Generation, the Berlin Film Festival sidebar for children and youth films, has announced this year’s winners unveiling the picks from both the Generation 14plus (for teen and older viewers) and the youth jury for the Generation Kplus (kids and tweens) sections.
Sasha Nathwani’s coming-of-age drama Last Swim, about an Iranian-British teen confronting a major life decision, took the Crystal Bear for best film in the Generation 14plus section, with Kim Hye-young’s It’s Okay!, about an orphaned young dancer, winning the top prize for Generation Kplus. Both prizes were awarded by youth juries of young filmgoers.
In its statement, the 14plus jury called Last Swim “a story about the beauty of life and of things coming to an end. It is a film that does not shy away from portraying the messy and consuming feelings that can arise when you know your dreams may not be fulfilled. However,...
Sasha Nathwani’s coming-of-age drama Last Swim, about an Iranian-British teen confronting a major life decision, took the Crystal Bear for best film in the Generation 14plus section, with Kim Hye-young’s It’s Okay!, about an orphaned young dancer, winning the top prize for Generation Kplus. Both prizes were awarded by youth juries of young filmgoers.
In its statement, the 14plus jury called Last Swim “a story about the beauty of life and of things coming to an end. It is a film that does not shy away from portraying the messy and consuming feelings that can arise when you know your dreams may not be fulfilled. However,...
- 2/25/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
It may not match last year’s sheer quantity in competition strands, but Spain still boasts a high quality presence at the Berlinale. Following, highlights the festival and EFM:
“Every You Every Me,” (Michael Fetter Nathansky)
A factory worker strives to reconnect with her distant husband, exploring the rediscovery of love within the complexities of relationships. From Contando Films, Studio Zentral, Network Movie and Nephilim, a German-Spanish production.
“Cura Sana,” (Lucía G. Romero)
Produced by Escac Films, this Generation 14plus premiere delves into sisters’ lives shaped by ancestral violence, exploring deep familial bonds and lasting impact of abuse.
“Deprisa, Deprisa,” (Carlos Saura)
A classic: Set to a memorable flamenco-pop score, four young Madrid delinquents pull robberies, snort heroin, steal cars the film capturing the raw energy youth and their vague, but visceral sense of ‘liberty.’ A restoration of a seminal work.
“The Human Hibernation,” (Anna Cornudella)
A sci-fi exploration of siblings undergoing hibernation,...
“Every You Every Me,” (Michael Fetter Nathansky)
A factory worker strives to reconnect with her distant husband, exploring the rediscovery of love within the complexities of relationships. From Contando Films, Studio Zentral, Network Movie and Nephilim, a German-Spanish production.
“Cura Sana,” (Lucía G. Romero)
Produced by Escac Films, this Generation 14plus premiere delves into sisters’ lives shaped by ancestral violence, exploring deep familial bonds and lasting impact of abuse.
“Deprisa, Deprisa,” (Carlos Saura)
A classic: Set to a memorable flamenco-pop score, four young Madrid delinquents pull robberies, snort heroin, steal cars the film capturing the raw energy youth and their vague, but visceral sense of ‘liberty.’ A restoration of a seminal work.
“The Human Hibernation,” (Anna Cornudella)
A sci-fi exploration of siblings undergoing hibernation,...
- 2/16/2024
- by Callum McLennan
- Variety Film + TV
A new film industry superclass is emerging in Spain: movies powered or co-backed by its streaming giants.
Perhaps the biggest example, Netflix Spain’s Andes flight disaster “Society of the Snow,” scored two Academy Award nominations last month.
Now, in the run-up to Berlin, London-based Film Constellation has acquired most world sales rights to “The Captive,” from Oscar winner Alejandro Amenábar (“The Sea Inside”) and Mod Producciones, a $15 million period adventure epic on the literary makings of “Quixote”author Miguel de Cervantes, held to ransom in a Moorish corsair jail.
Film Factory Ent. will take to market Iciar Bollain’s “I Am Nevenka,” about a feminist pioneer in Spain, and an untitled project from “Prison 77’s” Alberto Rodriguez, two fruit of the first movie slate from Movistar Plus+, the biggest Spanish pay TV/SVOD player, announced in January.
