(TV Series)

(1996)

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6/10
An unmotivated retread.
Jubal2812 November 2022
This is one of the few (only?) David E. Kelley-penned episodes of the fourth season, and it's one of his favorite tropes - the Brock Family Dinner bottle episode where the characters finally air and hash out all their problems with each other, moving from room to room to do so.

The problem is, it's just crazy. The storyline of Jill going absolutely nuts comes out of nowhere. The issues the characters have with each other are the same ones they've had since season 1, and most of them were resolved in past seasons - why are they bubbling up again now?

I guess they were setting up the final arcs to the series, leading up to the finale, but they were weird ones.
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4/10
Jill Goes Nuts
Hitchcoc22 May 2022
This whole episode goes over tiresome stuff that has aired before. Once again we have Henry and Douglas going after one another. Max and Kenny. But the feature story is Jill acting crazy, ruining a child's birthday party, breaking dishes, on and on. There is no place on earth where someone would act this way unless she had severe mental illness.
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Birthday at the Brock home
jarrodmcdonald-113 November 2022
Warning: Spoilers
I was a bit surprised by the low scores from the other reviewers. Personally, I found this to be a brilliant episode. It was the last script from series creator David Kelley. He had written 98 percent of the stories from seasons 1 through 3; and only two for season 4-- Witness for the Prosecution (the one where the pope came to town) and this one.

Contrary to what another reviewer said, this episode does not take place entirely inside the Brock home. The first part of the episode has young Zack going around town inviting people to his birthday party. Also, the last part of the episode shows Doug Wambaugh and Judge Bone reaching an understanding outside the Brock house followed by Kenny driving Maxine home.

I think the reason Mr. Kelley did a few "contained" family episodes each season, where we do not see the inside of the courtroom, is because these story constructs are decidedly character-driven. More importantly, they allow the lead actors a chance to turn in memorable performances. And sure enough, Kathy Baker won an Emmy for her work in this episode.

Despite this being a Jill-centric episode, with poor Zack's birthday being upstaged by her, I think the subplot with the two old coots is a little more engaging to watch. Ray Walston and Fyvush Finkel have a wonderful rapport on this program. And while Judge Bone and Doug Wambaugh have had similar disagreements before, their quarrel in this episode brings them both to a special realization about the true nature of their personal relationship.
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