Stone of Destiny (2008)
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- PG
- 1h 36min
- Adventure, Comedy
- 19 Dec 2008 (UK)
- Movie
The story of Ian Hamilton, a dedicated nationalist who reignited Scottish national pride in the 1950s with his daring raid on the heart of England to bring the Stone of Scone back to Scotland.
Director:
Writers:
Stars:
Awards:
- 3 wins & 6 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
| Charlie Cox | ... |
Ian Hamilton
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| Kate Mara | ... |
Kay Matheson
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| Stephen McCole | ... |
Gavin Vernon
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| Ciaron Kelly | ... |
Alan Stuart
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| Billy Boyd | ... |
Bill Craig
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| Robert Carlyle | ... |
John MacCormick
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| Peter Mullan | ... |
Harris Hamilton
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| Brenda Fricker | ... |
Mrs. McQuarry
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Juliet Cadzow | ... |
Ian's Mother
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Alex Donald | ... |
London Policeman
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John Comerford | ... |
Pub Landlord
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| Richard Addison | ... |
Tour Guide
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Danielle Stewart | ... |
Brochure Girl
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Suzanne Dance | ... |
Church Woman
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Pauline King | ... |
Jen
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Bryan Lowe | ... |
Student in Pub
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Margaret Newlands | ... |
B&B Owner
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| Ron Donachie | ... |
Night Watchman
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| Rab Affleck | ... |
Gypsy
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Stewart Porter | ... |
Veteran in Pub
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| Bernard Horsfall | ... |
Archdeacon
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Stephen Clyde | ... |
Abbey Constable
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Johnny Meres | ... |
Detective
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Stewart Cairns | ... |
Reporter
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Ian Hamilton | ... |
English Businessman
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| Rest of cast listed alphabetically: | |||
| Jamie Brotherston | ... |
Jamie (uncredited)
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James Cullen | ... |
Detective (uncredited)
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Alan Cuthbertson | ... |
Police Officer CID (uncredited)
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Adrienne Fraser | ... |
Student (uncredited)
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Mark Harvey | ... |
Cheering Student (uncredited)
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| Cole Henderson | ... |
(uncredited)
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Kris Jack | ... |
Pub Local (uncredited)
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Amanda Lauren | ... |
Kids (uncredited) (voice)
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Alan Marsh | ... |
Walk On (uncredited)
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Ashley McFarlane | ... |
Gavin's Girl 1 (uncredited)
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Iain McGregor | ... |
Abbey Worker (uncredited)
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| Andrew Moore | ... |
Pub Goer (uncredited)
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Greig Robertson | ... |
Man Seen Walking to Toilet (uncredited)
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Adam Smith | ... |
Tourist (uncredited)
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Kimberley Watson | ... |
(uncredited)
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Directed by