Spanish movies overperform on Netflix and Movistar Plus+. As of Feb.
Perhaps the biggest example, Netflix Spain’s Andes flight disaster “Society of the Snow,” scored two Academy Award nominations last month.
Now, in the run-up to Berlin, London-based Film Constellation has acquired most world sales rights to “The Captive,” from Oscar winner Alejandro Amenábar (“The Sea Inside”) and Mod Producciones, a $15 million period adventure epic on the literary makings of “Quixote”author Miguel de Cervantes, held to ransom in a Moorish corsair jail.
Film Factory Ent. will take to market Iciar Bollain’s “I Am Nevenka,” about a feminist pioneer in Spain, and an untitled project from “Prison 77’s” Alberto Rodriguez, two fruit of the first movie slate from Movistar Plus+, the biggest Spanish pay TV/SVOD player, announced in January.
Spanish movies overperform on Netflix and Movistar Plus+. As of Feb.
- 2/16/2024
- by John Hopewell
- Variety Film + TV
Outside its Market, of the eleven Spanish films elected for this year’s Berlin Film Festival, five have Catalan involvement, a testament to the significant investment and creative nurturing that occurs there. Below are those five and market highlights:
“Cura Sana” (Lucía G. Romero)
Produced by Escac Films, a Generation 14plus short delving into sisters’ lives shaped by ancestral violence, exploring deep familial bonds and the lasting impact of abuse.
“The Human Hibernation” (Anna Cornudella)
A sci-fi exploration of siblings undergoing hibernation, with only the sister awakening, blurring the lines between human and animal. A narrative of survival and awakening by Catalunya’s Joponica Films and Valladolid’s Batiak Films.
“Memories Of A Burning Body,” (Antonella Sudasassi Furniss)
A Berlin Panorama player, unraveling the repressed dimensions of womanhood, produced by Playlab Films and Costa Rica’s Substance Films. Sales: Bendita Film Sales.
“Reinas,” (Klaudia Reynicke)
In 1992 Lima, Lucia, Aurora, and...
“Cura Sana” (Lucía G. Romero)
Produced by Escac Films, a Generation 14plus short delving into sisters’ lives shaped by ancestral violence, exploring deep familial bonds and the lasting impact of abuse.
“The Human Hibernation” (Anna Cornudella)
A sci-fi exploration of siblings undergoing hibernation, with only the sister awakening, blurring the lines between human and animal. A narrative of survival and awakening by Catalunya’s Joponica Films and Valladolid’s Batiak Films.
“Memories Of A Burning Body,” (Antonella Sudasassi Furniss)
A Berlin Panorama player, unraveling the repressed dimensions of womanhood, produced by Playlab Films and Costa Rica’s Substance Films. Sales: Bendita Film Sales.
“Reinas,” (Klaudia Reynicke)
In 1992 Lima, Lucia, Aurora, and...
- 2/15/2024
- by Callum McLennan
- Variety Film + TV
Over the last seven years or so, the ever more capitalized Catalan industry, much based in capital Barcelona, has driven into domestic co-production with other parts of Spain. One result: an exciting new generation of young directors and producers, often women, which have scored a Berlin Golden Bear (Carla Simon’s “Alcarràs”) and best lead performance.
The Catalan film-tv industry is now, however, in the throes of a gathering industry makeover which is showing its first fruits. One driver, as so often in Europe, is public sector funding.
In 2019, total allocated Catalan government audiovisual funding stood at €12.6 million ($13.7 million). It rose to €40.8 million ($44.5 million) in 2022 and will rise again to an estimated €50 million ($54.5 million) in 2024, if the Catalan Parliament approves the budget, says Edgar Garcia, director of the governmental culture industry unit Icec.
In response to ramped-up funding, Catalonia industry has grown vibrantly. 130 execs and talent, representing 80 companies, attend 2024’s Berlin Film Market.
The Catalan film-tv industry is now, however, in the throes of a gathering industry makeover which is showing its first fruits. One driver, as so often in Europe, is public sector funding.
