance Film Festival and was picked up for distribution by Sundance Selects. He’s currently in post-production on his newest feature, Ping Pong Summer, which he wrote and directed. Since 2008, he has been the head writer/editor of HammerToNail.com, a website devoted to championing ambitious cinema.
Producers: George Rush, Brooke Bernard, Ryan Zacarias, Michael Gottwald, Billy Peterson, Jeff Allard
Main Cast : Susan Sarandon, John Hannah, Leah Thompson, Judah Friedlander, Amy Sedaris
Children
Director : Jaffe Zinn Producer : Jaffe Zinn and Sterling Hoch
Aside from the jury, the films were seen by members of Europa Distribution:
Alpha Violet - Keiko Funato & Virgine Devesa - France - Sales agent Bac Films - Crasset Véronique - France - Sales agent & Distributor Bankside - Alice Ramsey - UK Sales Agent Chrysalis - Camille Lopato - France – Distributor Content - Toby Melling - UK - Sales Agent Coproduction Office - Marina Perales & Philippe Bober - France - Sales Agent Distrib Films - François Scippa-Kohn - France - Distributor Equation - Didier Costet - France - Distributor Eurozoom - Manon Galibert - France - Distributor Film Republic Rashid Xavier UK sales agent Films Boutique - Jean-Christophe Simon - Germany - Sales Agent Hanway - Fabien Westerhoff - UK - Sales Agent Happiness - Isabelle Dubar - France - Distributor Heliotrope - Laurent Aléonard & Goldfain Philippe - France - Distributor Imagine - Bral Tinne - Benelux - Distributor Jour 2 Fête - Sarah Chazelle - France - Distributor K5 Intl - Oda Schäfer - Germany - Sales Agent Kmbo - Grégoire Marchal - France - Distributor Le Pacte - Nathalie Jeung - France - Sales Agent & Distributor Level K - Freja Johanne - Denmark - Sales agent Locarno Film Festival - Aurélie Godet - France - Festival Memento Film - Tanja Meissner & Ram Murali - France - Sales Agent & Distributor MK2 - Emmanuelle de Couesbouc / Juliette Shramek - France - Sales Agent Premium Films - Karwan Kasia - France - Sales Agent & Distributor Reel Suspects - Frederic Gentet - France - Sales Agent Rezo - Sebastien Chesneau - France - Sales Agent & Distributor Sacrebleu - Louise Bellicaud - France - Producer Soda Pictures - Eve Gabereau - UK - Distributor Sophie Dulac Distribution - Eric Vicente - France - Distributor The Works - Steve Bestwick - UK - Sales Agent Tribeca Film Festival - Frédéric Boyer - USA - Festival Trust Nordisk - Silje Glimsdal - Denmark - Sales Agent Urban - Claire Charles-Gervais - France - Sales Agent & Distributor Versatile - Violaine Pichon & Pape Boye - France - Sales Agent Wide Management - Loïc Magneron - France – Sales Agent Wild Bunch - Emmanuelle Fellous - France - Sales Agent & Distributor Zed - Martine Scoupe - France - Distributor...
The friendly openness of everyone at the festival made the event special. Sophie Dulac, the festival’s founder (and distributor, producer and exhibitor) whom I interviewed last year and again, almost as old friends again this year (see upcoming blog!), the publicist and programmer, Maxine Leonard, the staff, the Us in Progress organizers – Adeline Monzier (now also Us representative for Unifrance), Ula Śniegowska, Artistic Director of Wroclaw, Poland’s American Film Festival and Mobile New Horizons, my fellow jury members for USinP, and of course, the filmmakers themselves created a fun and inspiring event. What a great international film business we are in!