| Charles Martin Smith | ||
Written by
| Ian Hamilton | ... | (book "The Taking of The Stone of Destiny") (as Ian Hamilton Q.C.) |
| Charles Martin Smith | ... | (written by) |
Produced by
| Andrew Boswell | ... | producer |
| Peter Gallagher | ... | line producer |
| Tim Gywn-Jones | ... | associate producer |
| Grace Hartley | ... | executive producer |
| Victor Loewy | ... | executive producer |
| Alan Martin | ... | co-producer |
| Rob Merilees | ... | producer |
| Michael S. Murphey | ... | executive producer |
| Carole Sheridan | ... | executive producer |
| Charles Martin Smith | ... | executive producer |
| William Vince | ... | executive producer |
| Terrence Yason | ... | executive producer |
Music by
| Mychael Danna | ||
Cinematography by
| Glen Winter | ... | director of photography |
Editing by
| Fredrik Thorsen | ||
Editorial Department
| David Armstrong | ... | lab timer |
| James Cowan | ... | digital intermediate manager |
| Jay Harada | ... | digital conform and opticals |
| Ken MacKenzie | ... | imaging technician (as Ken Mackenzie) |
| Stephanie Meyerink | ... | digital intermediate producer |
| Kristian Olsen | ... | assistant editor |
| B.F. Painter | ... | post-production coordinator (as B. F. Painter) |
| Sherri Potter | ... | digital intermediate executive: Technicolor |
| Michael Shapcotte | ... | digital intermediate systems administrator |
| Gary Shaw | ... | digital film colorist |
| Matt Venables | ... | post-production coordinator |
| Kyle Cunningham | ... | executive sales assistant: Technicolor Creative Services Vancouver (uncredited) |
Casting By
| John Hubbard | ||
| Ros Hubbard | ||
Production Design by
| Tom Sayer | ||
Art Direction by
| Andy Thomson | ||
Costume Design by
| Trisha Biggar | ||
Makeup Department
| Anita Anderson | ... | crowd hair/makeup artist: dailies |
| Maxine Dallas | ... | hair stylist / makeup artist |
| Dianne Jamieson | ... | hair designer / makeup designer |
| Delia Letham | ... | hair artist / makeup artist |
| Niamh Morrison | ... | makeup dailies |
| Cheyanne Ripley | ... | hair stylist: Vancouver / makeup artist: Vancouver |
Production Management
| Chris Cameron | ... | unit manager (as Christopher Cameron) |
| Ian Hay | ... | production manager: Vancouver |
| Patrick McGurn | ... | unit manager |
| Suzanne Reid | ... | production manager |
| David Valleau | ... | production supervisor (as Dave Valleau) |
| Scott Watson | ... | post-production supervisor |
Second Unit Director or Assistant Director
| James Blackwell | ... | first assistant director |
| Duncan Broadfoot | ... | second assistant director: London |
| Alison Goring | ... | second assistant director |
| Ray Kenny | ... | third assistant director |
| Rob Merilees | ... | second unit director |
Art Department
| Natalie Astridge | ... | petty cash buyer |
| Tom Baleshta | ... | props: Vancouver |
| Bob Barclay | ... | carpenter |
| Phil Bowen | ... | construction manager |
| Christopher Breslin | ... | carpenter |
| Moley Campbell | ... | graphics |
| John Casey | ... | second unit |
| Max Davidson | ... | carpenter (as Jon 'Max' Davidson) |
| Andy Drummond | ... | stand-by art director |
| Jake Drummond | ... | stagehand (as Jack Drummond) |
| Christine Gibson | ... | assistant production buyer |
| Derek Gray | ... | storyboard artist |
| Charles Green | ... | plasterer |
| Iain Harrison | ... | stand-by rigger |
| Roddy Hogg | ... | stand-by carpenter |
| John Knight | ... | stand-by props |
| Peter Knotts | ... | carpenter |
| Paul Lambie | ... | graphics / stand-by props |
| Fred MacMillan | ... | dressing props (as Andrew 'Fred' MacMillan) |
| Janice Macrae | ... | production buyer (as Janice MacRae) |
| Andy Neilson | ... | storeman |
| Kate Nelson | ... | props maker |
| Jim O'Donnell | ... | chargehand painter |
| Carly Parris | ... | petty cash buyer |
| Emma Pisano | ... | art department runner |
| John Riddell | ... | props |
| Dan Roberts | ... | dressing props |
| Alex Robertson | ... | chargehand carpenter |
| Tony Sheridan | ... | property master |
| James Shovlin | ... | painter |
| Hugh Speirs | ... | stagehand |
| Shirley Sweeny | ... | props maker |