In 2019, total allocated Catalan government audiovisual funding stood at €12.6 million ($13.7 million). It rose to €40.8 million ($44.5 million) in 2022 and will rise again to an estimated €50 million ($54.5 million) in 2024, if the Catalan Parliament approves the budget, says Edgar Garcia, director of the governmental culture industry unit Icec.
In response to ramped-up funding, Catalonia industry has grown vibrantly. 130 execs and talent, representing 80 companies, attend 2024’s Berlin Film Market.
- 2/15/2024
- by John Hopewell
- Variety Film + TV
Writer/director Klaudia Reynicke has drawn on her own life for her latest film Reinas, which focuses Elena (Jimena Lindo) and her daughters teenager Aurora (Luana Vega) and her younger sister Lucía (Abril Gjurinovic), as they prepare to relocate from early-90s Peru to the US. Their departure relies on the girls’ estranged dad Carlos (Gonazalo Molina) signing the paperwork that allows them to go, which sees him re-enter his daughters’ lives at the 11th hour. Reynicke explores the reconnection that begins to be established with his children, just as he also realises he is about to let them go for good.
Catching up with Reynicke ahead of her film’s premiere at this year’s Sundance Film Festival she explained to what degree she drew on her own experience of emigrating from Peru.
“I was 10 years...
Catching up with Reynicke ahead of her film’s premiere at this year’s Sundance Film Festival she explained to what degree she drew on her own experience of emigrating from Peru.
“I was 10 years...
- 2/3/2024
- by Amber Wilkinson
- eyeforfilm.co.uk
Newen Connect, the distribution division of TF1 Group’s Newen Studios, has signed a distribution agreement with international sales company The Yellow Affair.
The Yellow Affair will handle international sales for indie feature films produced by Newen Studios labels under the brand “The Yellow Affair by Newen Connect.”
Newen Connect’s film distribution team will continue to handle international sales for mainstream titles and all films produced by French-based production companies within the Newen Studios group.
Feature films made by Denmark’s Nimbus and Germany’s Flare Films - which includes the upcoming Punching The World by Constanze Klaue -...
The Yellow Affair will handle international sales for indie feature films produced by Newen Studios labels under the brand “The Yellow Affair by Newen Connect.”
Newen Connect’s film distribution team will continue to handle international sales for mainstream titles and all films produced by French-based production companies within the Newen Studios group.
Feature films made by Denmark’s Nimbus and Germany’s Flare Films - which includes the upcoming Punching The World by Constanze Klaue -...
- 1/31/2024
- ScreenDaily
Newen Connect has signed a pact with international sales company The Yellow Affair to have the company handle global distribution for independent films produced by Newen Studios.
Newen Studios and Yellow Affair are already related though Anagram, which is label of Newen and a shareholder Yellow Affair, along with Visiorex, Helsinki-filmi and Marianna Films. Newen, meanwhile, is owned by France’s leading commercial network group. The European banner handles co-production, co-financing and international sales through its commercial arm, Newen Connect.
Unveiled during the Goteborg Film Festival, the three-year deal will see Newen Connect continue handling mainstream titles and French movies, while The Yellow Affair will focus on indie pics produced by Newen Studios’ international labels under the new brand The Yellow Affair by Newen Connect.
The inaugural roster of the new label include Constanze Klaue’s “Punching the World,” produced by Denmark’s Nimbus and Germany’s Flare Films, based...
Newen Studios and Yellow Affair are already related though Anagram, which is label of Newen and a shareholder Yellow Affair, along with Visiorex, Helsinki-filmi and Marianna Films. Newen, meanwhile, is owned by France’s leading commercial network group. The European banner handles co-production, co-financing and international sales through its commercial arm, Newen Connect.
Unveiled during the Goteborg Film Festival, the three-year deal will see Newen Connect continue handling mainstream titles and French movies, while The Yellow Affair will focus on indie pics produced by Newen Studios’ international labels under the new brand The Yellow Affair by Newen Connect.