As I write this, the mailman just delivered a book, entitled Titra Film, A Cinematographic and Family Chronicle, sent to me by my fellow jury-member, Isabelle Frilley, who now, along with her children, owns and operates Titra, now called TitraTVS, the sub-titling company founded by her grandparents in 1933 shortly after talkies made subtitling de riguer . Very involved in the world of cinema, and inspired by her literary tastes, Isabelle has also helped develop multi-lingual subtitling for cinema, subtitling for the hearing impaired, and audio-description for the visually impaired. For many years, Isabelle Frilley has been a member of the juries of “Ciné en Construction” (for Latin-American cinema, in Toulouse), of “Cinéma en Mouvement” (for Mediterranean cinema, in San Sebastian), and of the Caméra d’Or in Cannes. She is only one of the illustrious jury among whom I was honored to count myself. Others included Julie Bergeron who runs Cannes Marche’s Producer Network among other things, Europa Distribution Eve Gabereau of Soda Pictures, a London-based indie distributor, Ciné Cinéma’s Bruno Deloye, Firefly’s Philippe Reinaudo, Commune Image’s Michael Werner, Eaux Vives Production’s Xénia Maingot, and Matthias Lavaux, the cofounder of touscoprod, the French crowdfunding website dedicated to movies, launched in January 2009.
1982 by Tommy Oliver
USinP’s winner, Tommy Oliver, whose previous film Kinyarwanda was a favorite of mine at Sundance a couple of years ago which Roger Ebert ranked 6 on his top ten films of 2011, is now in post on 1982 and won Us$60,000 worth of post production services.
Tommy’s directorial debut, 1982, starring Hill Harper, Sharon Leal, La La Anthony, Bokeem Woodbine, Wayne Brady and Ruby Dee, tells the story of a black father whose wife succumbs to a crack cocaine addiction and his efforts to shield their 10-year old daughter from the ill effects of having a drug addicted mother while trying to wean her off of her addiction. It's set in 1982 in Philadelphia at the very onset of the crack cocaine epidemic and ultimately, it's a story about a father doing whatever he can to protect his family. It's semi- autobiographical story and inspired by true events.
He also wrote and produced 1982 which also received a prestigious San Francisco Film Society Krf grant .
Tommy himself is a graduate of Carnegie Mellon University, a Microsoft alum and founder of Seattle-based interactive media firm Viliv Studios as well as La- based production company Confluential Films, which he started with actor/ author/ speaker Hill Harper.
I can confidently predict that this film will be seen on the festival circuit as it brings a humanity to the issue we’ve seen dozens of time – crack in communities – but never like this. We don’t see the ugly community violated by violence. We see a loving family coping with a personal and private disaster. Hill Harper plays a loving, compassionate good man. Comparisons will be made with Fruitvale Station, another African American “issue” film (police brutally killing an innocent family man) which will be released July 12 by The Weinstein Company. We need more such films to create a consistent pipeline for audiences who will pay to see these films. AFor his film 1982, he has devised a super-sophisticated, break-the-record domestic marketing plan. I am eager to watch the trajectory of this one.
The runner-up film, Bfe was supported with great gusto by its director and producer, Shawn Telford and producer, Mark Carr who brought a special energy to the entire event and were full of fun throughout. Shawn charmed his French hosts with his French. Watch for the film and with it, watch for Shawn!
I Believe In Unicorns is the feature debut of director Leah Meyerhoff. It was nominated for a Calvin Klein grant at the 2012 Gotham Independent Film Awards and stars Natalia Dyer, Peter Vack, Toni Meyerhoff, Julia Garner, Joshua Leonard and Amy Seimetz.
As noteworthy as the film is and as talented as Leah is, the producers themselves are also notable and prolific! Allison Anders, Katie Mustard and Heather Rae who also produced the Academy Award nominated film Frozen River, starring Melissa Leo, which won the 2008 Grand Jury Prize at Sundance, opened the New York Film Society’s New Directors/New Film series and was acquired by Sony PicturesClassics. She won the 2008 Independent Spirit Award for her production work on Frozen River. Heather also produced Mosquita Y Mari (Sundance 2012), Backroads (Sundance 2000), Trudell (2005 Sundance Film Festival), Ibid (2008 SXSW), The Dry Land (Sundance 2010), Magic Valley (Tribeca 2011), and is currently in post-production on Five Thirteen (with Tom Sizemore), Ass Backwards (with Alicia Silverstone and Vincent D’Onofrio) and Plastic Jesus (with Paul Schneider and Mackenzie Foy). For six years she was a programmer for the Sundance Film Festival and ran the Native Program at the Sundance Institute and recently joined the Sundance Board of Trustees.
