Miss Pettigrew Lives for a Day (2008)
Reference View | Change View
- PG-13
- 1h 32min
- Comedy, Romance
- 07 Mar 2008 (USA)
- Movie
Guinevere Pettigrew, a middle-aged London governess, finds herself unfairly dismissed from her job. An attempt to gain new employment catapults her into the glamorous world and dizzying social whirl of an American actress and singer,...
See more »
Director:
Writers:
Stars:
Award:
- 1 nomination.
- See more »
Reviews:
Photos and Videos
Complete, Cast awaiting verification
| Amy Adams | ... |
Delysia
|
|
 |
David Alexander | ... |
Chestnut Seller
|
| Clare Clifford | ... |
Margery
|
|
| Christina Cole | ... |
Charlotte Warren
|
|
| Stephanie Cole | ... |
Miss Holt
|
|
| Beatie Edney | ... |
Mrs. Brummegan
|
|
| Shirley Henderson | ... |
Edythe
|
|
| Ciarán Hinds | ... |
Joe
|
|
| Sarah Kants | ... |
Annabel Darlington
|
|
|
|
Sally Leonard | ... |
Woman at Train Station
|
| Frances McDormand | ... |
Miss Pettigrew
|
|
|
|
Katy Murphy | ... |
Miss Holt's Assistant
|
| Lee Pace | ... |
Michael
|
|
| Tom Payne | ... |
Phil
|
|
| Tim Potter | ... |
Nightclub Patron
|
|
| Matt Ryan | ... |
Gerry
|
|
| Mark Strong | ... |
Nick
|
|
| Mo Zinal | ... |
Lenny
(as Mo Zainal)
|
|
| Rest of cast listed alphabetically: | |||
|
|
James Fiddy | ... |
Party-goer (uncredited)
|
| Natasha Jenssen | ... |
Secretary (uncredited)
|
|
|
|
Silvia Lombardo | ... |
Nightclub Patron's Lover (uncredited)
|
|
|
Chris Mansfield | ... |
Prison Guard (uncredited)
|
|
|
Alana O'Neill | ... |
Society Lady (uncredited)
|
|
|
Howard Pearse | ... |
Man at station (uncredited)
|
|
|
Pam Rose | ... |
Society Lady (uncredited)
|
| Hester Ruoff | ... |
Edythe's Friend (uncredited)
|
|
| Andrew Shire | ... |
Charlottes Man (uncredited)
|
|
|
|
Leonard Silver | ... |
Butler (uncredited)
|
|
|
Pauline Stone | ... |
Society Lady (uncredited)
|
|
|
Richard Upton | ... |
Head Silver Service Waiter (uncredited)
|
|
|
Ben Wood | ... |
Fan (uncredited)
|
Directed by
| Bharat Nalluri | ||
Written by
| David Magee | ... | (screenplay) and |
| Simon Beaufoy | ... | (screenplay) |
| Winifred Watson | ... | (novel) |
Produced by
| Nellie Bellflower | ... | producer |
| Jane Frazer | ... | co-producer |
| Stephen Garrett | ... | producer |
| Maggi Townley | ... | associate producer |
| Paul Webster | ... | executive producer |
Music by
| Paul Englishby | ||
Cinematography by
| John de Borman | ... | director of photography |
Editing by
| Barney Pilling | ||
Editorial Department
| Erika Brüning | ... | film mastering producer: Framestore CFC (as Erika Bruning) |
| Tabitha Dean | ... | editorial: Framestore CFC |
| Steve Farman | ... | negative cutter |
| Alec Gibson | ... | color timer |
| Jan Hogevold | ... | digital intermediate executive producer: Framestore CFC |
| Christopher Lloyd | ... | assembly editor |
| Esme Long | ... | digital intermediate producer: Framestore CFC |
| Sandra McCallig | ... | assistant editor |
| Lee McComish | ... | negative cutter |
| Asa Shoul | ... | colorist: Framestore CFC |
| Maria Stroka | ... | senior digital intermediate producer: Framestore CFC |
| Stephen Bearman | ... | colorist: dailies (uncredited) |
Casting By
| Leo Davis | ||
Production Design by
| Sarah Greenwood | ||
Art Direction by
| Nick Gottschalk | ||
| Niall Moroney | ... | supervising art director |
Set Decoration by
| Katie Spencer | ||
Costume Design by
| Michael O'Connor | ||
Makeup Department
| Anita Burger | ... | extras hair stylist / extras makeup artist |
| Karen Cohen | ... | hair stylist |
| Fae Hammond | ... | hair designer / makeup designer |
| Sharon Martin | ... | key hair stylist / key makeup artist |
| Barbara Taylor | ... | crowd hairdresser |
| Sue Westwood | ... | hair stylist (as Su Westwood) / makeup artist (as Su Westwood) |
| Ursula Adelhelm | ... | makeup trainee (uncredited) |
| Francesco Alberico | ... | hair stylist (uncredited) |
