In war-torn Eastern Europe, a mysterious businessman hires a group of mercenaries on a routine mission to protect him not knowing of the long-hidden secret that lies there.
Director:
Writers:
Photos and Videos
Cast
| Ray Stevenson | ... |
DC
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| Julian Wadham | ... |
Hunt
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| Richard Brake | ... |
Prior
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Paul Blair | ... |
Jordan
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Brett Fancy | ... |
Taktarov
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| Ene Frost | ... |
Cotter
(as Enoch Frost)
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| Julian Rivett | ... |
Voyteche
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| Michael Smiley | ... |
McKay
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Johnny Meres | ... |
The Breather
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Xuki Robeli | ... |
Newsreader
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Mark Smith | ... |
Nazi Soldier #1
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Graeme Temple | ... |
Nazi Soldier #3
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Charlie Jeffrey | ... |
Nazi Soldier #2
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Fergus Johnston | ... |
Special Forces Soldier
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| Rest of cast listed alphabetically: | |||
| Matt McClure | ... |
Rescue Soldier
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Leo Horsfield | ... |
Nazi Zombie (uncredited)
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Scott Peden | ... |
Nazi Sergeant Major (uncredited)
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Directed by
| Steve Barker | ||
Written by
| Rae Brunton | ... | (screenplay) |
| Kieran Parker | ... | (story) & |
| Steve Barker | ... | (story) & |
| Rae Brunton | ... | (story) |
Produced by
| Lauri Apelian | ... | Production/Financing Team |
| Graham Begg | ... | executive producer |
| Jamie Carmichael | ... | executive producer |
| Arabella Page Croft | ... | producer |
| Kieran Parker | ... | producer |
| Suzanne Reid | ... | line producer |
| Olivier Sonnier | ... | executive producer |
| Nigel Thomas | ... | executive producer |
| Charlotte Walls | ... | associate producer |
Music by
| James Seymour Brett | ... | (as James Brett) |
Cinematography by
| Gavin Struthers | ||
Editing by
| Chris Gill | ||
| Alastair Reid | ||
Editorial Department
| Alec Gibson | ... | grader |
| Steve Harrow | ... | post-production consultant |
Casting By
| Kate Plantin | ||
Production Design by
| Max Berman | ||
| Gordon Rogers | ||
Art Direction by
| Andy Drummond | ||
Costume Design by
| Alison Mitchell | ... | (as Ali Mitchell) |
Makeup Department
| Jessica Cruickshank | ... | make-up trainee |
| Maxine Dallas | ... | makeup artist |
| Niamh Morrison | ... | makeup designer |
| Barney Nikolic | ... | prosthetic makeup artist |
Production Management
| Pamela Nelson | ... | production manager |
Second Unit Director or Assistant Director
| Harry Boyd | ... | assistant director |
| Andrew Gardiner | ... | floor runner |
| Alison Goring | ... | second assistant director |
| David McKinnon | ... | third assistant director |
Art Department
| Philip Barratt | ... | art department assistant |
| Stuart Bryce | ... | production buyer |
| Wendy Cairns | ... | painter |
| Amanda Currie | ... | stand-by art director |
| Claire Fleming | ... | art department assistant |
| Rebecca L.A. Hamilton | ... | scenic artist (as Rebecca Hamilton) |
| Paul Lambie | ... | stand-by props |
| Paul McNamara | ... | property master |
| Jordan R.A. Mills | ... | props (as Jordan Mills) |
| Ken Petrie | ... | painter |
| Rod Petrie | ... | painter |
| Lynsey Sinnamon | ... | head scenic artist |
Sound Department
| Kelly-Marie Angell | ... | foley editor |
| Julie Ankerson | ... | foley artist |
| Jeremy Child | ... | sound effects editor |
| Howard Eaves | ... | sound effects editor |
| John Fewell | ... | foley artist |
| Gordon Forbes | ... | sound trainee |
| Linsey Hamilton | ... | sound trainee |
| Alastair Mason | ... | sound recordist |
| Graham McCormick | ... | boom operator |
| Paul McFadden | ... | sound effects editor |
| Adam Mendez | ... | adr recordist |
| James Ridgway | ... | assistant re-recording mixer |
| Ellie Russell | ... | supervising sound editor |
| Richard Straker | ... | re-recording mixer |
Special Effects by
| Mike H.G. Bates | ... | prosthetic makeup artist: Hybrid Enterprises / special makeup effects supervisor: Hybrid Enterprises |
| Suzanne Bates | ... | special effects makeup: Hybrid Enterprises |
| Rick Jotle | ... | special effects: equipment |