Ping Pong Summer
Michael Tully made his directorial debut, Cocaine Angel, world premiered at the 2006 International Film Festival Rotterdam, Michael Tully (Director) was named one of Filmmaker Magazine’s 25 New Faces of Independent Film. His follow-up, Silver Jew, world premiered at the 2007 South By Southwest Film Festival. In 2011, he wrote, directed, and acted in Septien, which world premiered at the Sundance Film Festival and was picked up for distribution by Sundance Selects. He’s currently in post-production on his newest feature, Ping Pong Summer, which he wrote and directed. Since 2008, he has been the head writer/editor of HammerToNail.com, a website devoted to championing ambitious cinema.
Producers: George Rush, Brooke Bernard, Ryan Zacarias, Michael Gottwald, Billy Peterson, Jeff Allard
Main Cast : Susan Sarandon, John Hannah, Leah Thompson, Judah Friedlander, Amy Sedaris
Children
Director : Jaffe Zinn Producer : Jaffe Zinn and Sterling Hoch
Aside from the jury, the films were seen by members of Europa Distribution:
Alpha Violet - Keiko Funato & Virgine Devesa - France - Sales agent Bac Films - Crasset Véronique - France - Sales agent & Distributor Bankside - Alice Ramsey - UK Sales Agent Chrysalis - Camille Lopato - France – Distributor Content - Toby Melling - UK - Sales Agent Coproduction Office - Marina Perales & Philippe Bober - France - Sales Agent Distrib Films - François Scippa-Kohn - France - Distributor Equation - Didier Costet - France - Distributor Eurozoom - Manon Galibert - France - Distributor Film Republic Rashid Xavier UK sales agent Films Boutique - Jean-Christophe Simon - Germany - Sales Agent Hanway - Fabien Westerhoff - UK - Sales Agent Happiness - Isabelle Dubar - France - Distributor Heliotrope - Laurent Aléonard & Goldfain Philippe - France - Distributor Imagine - Bral Tinne - Benelux - Distributor Jour 2 Fête - Sarah Chazelle - France - Distributor K5 Intl - Oda Schäfer - Germany - Sales Agent Kmbo - Grégoire Marchal - France - Distributor Le Pacte - Nathalie Jeung - France - Sales Agent & Distributor Level K - Freja Johanne - Denmark - Sales agent Locarno Film Festival - Aurélie Godet - France - Festival Memento Film - Tanja Meissner & Ram Murali - France - Sales Agent & Distributor MK2 - Emmanuelle de Couesbouc / Juliette Shramek - France - Sales Agent Premium Films - Karwan Kasia - France - Sales Agent & Distributor Reel Suspects - Frederic Gentet - France - Sales Agent Rezo - Sebastien Chesneau - France - Sales Agent & Distributor Sacrebleu - Louise Bellicaud - France - Producer Soda Pictures - Eve Gabereau - UK - Distributor Sophie Dulac Distribution - Eric Vicente - France - Distributor The Works - Steve Bestwick - UK - Sales Agent Tribeca Film Festival - Frédéric Boyer - USA - Festival Trust Nordisk - Silje Glimsdal - Denmark - Sales Agent Urban - Claire Charles-Gervais - France - Sales Agent & Distributor Versatile - Violaine Pichon & Pape Boye - France - Sales Agent Wide Management - Loïc Magneron - France – Sales Agent Wild Bunch - Emmanuelle Fellous - France - Sales Agent & Distributor Zed - Martine Scoupe - France - Distributor...