| Siân Miller | ... | hair stylist: dailies (uncredited) / makeup: artist dailies (uncredited) |
| Alex Rouse | ... | wigmaker (uncredited) |
Production Management
| Jane Nerlinger Evans | ... | executive in charge of production |
| Simon Fraser | ... | production manager |
| Lucie Graves | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Dan Channing Williams | ... | additional third assistant director |
| Guy Heeley | ... | first assistant director |
| Zoe Liang | ... | additional third assistant director (as Zoe Laing) |
| Charlie Reed | ... | third assistant director |
| Anthony Wilcox | ... | second assistant director |
Art Department
| David Ackrill | ... | dressing props |
| Joshua Barraud | ... | stand-by props (as Josh Barraud) |
| Mark Bewley | ... | head of department plasterer |
| Mark Billingham | ... | dressing props |
| Ken Burnett | ... | property storeman (as Kenny Burnett) |
| Netty Chapman | ... | stand-by art director |
| Raymond Churchouse | ... | supervising plasterer (as Ray Churchouse) |
| Stephen Conway | ... | dressing props |
| Guy Cope | ... | stand-by rigger |
| Gavin Dean | ... | art department runner |
| Emma Hanson | ... | sculptor |
| Alison Harvey | ... | production buyer |
| David Thomas Haynes | ... | head of department painter |
| John Haynes | ... | supervising painter |
| Lee Hosken | ... | stand-by carpenter |
| Tony Hoskins | ... | head of department carpenter |
| Simon Hutchings | ... | stand-by painter |
| Tony Marks | ... | carpenter (uncredited) |
| Gary Martin | ... | dressing props |
| Mark McCabe | ... | drapesman |
| Daryn McLaughlan | ... | assistant art director |
| Elly Meyrick | ... | assistant props buyer |
| Graham Mitchell | ... | carpenter |
| Eddie Murphy | ... | carpenter |
| Eddie O'Neill | ... | supervising stagehand |
| Sarah Pasquali | ... | graphic artist |
| Adrian Platt | ... | dressing props |
| Simon Riley | ... | dressing props |
| Nigel Ross | ... | stand-by stagehand |
| Russell Sargent | ... | supervising carpenter |
| Kristin Theyers | ... | stand-by props |
| Sophie Tyler | ... | assistant set decorator |
| Stuart Watson | ... | construction manager |
| John Whitby | ... | carpenter |
| Stephen Alan Wilson | ... | supervising carpenter (as Stephen Wilson) |
| Dennis Wiseman | ... | property master |
| Lee Wiseman | ... | dressing props |
| Dorrie Young | ... | art department assistant |
| Andrea Couch | ... | draughtsperson (uncredited) |
| Rohan Harris | ... | props (uncredited) |
Sound Department
| Harry Barnes | ... | foley editor (as Harry Barns) |
| Oliver Brierley | ... | assistant sound re-recording mixer (as Oliver Brierly) |
| Roberto Cappannelli | ... | re-recording mixer |
| Paul Conway | ... | adr supervisor |
| Michael Fentum | ... | sound effects editor |
| Alexander Fielding | ... | sound mix technician |
| Steve Finn | ... | boom operator |
| Arthur Graley | ... | foley artist |
| Nigel Heath | ... | re-recording mixer |
| Jim McBride | ... | sound maintenance |
| Dan Morgan | ... | dialogue editor |
| Chris Munro | ... | production sound mixer |
| Julian Slater | ... | supervising sound editor |
| Chris Sturmer | ... | sound consultant: Dolby |
| Ruth Sullivan | ... | foley artist |
Special Effects by
| James Davis III | ... | special effects technician (as James Davis) |
| Hugh Goodbody | ... | special effects technician |
| David Holt | ... | special effects assistant |
| Mark Holt | ... | special effects supervisor |
| Peter Kersey | ... | senior special effects technician |
| Graham Povey | ... | special effects technician |
| Jamie Weguelin | ... | special effects technician |
Visual Effects by
| Louie Alexander | ... | retouch and restoration: Framestore CFC |
| Simon Allmark | ... | visual effects editor: Double Negative |
| Jaume Arteman | ... | compositor: Double Negative |
| Ben Baker | ... | head of digital lab: Framestore CFC |
| Adrian Banton | ... | senior compositor: Double Negative |