| Billy Teasdale | ... | props maker |
| John Watt | ... | stand-by carpenter |
| Mark Weallans | ... | graphic artist |
| Zoe Wight | ... | art department assistant |
| Anne Marie Wood | ... | graphics (as Ann Marie Wood) |
Sound Department
| Omar Aborida | ... | sound trainee |
| Jeff Davis | ... | sound effects editor |
| Chris Duesterdiek | ... | location sound mixer |
| Peter Eliuk | ... | sound mix technician |
| Jeremy Duayne Elzinga | ... | technical support (as Jeremy Elzinga) |
| Meaghan Fraser | ... | post audio coordinator |
| Amy Giammarco | ... | post audio manager |
| Dean Giammarco | ... | re-recording mixer |
| Peter Gleaves | ... | adr mixer |
| Jeff Gomillion | ... | adr mixer |
| Rick Gould | ... | adr recordist: re-issue |
| Patrick Haskill | ... | sound designer (as Pat Haskill) |
| Dave Hibbert | ... | foley editor |
| Gord Hillier | ... | dialogue editor |
| Tanya Hnuta | ... | assistant dialogue editor |
| David Livingstone | ... | studio assistant |
| Johnny Ludgate | ... | sound effects editor (as Jonny Ludgate) |
| Maureen Murphy | ... | foley artist |
| Jonathan Rimas | ... | adr mixer |
| Philip Rogers | ... | adr recordist |
| Bill Sheppard | ... | re-recording mixer / sound supervisor |
| Gordon Sproule | ... | foley mixer / walla mixer |
| Elaine Stef | ... | assistant foley walker |
| Kevin Swartz | ... | trailer sound designer |
| Simon Tomlinson | ... | boom operator |
| James Wright | ... | sound consultant: Dolby (as Jim Wright) |
Special Effects by
| Mike Kelt | ... | special effects supervisor |
| Ken Petrie | ... | special effects technician |
Visual Effects by
| Ori Ben-Shabat | ... | digital artist: Image Engine |
| Christopher Elke | ... | visual effects producer: Technicolor Vancouver |
| Steve Elliott | ... | visual effects I/O: Technicolor Vancouver |
| John Fukushima | ... | compositing supervisor: Technicolor Vancouver |
| Ryan Kuba | ... | visual effects coordinator: Technicolor Vancouver |
| Colin Liggett | ... | compositor: Technicolor Vancouver |
| Dawn Brooks Macleod | ... | visual effects producer: Image Engine (as Dawn Brooks) |
| Jeremy Price | ... | compositor: Technicolor Vancouver |
| Persis Reynolds | ... | visual effects executive producer: Technicolor Vancouver |
| Richard Sexton | ... | visual effects software developer: Technicolor Vancouver |
| Michael Shapcotte | ... | visual effects systems administrator: Technicolor Vancouver |
| Patrick Thompson | ... | compositor: Technicolor Vancouver |
| Shawn Walsh | ... | visual effects supervisor: Image Engine |
| Noel Wright | ... | compositor: Technicolor Vancouver |
Stunts
| Paul Heasman | ... | stunt coordinator |
| Rob Hunt | ... | stunt double |
| Tina Maskell | ... | stunt double |
| Andy Pilgrim | ... | stunt double |
| Emma Robbings | ... | stunt double |
| Ricarda Warrington-Heasman | ... | stunt double |
Camera and Electrical Department
| Stuart Anderson | ... | second assistant camera: "a" camera |
| John Attwood | ... | gaffer |
| Paul Bates | ... | electrician |
| Julie Bills | ... | first assistant camera: "a" camera |
| Paul Brebner | ... | first assistant camera: Vancouver |
| Richard Buckley | ... | technician: Leelium, London |
| Andy Clayton | ... | camera mount technician: second unit |
| Sean Connor | ... | focus puller: "b" camera, London |
| Micky Cooper | ... | lamp operator (as Mickey Cooper) |
| Tim Critchell | ... | b camera grip |
| Neil Davidson | ... | still photographer |
| Arthur Donnelly | ... | lamp operator (as Arthur Donnely) |
| Nazim Edeer | ... | second assistant camera: Vancouver |
| John Evans | ... | clapper loader: "b" camera, London |
| Ken Ferguson | ... | photographer: specials |
| Alan Fraser | ... | generator operator |
| George Geddes | ... | camera assistant: second unit |
| Ross Grainger | ... | electrician |
| Alan Grayley | ... | rigging electrician |
| Eugene Grobler | ... | technician: Leelium, London |
| James Harrison | ... | camera trainee |
| Gary Hayler | ... | electrician: London |
| Iain Johnstone | ... | key grip |
| Bill Kaye | ... | stills photographer: London |
| Damian Leitch | ... | video assist |
| Paul Murphy | ... | best boy lighting |