- 7/12/2013
- by Sydney Levine
- Sydney's Buzz
Edited together by Toronto resident Joel Walden, below are twelve installments in his series of videos affectionately dubbed "The Works". Each video focuses on a different director, editing together moments from their films into a series of impressive features. The directors he's chosen to focus on are Martin Scorsese, Nicolas Winding Refn, Terrence Malick, Tony Scott, Stanley Kubrick, Quentin Tarantino, Sam Mendes, Joel and Ethan Coen, Darren Aronofsky, Edgar Wright, Paul Thomas Anderson and Rian Johnson. Walden uploaded these a year ago, but I just saw them today and have so far only watched the one for Tony Scott while skimming the Kubrick and Refn entries. Give 'em all a watch or do some skimming yourself. They are quite enjoyable. I've included only one below so it doesn't take the page forever to load with all the embeds. You can click to Page Two to watch the rest.
- 5/9/2013
- by Brad Brevet
- Rope of Silicon
Us in Progress in Wrocław Poland is the only international event I know of which awards American independent films in post-production with cash awards worth Us$ 40,000 and distribution support. This two-day works-in-progress event is targeted to European buyers and as such gives American independent filmmakers the chance to expand their horizons when looking for financing and international distribution.
The event takes place during the third American Film Festival in Wrocław, Poland on November 14-16. It shows a selection of U.S. independent films seeking completion funding to a group of European buyers, programmers and post-production companies in a series of closed screenings.
Titles selected for this year’s edition are: I Used To Be Darker by Matt Porterfield (prod. Steve Holmgren & Ryan Zacharias), Milkshake by David Andalman (prod. Vinay Singh), Bluebird by Lance Edmands (prod. Kyle Martin) which was in both the Sundance Creative Producing Lab and the Directing Lab, A Song Still Inside by Gregory Collins (prod. Patricia Beaury & Rodrigo Lopresti) and two Ifp Labs titles: Cantuckee by Kimberly Levin (prod. Kurt Pitzer), Hide Your Smiling Faces by Daniel Carbone (prod. Matthew Petock).
Around 25 key European buyers will attend the event, among them Wild Bunch (France), Artificial Eye (U.K.), The Works (U.K.), Reel Suspects (France), Sophie Dulac Distribution (France), Imagine Film (Belgium), Gutek Film and Polsat . Programmers from Berlin, Cannes and Locarno Film Festivals will also be present.
The projects will have a chance to find a world sales agent and distributor as well as secure post-production partners at the event. A jury made of professionals will award one of the works in progress with a package of post-production services from partner companies including Di service worth $10,000.00 at Platige Image, a leading Polish post-production and special effects company, up to 150 hours of sound editing or soundtrack at Warsaw-based Soundflower Studio worth $10,000.00, post-production services by the Krakow-based Alvernia Studios worth up to $10.000. Another award will contribute to the promotion and distribution of a film provided by DCinex (Dcp worth $5,000), Vsi Paris (subtitling), Europa Distribution and Cicae, the Confederation of Arthouse Cinemas. One producer will also receive free registration at Producers Network, an exclusive network of Meet-and-Greet, during Cannes Marche du Film.
Us in Progress Wrocław (formerly Gotham in Progress) was started in 2011 in Wrocław, Poland by the New Horizons Association and Black Rabbit Film. In 2012, the event expanded to Paris, where it was part of Sophie Dulac’s Champs-Elysées Film Festival. 2011 Wrocław edition’s success stories include Jason Cortlund & Julia Halperin’s Now, Forager: a Film About Love and Fungi which went on to Rotterdam Film Festival, New Directors/New Films and is now in U.S. distribution via Argot Pictures. Roger Ebert says, "***½ The images of wild mushrooms by Cortlund himself and the shots of food prep by cinematographer Jonathan Nastasi, approach art. Now, Forager is an uncompromising film about two people who don't deserve each other...." The title was sold for distribution to 8 other countries by New Europe Film Sales.
Amy Seimetz' Sun Don’t Shine won the Jury Award at SXSW and played in Edinburgh Iff. Patricia Benoit's Stones in the Sun played Tribeca and won Best New Narrative Director and Trinidad & Tobago Film Festival. Us in Progress Us$ 60,000 prize winner, Devyn Waitt’s Not Waving But Drowning has Sarasota Ff and was picked up for world sales by Premium Films. The winning film of the Paris edition, Champs Elysees Film Festival, was A Teacher by Hannah Fidell.