The inaugural roster of the new label include Constanze Klaue’s “Punching the World,” produced by Denmark’s Nimbus and Germany’s Flare Films, based...
- 1/31/2024
- by Elsa Keslassy and Annika Pham
- Variety Film + TV
I’d rather die than betray a Peruvian
A tender promise between two sisters holds the key to the heart of Klaudia Reynicke’s Sundance entry, Reinas. Betrayal underpins every dynamic on screen, from the personal drama of an ex-husband’s betrayal of his family following an uncomfortable divorce or the wider drama of Peru betraying its people following the government collapse in the early 1990s. Reynicke’s focus is not the economic turmoil but the small, human stories that are tragically caught in its midst.
Carlos (Gonzalo Molina) is a father and ex-husband struggling to make ends meet working as a taxi driver by day and a security guard by night. His wife, Elena (Jimena Lindo), is a prospering single mum thriving in her work and faces the opportunity of a lifetime to escape the difficulties of Peruvian life for the relatively high life of the USA. For Elena to bring her daughters,...
A tender promise between two sisters holds the key to the heart of Klaudia Reynicke’s Sundance entry, Reinas. Betrayal underpins every dynamic on screen, from the personal drama of an ex-husband’s betrayal of his family following an uncomfortable divorce or the wider drama of Peru betraying its people following the government collapse in the early 1990s. Reynicke’s focus is not the economic turmoil but the small, human stories that are tragically caught in its midst.
Carlos (Gonzalo Molina) is a father and ex-husband struggling to make ends meet working as a taxi driver by day and a security guard by night. His wife, Elena (Jimena Lindo), is a prospering single mum thriving in her work and faces the opportunity of a lifetime to escape the difficulties of Peruvian life for the relatively high life of the USA. For Elena to bring her daughters,...
- 1/30/2024
- by Rhys Bowen Jones
- Talking Films
Off-roading in a sand dune located outside Lima with a borrowed car, Carlos (Gonzalo Molina) only cares about whether or not his two daughters, in the back seat, are having a good time. He won’t admit it, but this jack of all trades — and definitely master of none — doesn’t have much to offer them in the way of financial or home stability. Carlos’ only contribution are the memories he hopes will evoke a positive image of him in the future.
Therein lies the emotional crux of Swiss-Peruvian director Klaudia Reynicke’s poignantly subdued period drama “Reinas,” Spanish for “queens” and the way Carlos refers to his girls. Set in 1992, against the backdrop of social unrest and economic collapse in Peru — when the national currency has devalued greatly, and the insurgent organization Shining Path continues to carry out attacks — the narrative grapples with how two separated parents, neither of them ill-intentioned,...
Therein lies the emotional crux of Swiss-Peruvian director Klaudia Reynicke’s poignantly subdued period drama “Reinas,” Spanish for “queens” and the way Carlos refers to his girls. Set in 1992, against the backdrop of social unrest and economic collapse in Peru — when the national currency has devalued greatly, and the insurgent organization Shining Path continues to carry out attacks — the narrative grapples with how two separated parents, neither of them ill-intentioned,...
- 1/29/2024
- by Carlos Aguilar
- Variety Film + TV
“Reinas,” the latest from director Klaudia Reynicke, is a quiet but vivid tale of summer days in Lima, Peru. The script, which Reynicke co-wrote with Diego Vega, depicts a family drama against a backdrop of political chaos.
Set in 1992, just after the country’s president sent military officials to shut down Congress, heralding an era of unrest, the film focuses on a small but fractured family’s attempts to understand each other.
Continue reading ‘Reinas’ Review: A Sensuous Summer Set During Peru’s Self-Coup [Sundance] at The Playlist.
Set in 1992, just after the country’s president sent military officials to shut down Congress, heralding an era of unrest, the film focuses on a small but fractured family’s attempts to understand each other.
Continue reading ‘Reinas’ Review: A Sensuous Summer Set During Peru’s Self-Coup [Sundance] at The Playlist.
- 1/27/2024
- by Lena Wilson
- The Playlist
Klaudia Reynicke’s compact feature Reinas deals in intimate moments with an understated charm.