| Gary Nagle | ... | electrician: London |
| Kevin O'Brien | ... | camera operator: "b" camera |
| Mike Parker | ... | aerial camera operator: second unit / aerial cameraman |
| Wil Parrott | ... | key grip: Vancouver (as Will Parrott) |
| Derrick Peters | ... | first assistant camera: "b" camera |
| Scott Rodgers | ... | second assistant camera: "b" camera |
| Barnaby Sweet | ... | lamp operator |
| Roger Tooley | ... | camera operator: "b" camera, London |
| Shamus Whiting-Hewlett | ... | gaffer: Vancouver |
| Ross O'Brien | ... | electrician (uncredited) |
Casting Department
| Kay Gannon | ... | extras casting |
| Sorcha McIlvride | ... | extras casting assistant |
| Dearbhaile O'Hanlon | ... | casting assistant |
Costume and Wardrobe Department
| Lisa Doherty | ... | costume runner |
| Tina Fiorda | ... | costumer |
| Arnalie Harper Gow | ... | costume assistant (as Amalie Harper Gow) |
| Mike Hodge | ... | costume fitter |
| Anna Lau | ... | costume supervisor |
| Jane Marcantonio | ... | costume assistant |
| Penny McDonald | ... | costume assistant prep |
| Systa Mogensen | ... | costume trainee |
| Michael Mooney | ... | assistant costume designer |
| Anna Robbins | ... | costume assistant |
Location Management
| David Burt | ... | location assistant |
| Stephen Burt | ... | location manager |
| Stuart Collins | ... | location runner |
| Donna Harrison | ... | location runner |
| Tom Harrow | ... | location assistant: London |
| Steve Mortimore | ... | location manager |
Music Department
| Jerry Adolphe | ... | musician: drums |
| Jane Ashworth | ... | assistant music supervisor: S.L. Feldman & Associates |
| Hal Beckett | ... | music contractor (as Hal Foxton Beckett) |
| Rosemary Beland | ... | musician: dulcimer |
| Victor Costanzi | ... | concertmaster |
| Mychael Danna | ... | music orchestrator |
| Bruce Dierick | ... | score studio technician (as Bruce Dierich) |
| Nicholas Dodd | ... | music conductor / music orchestrator |
| Alasdair Fraser | ... | musician: fiddle |
| John Fulton | ... | score studio technician |
| Brad Haehnel | ... | score mixer / score recordist |
| Don Harder | ... | score studio technician |
| Claude LaForest | ... | score studio technician |
| Chris Norman | ... | musician: flutes (as Christopher Norman) |
| Vince Renaud | ... | assistant scoring mixer / music editor |
| Eric Rigler | ... | musician: bagpipes |
| Rob Simonsen | ... | composer: additional music |
| Amritha Vaz | ... | assistant to composer (as Amritha Fernandes - Bakshi) |
| Sarah Webster | ... | music supervisor |
| Terrence Yason | ... | music supervisor: production |
Script and Continuity Department
| Dolina Macfarlane | ... | additional script supervisor |
| Caroline Sax | ... | script supervisor |
Transportation Department
| Lee Bazzoni | ... | minibus driver: London |
| Willie Bennie | ... | action vehicles coordinator (as William Binnie) |
| Gerry Bryson | ... | driver: camera car |
| Jeff Derby | ... | driver: honeywagon |
| Pat Dunphy | ... | unit driver |
| Paul Dunphy | ... | unit driver |
| Stuart McKeller | ... | driver: costume truck (as Stuart McKellar) |
| Ronnie Morrison | ... | set mechanic |
| Dave Murray | ... | unit driver: London |
| Andy Nielson | ... | driver (as Andy Neilson) |
| Billy Robertson | ... | driver: makeup truck |
| Ray Robinson | ... | minibus driver: London |
| Stef Tanczos | ... | unit driver: London |
| Peter Woods | ... | unit driver: London |
| Wayne Wright | ... | unit driver |
Additional Crew
| Steve Allen | ... | financial assistance: Barclay Bank PLC |
| Kendall Andersen | ... | legal services: for CIBC, Borden Ladner Gervais LLP |
| Tex Antonucci | ... | assistant: Mr. Vince |
| Debbie Banbury-Morley | ... | clearances |
| Lisa Maria Baruffati | ... | crowd coordinator |
| Annabel Bellag | ... | unit assistant: London |
| Mary Brehony | ... | legal services: Scottish Screen |
| Duncan Broadfoot | ... | floor runner |
| Neil Cairns | ... | production accountant |
| Stephen Carney | ... | floor runner |
| Joshua K. Carpenter | ... | distribution executive |
| Anita Cox | ... | business affairs: Scottish Screen |
| Pete Daly | ... | unit publicist: UK |