| Clare Brody | ... | data operator: Framestore CFC |
| Paul Burke | ... | scanning and recording: Framestore |
| Andy Burrow | ... | scanning and recording manager: Framestore CFC |
| Francesca Canducci | ... | retouch and restoration: Framestore CFC |
| Ian Copeland | ... | rotoscope artist: Double Negative |
| Eric D'Souza | ... | digital lab engineer: Framestore CFC |
| Jerome Dewhurst | ... | digital lab engineer: Framestore CFC |
| Miles Drake | ... | studio manager: Double Negative |
| Julian Foddy | ... | 3D artist: Double Negative |
| Azzard Gordon | ... | digital matchmove artist: Double Negative |
| Pete Hanson | ... | studio manager: Double Negative |
| Jeremy Hardin | ... | 3D artist: Double Negative |
| Adam Hawkes | ... | retouch and restoration: Framestore CFC |
| Karsten Hecker | ... | scanning and recording: Framestore CFC |
| Joe Hoare | ... | scanning and recording: Framestore CFC |
| John Inch | ... | retouch and restoration: Framestore CFC |
| Alex Ireland | ... | compositor: Double Negative |
| Yan Jennings | ... | film mastering engineer: Framestore CFC |
| David Johnston | ... | data operator: Framestore CFC |
| Matthew Leach | ... | studio assistant |
| James Long | ... | data operator: Framestore CFC |
| Kevin Lowery | ... | film mastering engineer: Framestrore CFC |
| Veronica Marcano | ... | scanning and recording: Framestore CFC (as Veronica Mercano) |
| Jan Maroske | ... | compositor: Double Negative |
| Gurel Mehmet | ... | digital matte painter: Double Negative |
| John Moffatt | ... | visual effects supervisor: Double Negative |
| Kate Phillips | ... | visual effects producer: Double Negative |
| David Preece | ... | film mastering engineer |
| Ian Redmond | ... | digital lab engineer: Framestore CFC |
| Jimmy Saul | ... | scanning and recording: Framestore CFC (as James Saul) |
| Dan Snape | ... | compositor: Double Negative |
| Nick Stanley | ... | retouch and restoration: Framestore CFC |
| Melissa Taylor | ... | visual effects executive producer: Double Negative |
| Odean Thompson | ... | retouch and restoration: Framestore CFC (as O'Dean Thompson) |
| Christian Toft | ... | 3D artist: Double Negative |
| Annabel Wright | ... | conform editor: Framestore CFC |
| Matthew Baker | ... | retouch and restoration: Framestore CFC (uncredited) |
| Zachary Bloom | ... | scanning and recording: Framestore CFC (uncredited) |
| Turea Blyth | ... | visual effects editorial: Framestore CFC (uncredited) |
| Nik Brownlee | ... | digital compositor: Double Negative (uncredited) |
| Richard Edwards | ... | data operator: Framestore CFC (uncredited) |
| Mai Gray | ... | retouch and restoration: Framestore CFC (uncredited) |
| Alistair Hamer | ... | film mastering engineer (uncredited) |
| Adam Hawkes | ... | title compositor (uncredited) |
| Lee Ifans | ... | visual effects editor: Double Negative (uncredited) |
| Taz Lodder | ... | technical support: Double Negative (uncredited) |
| Lee Rankin | ... | scanning and recording: Framestore CFC (uncredited) |
Stunts
| Tim Halloran | ... | stunt performer |
| Curtis Rivers | ... | stunt performer |
| Paul Weston | ... | stunt coordinator |
| Curtis Rivers | ... | stunt double: Mark Strong (uncredited) |
Camera and Electrical Department
| Dave Brennan | ... | electrician (as David Brennan) |
| Kerry Brown | ... | still photographer |
| John de Borman | ... | camera operator |
| Roy Elston | ... | electrical rigger |
| Chuck Finch | ... | gaffer |
| Stephen Finch | ... | gaffer (as Steve Finch) |
| Tommy Finch | ... | rigging gaffer |
| Max Glickman | ... | second assistant camera: "a" camera |
| Leigh Gold | ... | first assistant camera: "a" camera |
| Merritt Gold | ... | first assistant camera: "b" camera |
| Rebecca Jeffrey | ... | camera continuity: "b" camera (as Rebecca Carrigan) |
| Dylan Jones | ... | video assist operator |
| Jamie Knight | ... | electrician |
| Dash Lilley | ... | camera trainee: "b" camera |