Us in Progress runs concurrently with the American Film Festival which will be honoring Wes Anderson whose Moonrise Kingdom will have its Polish premiere and Jerry Schatzberg, the legendary director and accomplished photographer who will receive the annual Indie Star award, given by the festival to helmers of American independent cinema (first one given to Todd Solondz in 2011). The festival will screen his most important films including Puzzle of a Downfall Child, The Panic in Needle Park and Scarecrow.
The event takes place during the third American Film Festival in Wrocław, Poland on November 14-16. It shows a selection of U.S. independent films seeking completion funding to a group of European buyers, programmers and post-production companies in a series of closed screenings.
Titles selected for this year’s edition are: I Used To Be Darker by Matt Porterfield (prod. Steve Holmgren & Ryan Zacharias), Milkshake by David Andalman (prod. Vinay Singh), Bluebird by Lance Edmands (prod. Kyle Martin) which was in both the Sundance Creative Producing Lab and the Directing Lab, A Song Still Inside by Gregory Collins (prod. Patricia Beaury & Rodrigo Lopresti) and two Ifp Labs titles: Cantuckee by Kimberly Levin (prod. Kurt Pitzer), Hide Your Smiling Faces by Daniel Carbone (prod. Matthew Petock).
Around 25 key European buyers will attend the event, among them Wild Bunch (France), Artificial Eye (U.K.), The Works (U.K.), Reel Suspects (France), Sophie Dulac Distribution (France), Imagine Film (Belgium), Gutek Film and Polsat . Programmers from Berlin, Cannes and Locarno Film Festivals will also be present.
The projects will have a chance to find a world sales agent and distributor as well as secure post-production partners at the event. A jury made of professionals will award one of the works in progress with a package of post-production services from partner companies including Di service worth $10,000.00 at Platige Image, a leading Polish post-production and special effects company, up to 150 hours of sound editing or soundtrack at Warsaw-based Soundflower Studio worth $10,000.00, post-production services by the Krakow-based Alvernia Studios worth up to $10.000. Another award will contribute to the promotion and distribution of a film provided by DCinex (Dcp worth $5,000), Vsi Paris (subtitling), Europa Distribution and Cicae, the Confederation of Arthouse Cinemas. One producer will also receive free registration at Producers Network, an exclusive network of Meet-and-Greet, during Cannes Marche du Film.
Us in Progress Wrocław (formerly Gotham in Progress) was started in 2011 in Wrocław, Poland by the New Horizons Association and Black Rabbit Film. In 2012, the event expanded to Paris, where it was part of Sophie Dulac’s Champs-Elysées Film Festival. 2011 Wrocław edition’s success stories include Jason Cortlund & Julia Halperin’s Now, Forager: a Film About Love and Fungi which went on to Rotterdam Film Festival, New Directors/New Films and is now in U.S. distribution via Argot Pictures. Roger Ebert says, "***½ The images of wild mushrooms by Cortlund himself and the shots of food prep by cinematographer Jonathan Nastasi, approach art. Now, Forager is an uncompromising film about two people who don't deserve each other...." The title was sold for distribution to 8 other countries by New Europe Film Sales.
Amy Seimetz' Sun Don’t Shine won the Jury Award at SXSW and played in Edinburgh Iff. Patricia Benoit's Stones in the Sun played Tribeca and won Best New Narrative Director and Trinidad & Tobago Film Festival. Us in Progress Us$ 60,000 prize winner, Devyn Waitt’s Not Waving But Drowning has Sarasota Ff and was picked up for world sales by Premium Films. The winning film of the Paris edition, Champs Elysees Film Festival, was A Teacher by Hannah Fidell.
Us in Progress runs concurrently with the American Film Festival which will be honoring Wes Anderson whose Moonrise Kingdom will have its Polish premiere and Jerry Schatzberg, the legendary director and accomplished photographer who will receive the annual Indie Star award, given by the festival to helmers of American independent cinema (first one given to Todd Solondz in 2011). The festival will screen his most important films including Puzzle of a Downfall Child, The Panic in Needle Park and Scarecrow.