| Jessica Drake | ... | dialect coach: Los Angeles |
| Rebecca Fisher | ... | development researcher (as Rebecca Sommi Fisher) |
| Jill Franklin | ... | completion bond: Film Finances Canada |
| Elizabeth Freer | ... | runner |
| Jennifer Froment | ... | post-production accountant |
| Alex Gillon | ... | dialect coach: Glasgow |
| Simon Goldberg | ... | legal services: for Paradigm London Limited, Simons Muirhead and Burton |
| James Grady | ... | floor runner: London |
| Stewart Hamilton | ... | production executive |
| Erin Haskett | ... | development executive: Infinity Features |
| Gerry Healy | ... | archive researcher |
| Glynn Henderson | ... | health & safety officer |
| Douglas Holliston | ... | legal: Infinity Features |
| Moira Holmes | ... | completion bond: Film Finances Canada |
| David Hutchison | ... | stand-in |
| Paul Imrie | ... | accounts trainee |
| Steve Joberns | ... | accounting services: UK, AGN Shipleys LLP / tax consultant: UK, AGN Shipleys LLP |
| David Johnstone | ... | insurance services: Media Insurance Brokers |
| Barry Laird | ... | production runner |
| Martin Ledwith | ... | dialect coach: London |
| Julia Leiterman | ... | business affairs: Infinity Features |
| Kate Maginnis | ... | stand-in (as Kathryn Maginnis) |
| Greg McAllister | ... | helicopter pilot: second unit |
| Jacqui McBride | ... | assistant accountant |
| Jill McCullough | ... | dialect coach: London |
| Emma McGettrick | ... | floor runner: London |
| Alan Moss | ... | legal services: UK, Harbottle & Lewis |
| Amy Munro | ... | assistant production coordinator |
| Abigail Payne | ... | legal services: UK, Harbottle & Lewis |
| Laura Pearson-Smith | ... | office production assistant (as Laura Pearson) |
| Kathryn Perkins | ... | unit publicist: Canada |
| Sherri Potter | ... | vice president: North America Sales: Technicolor |
| Antonietta Presta | ... | legal: Film Finances |
| Benjamin Rappaport | ... | financial assistance: CIBC |
| Kristina Ricci | ... | assistant post-production accountant |
| Amber Ripley | ... | assistant: Mr. Merilees |
| Eva B. Schmieg | ... | legal services: Canada, Heenan Blaikie |
| Andrew Sloey | ... | stand-in |
| Steven St. Arnaud | ... | development executive |
| Jim Sternberg | ... | completion bond: Film Finances Canada |
| Stef Swiatek | ... | unit nurse (as Stefanie Swiatek) |
| Stephen Walker | ... | production coordinator |
| Paul Websdale | ... | accounting services: Canada, Wolrige Mahon LLP / tax consultant: Canada, Wolrige Mahon LLP |
Thanks
| Harry Avramidis | ... | the producers wish to thank: for their assistance on this production, Arclight Films (as Harry Arvamidis) |
| Steve Bates | ... | the producers wish to thank: for their assistance on this production, Telefilm Canada |
| Karla Bobadilla | ... | the producers wish to thank: for their assistance on this production, The Harold Greenberg Fund |
| Diane Boehme | ... | the producers wish to thank: for their assistance on this production |
| John Brocklehurst | ... | the producers wish to thank: for their assistance on this production, Director of The Mob Film Company |
| Rod Brown | ... | the producers wish to thank: for their assistance on this production, Director of The Mob Film Company |
| Richard Brownsey | ... | the producers wish to thank: for their assistance on this production, BC Film |
| Michael Bublé | ... | the producers wish to thank: for their assistance on this production |
| Lodi Butler | ... | the producers wish to thank: for their assistance on this production, BC Film |
| Wayne Clarkson | ... | the producers wish to thank: for their assistance on this production, Telefilm Canada |
| John Dippong | ... | the producers wish to thank: for their assistance on this production, Telefilm Canada |
| Robin Dunne | ... | very special thanks |
| Malene Ehlers | ... | the producers wish to thank: for their assistance on this production (as Marlene Ehlers) |
| Les Foster | ... | the producers wish to thank: for their assistance on this production, the Old English Car Club |
| John Galway | ... | the producers wish to thank: for their assistance on this production, The Harold Greenberg Fund |