| Malcolm Mclean | ... | additional photography (as Malcolm McLean) |
| Billy Merrell | ... | best boy |
| Richard Merrell | ... | best boy |
| Ron Nicholls | ... | grip: "b" camera (as Ron Nichols) |
| Kelly Paul | ... | rigging electrician |
| James Perry | ... | camera trainee: "a" camera |
| Alastair Rae | ... | steadicam operator |
| Fred Reynolds | ... | electrical rigger |
| Kenny Richards | ... | electrical rigger |
| Tony Skinner | ... | rigging electrician |
| Luke Stone | ... | trainee grip |
| Robin Stone | ... | grip: "a" camera |
| Tom Taylor | ... | second assistant camera: "b" camera (as Thomas Taylor) |
| Colin Townsend | ... | generator operator |
| George White | ... | rigging electrician |
| Steve Wood | ... | electrician |
Casting Department
| Stephanie Ancell | ... | extras casting assistant |
| Lesley Gogarty | ... | extras casting |
| Lissy Holm | ... | associate casting director |
Costume and Wardrobe Department
| Anthony Brookman | ... | crowd costumer |
| Laura Day | ... | corsetier |
| Andrew Fletcher | ... | costume assistant |
| Magot Forster | ... | costume maker |
| Jan Green | ... | lingerie maker |
| Georgina Gunner | ... | costume supervisor |
| Andrew Hunt | ... | wardrobe master |
| Kunza | ... | corsetier |
| Susan MacKenzie | ... | seamstress |
| Maja Meschede | ... | costume assistant |
| Yvonne Otzen | ... | costume assistant / crowd costumier |
| Luan Placks | ... | assistant costumer |
| Faith Thomas | ... | costume assistant |
| Scotti-Henson Tim | ... | assistant costume designer (as Tim Aslam) |
| Samantha Cousins | ... | costume assistant (uncredited) |
| Claire Jennings | ... | costume trainee (uncredited) |
Location Management
| John Crampton | ... | locations unit manager |
| Synnove Godeseth | ... | assistant location manager |
| Ali James | ... | assistant location manager |
| Martin Joy | ... | additional location manager |
| Nick Oliver | ... | location scout |
| Emma Pill | ... | location manager |
Music Department
| Chris Barrett | ... | score recording and mixing assistant |
| James Bellamy | ... | music editor |
| Christine Bergren | ... | music legal and clearance |
| Dave Bishop | ... | musician: clarinet |
| Karen Elliott | ... | music supervisor |
| Paul Englishby | ... | conductor / orchestrator / score producer |
| Nick Moss | ... | musician: solo clairinet |
| Alex Nutton | ... | score recording and mixing assistant |
| Nyree Pinder | ... | score coordinator: Hothouse Music |
| Colin Rae | ... | music copyist |
| Matthew Senior | ... | musician: drums & percussion |
| Jamie Talbot | ... | alto saxophone |
| Chris Traves | ... | additional music recordist |
| Pat White | ... | musician: trumpet |
| Nick Wollage | ... | music recordist / score mixer |
| Bruce White | ... | musician: viola (uncredited) |
Script and Continuity Department
| Sue Hills | ... | script supervisor |
| Manda Levin | ... | script editor |
Transportation Department
| Dave Ballard | ... | driver: construction stand-by |
| Mike Beaven | ... | unit driver |
| Mark Bellett | ... | driver: facilities |
| Allan Bradshaw | ... | unit driver |
| Debbie Bryant | ... | driver: facilities |
| Roy Clarke | ... | unit driver |
| Gary Cook | ... | driver: facilities |
| Ben Dillon | ... | action vehicles: MGM Cars |
| George Green | ... | driver: facilities |
| Dave Hopkin | ... | driver: facilities |
| Dave Jones | ... | driver: facilities |
| Paul Jones | ... | driver: facilities |
| Peter Mercer | ... | unit driver |
| Enyo Mortty | ... | unit driver (as Enyo Morty) |
| Thomas Oakman | ... | driver: construction |
| Eddie Rodmell | ... | driver: facilities (as Eddie Rodmel) |
| Colin Sheffield | ... | driver: facilities |
| Colin Simmons | ... | unit driver |
| Barry Stevenson | ... | unit driver (as Barry Stephenson) |
| Colin Townsend | ... | driver: facilities |
Additional Crew
| John Alfred | ... | finance executive |
| Pip Ayers | ... | electronic press kit director |
