Family dynamics are explored inside out in “The House of Us”, the sophomore work from South Korean director / writer Yoon Ga-eun and one of the most anticipated movies of the year, after the success of her delicate short film “Sprout”, Crystal Bear in Berlin in 2014, and her charming 2016 feature debut “The World of Us”.
“The House of Us” is screening at the BFI London Film Festival 2019
Like the previous work, “The House of Us” opens on an extreme close up of Hana’s face (Kim Na-Yeon). She is 11-year old, at home, witnessing a violent brawl – one of many – between her parents. Oodles of subtle expressions animate her face; surprise, worry, helplessness and then disappointment, sadness and great fear. Hana understands more than well what is going on, but she is holding on for dear life to the idea that she can still save the day, and her way to...
“The House of Us” is screening at the BFI London Film Festival 2019
Like the previous work, “The House of Us” opens on an extreme close up of Hana’s face (Kim Na-Yeon). She is 11-year old, at home, witnessing a violent brawl – one of many – between her parents. Oodles of subtle expressions animate her face; surprise, worry, helplessness and then disappointment, sadness and great fear. Hana understands more than well what is going on, but she is holding on for dear life to the idea that she can still save the day, and her way to...
- 10/8/2019
- by Adriana Rosati
- AsianMoviePulse
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