| Kay Gannon | ... | the producers wish to thank: for their assistance on this production, All Talent UK |
| Ian Gibbins | ... | the producers wish to thank: for their assistance on this production, Arclight Films |
| Shelley Gillen | ... | the producers wish to thank: for their assistance on this production |
| Mary Pat Gleeson | ... | the producers wish to thank: for their assistance on this production |
| Bryan Gliserman | ... | the producers wish to thank: for their assistance on this production, Alliance Films |
| Kim Hsu Guise | ... | the producers wish to thank: for their assistance on this production, Telefilm Canada (as Kim Guise) |
| Gary Hamilton | ... | the producers wish to thank: for their assistance on this production, Arclight Films |
| Jeannette Hamilton | ... | the producers wish to thank: for their assistance on this production |
| Bill Hurst | ... | the producers wish to thank: for their assistance on this production, Telefilm Canada |
| Vadim Jean | ... | the producers wish to thank: for their assistance on this production, Director of The Mob Film Company |
| Sandra Karr | ... | the producers wish to thank: for their assistance on this production, Telefilm Canada |
| Christopher Lee | ... | very special thanks |
| Liz Mackiewicz | ... | the producers wish to thank: for their assistance on this production, Arclight Films (as Liz Mackewitz) |
| Joan McGuinness | ... | the producers wish to thank: for their assistance on this production, Alliance Films (as Joan McGuiness) |
| Kevin Miles | ... | the producers wish to thank: for their assistance on this production, the Old English Car Club |
| Joe Phillips | ... | the producers wish to thank: for their assistance on this production |
| Michael Potkins | ... | the producers wish to thank: for their assistance on this production |
| Matthew Pysh | ... | the producers wish to thank: for their assistance on this production, the Old English Car Club |
| Sonia Scott MacKay | ... | the producers wish to thank: for their assistance on this production, All Talent UK (as Sonia Scott Mackay) |
| Ian Sharples | ... | the producers wish to thank: for their assistance on this production, Director of The Mob Film Company |
| Jim Sherry | ... | the producers wish to thank: for their assistance on this production, Alliance Films |
| Janine Steele | ... | the producers wish to thank: for their assistance on this production, BC Film (as Janine Bizzocchi Steele) |
| Lyn Vince | ... | the producers wish to thank: for their assistance on this production |
Production Companies
- Infinity Features Entertainment (present)
- The Mob Film Company (present)
- Alliance (in association with)
- Téléfilm Canada (produced with the participation of)
- Scottish Screen National Lottery Fund (with the support of)
- The Harold Greenberg Fund (produced with the participation of)
- Canadian Film or Video Production Tax Credit (CPTC) (produced with the participation of)
- U.K. Tax Credit (produced with the participation of)
- Province of British Columbia Film Incentive BC (with the participation of)
- Chum Television (produced in association with)
- Glasgow Film Office (produced with the participation of)
Distributors
- Alliance (2008) (Canada) (theatrical)
- Alliance Atlantis Motion Picture Distribution (2008) (Canada) (theatrical)
- Odeon Sky Filmworks (2008) (United Kingdom) (theatrical)
- Amazon Instant Video (2013) (United States) (video)
- BigStar.TV (2008) (World-wide)
- BigStar.TV (2014) (United States) (video)
- Google Play (2014) (United States) (video)
- Green Apple Entertainment (2013) (United States) (DVD)
- Green Apple Entertainment (2013) (United States) (video)
- IndieFlix (2014) (United States) (video)
- Netflix (2013) (United States) (DVD)
- SnagFilms (2014) (United States) (video)
Special Effects
- Technicolor Creative Services VFX Vancouver (visual effects)
- Artem (special effects)
Other Companies
- Image Engine Design (title design)
- AGN Shipleys (accounting and tax consulting services: UK)
- Audiolink Radio Communications (walkie talkies)
- B Scenic Construction (carpenters)
- BCC Catering (catering)
- Babbity Bowster (the producers wish to thank: for their assistance on this production)