| Jules Baker-Smith | ... | assistant to director |
| Kellie Belle | ... | clearance services: Bellwood Media |
| Emma Brazier | ... | assistant accountant |
| Lloyd Buck | ... | animal handler (as Lloyd Bucks) |
| Deepti Burton | ... | legal services: Wiggin LLP |
| Anya Chmura | ... | assets representative |
| Clair Chrysler | ... | stand-in |
| Jessica Cole | ... | assistant: Jane Frazer |
| Andrew Gwyn Davies | ... | assistant production coordinator |
| Rhiannon Mair Davies | ... | production runner (as Rhiannon Davies) |
| Tom Edmondson | ... | floor runner |
| Richard Gibbs | ... | catering director: Reel Meals (Take 2) |
| Louise Green | ... | assistant post-production accountant |
| Samson Haveland | ... | floor runner (as Sam Haviland) |
| Eva Hawkins | ... | trainee: FT2 |
| Mick Hurrell | ... | health and safety advisor |
| Rebecca Jeffrey | ... | production coordinator (as Rebecca Carrigan) |
| Carol Jones | ... | animal handler |
| Sandra Jones | ... | catering assistant: Reel Meals (Take 2) |
| Debbie Kaye | ... | animal handler |
| Beth Hearn Keech | ... | assistant: Nellie Bellflower |
| Alexandra Kosevic | ... | assistant: Stephen Garrett |
| Stacy Mann | ... | unit publicist |
| Zahra Mansouri | ... | assistant choreographer |
| Joy Maxwell Davis | ... | unit nurse |
| Charles Moore | ... | legal services: Wiggin LLP |
| Dave Morley | ... | construction nurse |
| Jack Murphy | ... | choreographer |
| Clive Noakes | ... | lab contact: Deluxe |
| Kevin O'Shea | ... | insurance: AON/Albert G Ruben Insurance Services |
| Katharine Otway | ... | legal services: Wiggin LLP |
| Jeremy Pelzer | ... | studio director: Ealing Studios |
| Maggie Phelan | ... | production accountant |
| Gill Raddings | ... | animal handler |
| Frances Richardson | ... | first assistant accountant |
| John Rose | ... | animal handler |
| Lara Sargent | ... | post-production accountant |
| Chris Scannell | ... | chef: Reel Meals (Take 2) |
| Katharine Tidy | ... | home economist (as Cath Tidy) |
| Joan Washington | ... | dialect coach |
| Rebecca Wolf | ... | assistant accountant |
| Maria Zubiuk | ... | catering assistant: Reel Meals (Take 2) |
| Nic Benns | ... | title designer (uncredited) |
| James Fiddy | ... | stand-in (uncredited) |
| Jamie H. Zelermyer | ... | production executive (uncredited) |
Thanks
| Michael Mislove | ... | special thanks |
Production Companies
- Focus Features (presents)
- Kudos Productions Ltd. (co-production)
- Keylight Productions (co-production)
- Twins Financing (produced in association with)
- Shine Pictures
Distributors
- Focus Features (2008) (United States) (theatrical)
- Ascot Elite Entertainment Group (2008) (Switzerland) (theatrical)
- Long Shong Entertainment Multimedia Company (2008) (Taiwan) (theatrical)
- Odeon (2008) (Greece) (theatrical)
- Svensk Filmindustri (SF) (2008) (Sweden) (theatrical)
- Roadshow Films (2008) (Australia) (DVD)
- EuropaCorp. Distribution (2009) (France) (theatrical)
- PVR Pictures (2008) (India) (theatrical)
- Alliance (2008) (Canada) (DVD)
- Argentina Video Home (2009) (Argentina) (DVD)
- Blue Sky Media (2007) (Czechia)
- Castello Lopes Multimédia (2008) (Portugal)
- Deltamac Co. (2008) (Hong Kong)
- FS Film (2008) (Finland)
- LA7d (2016) (Italy) (tv)
- Nine Network Australia (2020) (Australia) (tv)
- Odeon (2008) (Greece) (DVD)
- RCV Home Entertainment (2008) (Netherlands) (DVD)
- Roadshow Entertainment (2008) (Australia) (DVD)
- Star Channel (2008) (Japan) (tv)
- Star Channel (2010) (Japan) (tv)
- Universal Pictures Home Entertainment (UPHE) (2008) (United States) (DVD)
- Universum Film (UFA) (2009) (Germany) (DVD)
Special Effects
- Double Negative (DNEG) (visual effects)
Other Companies
- AON/Albert G. Ruben Insurance Services (insurance)
- Access Bookings (accommodation)
- Air Lyndhurst Studios (music recording and mixing facility)
- Audiolink Radio Communications (walkie talkies/mobiles)