| Mike Kelt | ... | special effects supervisor |
| Mark Kilburn | ... | special effects makeup: Hybrid Enterprises |
| Ken Petrie | ... | special effects trainee |
| Mike Stringer | ... | prosthetics designer: Hybrid Enterprises |
| Dawn Whitehead-Binns | ... | sculptor: Hybrid Enterprises |
Visual Effects by
| Pavan Balagam | ... | visual effects (as Pavan Kumar) |
| James Ballard | ... | di producer |
| William Carley | ... | digital effects artist: The Difference Facility |
| Geoffrey R. Case | ... | senior colourist |
| Valentina Catena | ... | digital intermediate operator |
| Noemie Cruciani | ... | junior compositor |
| Christopher Eades | ... | executive producer: The Difference Facility |
| Alexis Haggar | ... | visual effects supervisor: The Difference Facility |
| Jeremy Hardin | ... | visual effects supervisor: animated sequence, Open Book |
| Myfanwy Harris | ... | digital effects artist |
| Fernando Martins | ... | vfx artist: animated sequence, Open Book |
| Oliver Minchin | ... | digital effects artist: The Difference Facility |
| Matthew Redding | ... | digital effects artist: The Difference Facility |
| Thomas Urbye | ... | visual effects producer: The Look |
| Paul J. Wright | ... | scanning and recording manager |
Stunts
| Terry Cade | ... | stunts |
| James Fleming | ... | fight arranger |
Camera and Electrical Department
| Paul Bates | ... | rigging gaffer |
| Theo Berman | ... | daily camera trainee |
| Phil Brookes | ... | gaffer |
| Tim Critchell | ... | grip |
| Neil Davidson | ... | still photographer |
| Dave Fowler | ... | rigging electrician |
| John Harper | ... | first assistant camera |
| Iain Harrison | ... | rigger |
| James Harrison | ... | camera: trainee |
| Derrick Peters | ... | first assistant camera: "b" camera |
| Scott Rodgers | ... | second assistant camera |
| Richard Stoddard | ... | camera operator: "a" camera / steadicam operator |
Animation Department
| Andrew Johnston-Gray | ... | cg modeler |
| Nuno Conceicao | ... | modeler |
| Luis Lopes | ... | modeler |
| Sam McCarthy | ... | animation producer |
| Laura Seymour | ... | animation director |
Casting Department
| Stuart Elliott | ... | casting: Scotland |
Costume and Wardrobe Department
| Harriet Edmonds | ... | costume assistant |
| Orsolya Sallai | ... | costume trainee |
| Michael Weldon | ... | costume supervisor |
Location Management
| Ed Smith | ... | location manager |
Music Department
| James Seymour Brett | ... | conductor |
| Andy Brown | ... | music contractor |
| Richard Cookson | ... | musician: viola |
| Andrew Dudman | ... | score recording engineer |
| Adam Langston | ... | orchestrator |
| The London Metropolitan Orchestra | ... | music performed by / performer: London Metropolitan Orchestra |
| David Walter | ... | music editor |
| Steve Mair | ... | musician: double bass (uncredited) |
Script and Continuity Department
| Claire Hewitt | ... | script supervisor |
Transportation Department
| Pete Murphy | ... | driver: camera truck (as Peter Murphy) |
Additional Crew
| Duncan Broadfoot | ... | floor runner |
| Neil Cairns | ... | production accountant |
| Stephen Carney | ... | runner |
| Matt Curtis | ... | title designer |
| Libby D'Arcy | ... | vp business affairs: Content Media |
| Paul Dray | ... | laboratory contact |
| Jim Elliott | ... | armorer |
| Jo Fairweather | ... | production assistant: office |
| Mark Geddes | ... | screen commissioner: SWSSC |
| Glynn Henderson | ... | safety consultant |
| Paul Imrie | ... | accounts trainee |
| Julia Jones | ... | unit publicist |
| Alexandra Keen | ... | head of legal and business affairs: Contentfilm |
| Michael Klesic | ... | voice |
| Amy Munro | ... | production secretary |
| Beatrice Neumann | ... | production executive |
| Velibor Topic | ... | voice |
| Yana Yanezic | ... | voice |
| Paul Zieleniec | ... | assistant accountant |
Thanks
| Rachel Baker | ... | the producers would like to thank |
| Kate Barker | ... | the producers would like to thank |
| Ken Barker | ... | the producers would like to thank |
| Sandra Barker | ... | the producers would like to thank |
| Michael Byrne | ... | the producers would like to thank |
| Douglas William Castle | ... | the producers would like to thank |
| Adam Coles | ... | the producers would like to thank |
| Mark Geddes | ... | the producers would like to thank |
| Marcus Harben | ... | the producers would like to thank |
| John Hooper | ... | the producers would like to thank |
| Victoria Lennon | ... | the producers would like to thank |
| Kevin Parker | ... | the producers would like to thank |
| Domenic Pontone | ... | the producers would like to thank |
| Simon Ragoonanan | ... | the producers would like to thank |
| Jenny Williams | ... | the producers would like to thank |