- Barclays Bank PLC (financed with the assistance of)
- Borden Ladner Gervais (legal services: for CIBC)
- British Columbia Film (developed with the participation of)
- CIBC (financed with the assistance of)
- DBC Sound (post audio facility)
- Directors Guild of Canada (acknowledgment)
- Dolby Laboratories (sound mix)
- Dragon Digital Intermediate (on-line conform and film-out) (trailer)
- Enterprise Rent-A-Car (cars & vehicles supplied by)
- Enterprise Rent-A-Car (transportation services)
- Equity (acknowledgment)
- Fayre Do's (caterer: London)
- Film Finances Canada (completion bond)
- Fintage CAM (collection account management)
- Fuji Photo Film (motion picture film supplied by)
- GT Catering (catering: extras)
- Greg Hamilton Music Service (music preparation)
- Harbottle & Lewis (legal services: UK)
- Heenan Blaikie (legal services: Canada)
- Infinity Features Entertainment (picture editing facilities)
- Kingdom of Scotland (copyright owner: Kingdom of Scotland Royal Arms)
- Lee Lighting (lights and equipment)
- Line 21 Media Services (closed captioning)
- Line 21 Media Services (combined dialogue, continuity & spotting list)
- Maggie May's (the producers wish to thank: for their assistance on this production)
- Media Insurance Brokers (MIB) (insurance brokers)
- Media Security (security)
- Movie Central Network (developed with the assistance of)
- Murricane & Murricane (ADR recording)
- NBC Universal Studios (additional adr recording: Los Angeles)
- PDG Helicopters (helicopter supplied by: second unit)
- Pacific Title and Art Studio (end titles)
- Paisley Abbey (the producers wish to thank: for their assistance on this production)
- Paradigm Pictures (gap financing provided by)
- Paramount Recording Studios (additional recording at)
- Procam Take 2 (camera systems by)
- S.L. Feldman & Associates (music supervision)
- SAG-AFTRA (acknowledgment)
- Simons Muirhead & Burton (legal services: for Paradigm London Limited)
- Studio One (score recorded at)
- Technicolor (dailies)
- Technicolor (digital intermediate by)
- The Fraser Suites (the producers wish to thank: for their assistance on this production)
- The Harold Greenberg Fund (developed with the participation of)
- The People and the City of Glasgow, Scotland (the producers wish to thank: for their assistance on this production)
- The Vancouver Film Orchestra (score performed by)
- The Warehouse Studios (score mixed at)
- United Casting (extras casting)
- Warner Bros. De Lane Lea (additional adr recording: London)
- Westminster Abbey (the producers wish to thank: for their assistance on this production)
- Wolrige Mahon (accounting and tax consulting services: Canada)
Storyline
| Plot Summary |
The Stone of Destiny retells the fascinating and true story of four young Glaswegian students who, in 1951, outwitted the British authorities in their successful attempt to take back the Stone of Scone - a beloved symbol of Scottish pride, back to its country of origin. Written by Anonymous |
| Plot Keywords | |
| Taglines | A heist 600 years in the making See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
| Also Known As |
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Box Office
| Budget | EUR6,000,000 (estimated) |
Did You Know?
| Trivia | (Cameo) Ian Hamilton: sour-faced English businessman who passes Ian Hamilton and Gavin Vernon as they get out of the car shortly before their first attempt to remove the Stone of Destiny from Westminster Abbey (36 minutes). See more » |
| Goofs | The group is shown being arrested by the police at the end of the film, however in reality they were not arrested until some time later. The curator of Arbroath Abbey allowed the group sufficient time to make their escape before calling the police. See more » |
| Soundtracks | Tae the Battle See more » |
| Quotes |
Ian Hamilton:
On that day I heard the voice of Scotland speak as loudly as it did in 1320. As long as a hundred of us remain alive, we shall never give in to the domination of the English. We fight not for glory, not for wealth, nor honors, but only and alone for freedom, which no good man surrenders but with his life. See more » |