- Bellwood Media (clearance services)
- C&M Location Services (security)
- Deluxe (color)
- Framestore CFC (digital intermediate)
- Goldcrest Post Production London (adr recorded at)
- Hackenbacker Audio Post Production (audio facilities)
- Hackenbacker Audio Post Production (sound re-recorded at)
- Hothouse Music (music supervisor)
- Howard Schwartz Recording (adr recorded at)
- Isobel Griffiths Limited (music contractor)
- Joe Dunton & Company (camera equipment provided by)
- Kodak (film stock)
- MGM Cars (action vehicles)
- Midnight Transfer (telecine)
- Momoco (Main Title Sequence)
- Momoco/Maguffin (main titles and end credits)
- Natural Addiction (craft service)
- PMA Production (EPK produced by)
- POP Sound (adr recorded at)
- Panalux (grip and lighting equipment)
- Pivotal Post (editing equipment)
- Production Copier Company (production equipment and services)
- Professional Negative Cutting (negative cutting)
- Reel Meals(Take 2) (catering)
- Sargent-Disc (payroll services)
- Supercolor (stills processing)
- The Casting Network (extras casting)
- The London Session Orchestra (orchestra)
- Varèse Sarabande (soundtrack)
- Voice Activated (adr voice casting)
- Watson Brown (construction company)
- West 7 Post Production (editing equipment)
- Wiggin I (legal services)
Storyline
| Plot Summary |
War threatens London as Miss Pettigrew, a destitute governess, filches a client's card from her agency and presents herself at the door. A singer named Delysia Lafosse wants a social secretary as she seeks a West End role by sleeping with a feckless producer in the bed of Nick, a smarmy nightclub owner with whom she also dallies. She ignores Michael, her piano player, who loves her and has tickets for New York on the Queen Mary. Miss Pettigrew's job is to make sure Delysia gets the part. Over 24 hours, Miss Pettigrew is also called upon to help an ambitious and unfaithful fashion editor patch things up with her older fiancé, a lingerie designer. Has Miss Pettigrew found her calling?
Written by |
| Plot Keywords | |
| Taglines | Every Woman Will Have Her Day See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
|
Additional Details
| Also Known As |
|
| Runtime |
|
| Official Sites | |
| Country | |
| Language | |
| Color | |
| Aspect Ratio |
|
| Sound Mix | |
| Filming Locations |
Box Office
| Opening Weekend United Kingdom | GBP90,878, 17 Aug 2008 |
| Cumulative Worldwide Gross | $16,051,363, 25 Jan 2009 |
Did You Know?
| Trivia | Winifred Watson's book was published the fall of 1938 and it became a smash hit. Plans were in the works for a Hollywood film version starring Billie Burke as Miss Pettigrew, but the start of WWII brought those plans to a halt. The publisher re-released the book in 2000 which led to it being "found" again by Hollywood after 60+ years. See more » |
| Goofs | Johnny Mercer's Dream, a lovely song and fitting the mood of the scene, wasn't written until 1944. See more » |
| Movie Connections | Featured in Semi-Pro/Penelope/The Bank Job/The Other Boleyn Girl/The Chicago 10 (2008). See more » |
| Soundtracks | Brother Can You Spare a Dime See more » |
| Crazy Credits | Before the end credits, there is a black screen and a voice calling "some music please", after which music starts playing and the credits start rolling. See more » |
| Quotes |
Delysia:
[during an air-raid drill]
Guinevere, I'm scared! Guinevere Pettigrew: It's just a drill, I'm sure it's just a drill. Delysia: But it won't always be, will it? We're going to war, aren't we? Guinevere Pettigrew: Yes we are. And that is why you must not waste a second of this precious life. Listen to me. Once I too had ambitions. Not your grand ones, simple ambitions. Marriage, children and a house of our own. He died, in the mud in France. A good, solid man. You would call him dull, no doubt, but he smiled whenever he saw me and we could've built a life on that. Your heart knows the truth, Delysia. Trust it. See more » |