- 10/19/2012
- by Sydney Levine
- Sydney's Buzz
3D Conversion Of Paramount’s ‘Top Gun’ In The Works Another blockbuster is getting the 3D conversion treatment, it seems. Top Gun, Tony Scott’s iconic 1986 film starring Tom Cruise, is being re-formatted for a possible 2012 release by Paramount. That was the word from Legend3D CEO Rob Hummel, speaking today at the International Broadcasting Convention in Amsterdam, where he presented a 4-minute clip in the new format. “I think Top Gun lends itself to 3D due to the aerial flight,” Hummel said. “You can have fun with 3D by bringing things off the screen if they are not attached to the edge of the screen.” Hummel said that the studio wanted to get Scott’s approval before proceeding, while Paramount said there had been no talk of a release date. If the redo of the blockbuster does materialize, it will be on top of 3D conversions of The Lion King,...
- 9/13/2011
- by THE DEADLINE TEAM
- Deadline TV
Its been 20 years since Winona Ryder and Christian Slater starred in their break-out film Heathers – the best high school-set movie ever made. Its pitch-black, comedic tone and satirical swipes at everything from manufactured pop music to teenage sexuality along with a great cast of (at the time) bright young things ensured its cult-classic status.
There have been rumours and talk of a sequel for years without anything ever coming together. Now it seems executives at Sony and Lakeshore Entertainment are prepping a remake (or whatever new term they use for remakes without actually calling it such). Only the peculiar angle this time is its development as a television show. According to Variety, writers Mark Rizzo and Jenny Bicks are developing a “contemporary” take.
It would be pretty hard to top the surrealist approach used by director Michael Lehmann; let alone match the bitchy, comic-genius dialogue of writer Daniel Waters. The...
There have been rumours and talk of a sequel for years without anything ever coming together. Now it seems executives at Sony and Lakeshore Entertainment are prepping a remake (or whatever new term they use for remakes without actually calling it such). Only the peculiar angle this time is its development as a television show. According to Variety, writers Mark Rizzo and Jenny Bicks are developing a “contemporary” take.
It would be pretty hard to top the surrealist approach used by director Michael Lehmann; let alone match the bitchy, comic-genius dialogue of writer Daniel Waters. The...
- 8/27/2009
- by Martyn Conterio
- FilmShaft.com
Earlier today a rumour flew around the net that Fox had announced a Ridley Scott produced remake of Alien. I can reveal for those that have not yet heard or overcome their panic that it isn't a remake - it's a prequel!
Okay so it's almost as bad as a remake but come on, at least that means they won't be recasting Ellen Ripley! I actually reported back in April that Ridley Scott was considering a prequel, it seems that everyone else missed that new though so I'll recap just to be sure.
Tim Rothman, co-chairman of fox was questioned by IESB recently about a supposed Alien prequel, and his response was pretty honest:
"There's been some talk. Ridley Scott, Ridley is right now working on Robin Hood, but I think he's toying with the idea and that would be great for us. I mean, it's always been a matter of,...
Okay so it's almost as bad as a remake but come on, at least that means they won't be recasting Ellen Ripley! I actually reported back in April that Ridley Scott was considering a prequel, it seems that everyone else missed that new though so I'll recap just to be sure.
Tim Rothman, co-chairman of fox was questioned by IESB recently about a supposed Alien prequel, and his response was pretty honest:
"There's been some talk. Ridley Scott, Ridley is right now working on Robin Hood, but I think he's toying with the idea and that would be great for us. I mean, it's always been a matter of,...
- 5/28/2009
- by info@originalsharpsays.com (Craig Sharp)
- FilmShaft.com
Warner Brothers is backing a remake of Ray Harryhausen's Clash of the Titans and has attracted some first rate talent to the project. Liam Neeson (in his first role since the tragic death of his wife Natasha Richardson) will star as Zeus and Ralph Fiennes will play his enemy, Hades. Two alumni of recent James Bond films will also be in the cast: Mads Mikkelsen (Casino Royale) and Gemma Arterton (Quantum Of Solace). For more, click here...
- 4/10/2009
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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