| Frank Wu | ... | the producers would like to thank |
Production Companies
- Black Camel Pictures
- Regent Capital (in association with)
Distributors
- Screen Gems (2008) (United States) (theatrical)
- Sony Pictures Releasing (2008) (World-wide) (theatrical)
- Sony Pictures Worldwide Acquisitions (SPWA) (2008) (Australia) (theatrical)
- Sony Pictures Worldwide Acquisitions (SPWA) (2008) (Canada) (theatrical)
- Sony Pictures Worldwide Acquisitions (SPWA) (2008) (Greece) (theatrical)
- Sony Pictures Worldwide Acquisitions (SPWA) (2008) (Israel) (theatrical)
- Sony Pictures Worldwide Acquisitions (SPWA) (2008) (New Zealand) (theatrical)
- Sony Pictures Worldwide Acquisitions (SPWA) (2008) (South Africa) (theatrical)
- Hollydan Works (2008) (Serbia) (DVD)
- LK-TEL (2008) (Argentina) (DVD)
- MG Film (2008) (Serbia)
- Sony Pictures Home Entertainment (2008) (Finland) (DVD)
- Sony Pictures Home Entertainment (2008) (Australia) (DVD)
- Sony Pictures Home Entertainment (2008) (Germany) (DVD)
- Sony Pictures Home Entertainment (2008) (United States) (DVD)
- Sony Pictures Releasing (2008) (Argentina)
- Sony Pictures Worldwide Acquisitions (SPWA) (2008) (United Kingdom) (VHS)
- Top Film (2008) (Russia)
- A-Film Home Entertainment (2009) (Netherlands) (DVD)
- Visionary Thinking (2017) (Serbia) (tv)
- Amazon Prime Video (United States) (video) (streaming)
- Umbrella Entertainment (2021) (Australia) (Blu-ray)
Special Effects
- Artem (physical special effects)
- Hybrid Enterprises
Other Companies
- Anvil Post Production (sound post-production)
- Audiolink Radio Communications (walkie talkies)
- Dolby Laboratories (sound mix)
- Dragon Digital Intermediate (digital intermediate facility)
- Fintage CAM (collection account management)
- Fuji Photo Film (motion picture film supplied by)
- Open Book (animation)
- Sapex Scripts (post-production services)
- The Look (post-production facilities)
- The Sound Design Company (post-production sound services)
Storyline
| Plot Summary |
In a seedy bar in a town ravaged by war, mysterious businessman Hunt hires ex-marine D.C. to assemble a crack team of ex-soldiers to protect him on a dangerous journey into no-man's land. To this gang of hardened warriors, battle-worn veterans and borderline criminals killing is just a job - and one they enjoy. Their mission - to scope out an old military bunker. It should be easy - 48 hours at the most. Lots of cash for little risk, or so he says. Once at the outpost, the men make a horrific discovery that turns their mission on its head - the scene of a bloody and gruesome series of experiments, carried out by the Nazis on their own soldiers during WWII. Amid the carnage, they find something even more disturbing - someone who's still alive. As war rages above ground, and a mysterious enemy emerges from the darkness below, D.C. and his men find themselves trapped in a claustrophobic and terrifying scenario. Their mission is no longer one of safe-guarding - it's one of survival. Together they must discover why Hunt has brought them to the outpost - and what it is that's killing them off, one by one. Written by Anonymous |
| Plot Keywords | |
| Taglines | You can't kill what's already dead See more » |
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| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | $300,000 (estimated) |
Did You Know?
| Trivia | When DC pulls out the pistol from its holder in the generator chamber, its sound is identical to Return to Castle Wolfenstein (2001) when the player swaps weapons. Similarly, when the soldiers emerge from the truck, the slamming noise is the same as in RTCW when the player attempts to open a locked wooden door. See more » |
| Goofs | Hunt claims that when Einstein "saw the atomic bomb tests at Trinity, he abandoned the research" on the Unified Field Theory and burned his notes. Firstly, there was only ever one single Trinity test, world's first atomic test in 1945. The operation was not named after the location but the other way round: 'Trinity Site', on what is today White Sands Missile Range, was only afterwards so named because of that test. Einstein was not among the Trinity observers, nor did he stop his work on the Unified Field Theory. The first time Einstein even published anything about it was in a 1950 article in 'Scientific American' titled "On the Generalized Theory of Gravitation". See more » |
| Movie Connections | Followed by Outpost: Black Sun (2012). See more » |
| Soundtracks | Symphony No. 9, 'Choral' - Molto Vivace See more » |
| Quotes |
Prior:
[Prior shoots the Breather in the head]
Well, that worked. Jordan: So we can kill them, right? Prior: His brains are all over the wall. That's good enough for me. McKay: [the Breather sits up and looks at them] Oh, you're hummin' my balls! See more » |