The film, which premiered in the World Cinema Dramatic competition at Sundance, takes place in Lima during a tumultuous summer in 1992 and chronicles an unsteady reunion between a father and his two daughters. It’s a quiet study of paternal redemption, much like In the Summers, another one of this year’s festival offerings. Here, as in Alessandra Lacorazza’s debut, the complexities of a seemingly simple relationship reveal themselves over the course of slow summer days. Reynicke (Love Me Tender, Il Nido) shapes a moving character study of a family trying to ground itself against the backdrop of a shaky political landscape.
An excerpted television news report from the ’90s functions as a prologue, detailing a country in crisis. Peru’s minister of the economy announces that in the next 24 hours, the price of milk...
The film, which premiered in the World Cinema Dramatic competition at Sundance, takes place in Lima during a tumultuous summer in 1992 and chronicles an unsteady reunion between a father and his two daughters. It’s a quiet study of paternal redemption, much like In the Summers, another one of this year’s festival offerings. Here, as in Alessandra Lacorazza’s debut, the complexities of a seemingly simple relationship reveal themselves over the course of slow summer days. Reynicke (Love Me Tender, Il Nido) shapes a moving character study of a family trying to ground itself against the backdrop of a shaky political landscape.
An excerpted television news report from the ’90s functions as a prologue, detailing a country in crisis. Peru’s minister of the economy announces that in the next 24 hours, the price of milk...
- 1/26/2024
- by Lovia Gyarkye
- The Hollywood Reporter - Movie News
In the midst of the chaotic Alberto Fujimori dictatorship, two girls and their mother plan to leave Lima for the United States, but they first attempt to reconnect with the estranged father. Such is the premise of Reinas, the third feature film by Klaudia Reynicke. A proper emulation of 1992 Lima was of particular importance to the filmmakers. Below, cinematographer Diego Romero Suarez-Llanos dives deep into the lighting schemes the filmmakers used to pull it off. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer […]
The post “Light Cannot and Should Not Limit the Movements of the Actors”: Dp Diego Romero Suarez-Llanos on Reinas first appeared on Filmmaker Magazine.
The post “Light Cannot and Should Not Limit the Movements of the Actors”: Dp Diego Romero Suarez-Llanos on Reinas first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
In the midst of the chaotic Alberto Fujimori dictatorship, two girls and their mother plan to leave Lima for the United States, but they first attempt to reconnect with the estranged father. Such is the premise of Reinas, the third feature film by Klaudia Reynicke. A proper emulation of 1992 Lima was of particular importance to the filmmakers. Below, cinematographer Diego Romero Suarez-Llanos dives deep into the lighting schemes the filmmakers used to pull it off. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer […]
The post “Light Cannot and Should Not Limit the Movements of the Actors”: Dp Diego Romero Suarez-Llanos on Reinas first appeared on Filmmaker Magazine.
The post “Light Cannot and Should Not Limit the Movements of the Actors”: Dp Diego Romero Suarez-Llanos on Reinas first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
In Reinas, director Klaudia Reynicke (Love Me Tender) returns to her childhood home of Lima to tell the story of a mother and her two daughters attempt to reconcile with the estranged father before seeking greener pastures in the United States. Below, editor Paola Freddi, whose previous credits include the Venice premieres A Espera (2015) and Monica (2022), discusses her collaboration with Reynicke and how she approaches her craft. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your […]
The post “A Fundamental Quality for the Editor is to Investigate the Director’s Unconscious”: Editor Paola Freddi on Reinas first appeared on Filmmaker Magazine.
The post “A Fundamental Quality for the Editor is to Investigate the Director’s Unconscious”: Editor Paola Freddi on Reinas first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
In Reinas, director Klaudia Reynicke (Love Me Tender) returns to her childhood home of Lima to tell the story of a mother and her two daughters attempt to reconcile with the estranged father before seeking greener pastures in the United States. Below, editor Paola Freddi, whose previous credits include the Venice premieres A Espera (2015) and Monica (2022), discusses her collaboration with Reynicke and how she approaches her craft. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your […]
The post “A Fundamental Quality for the Editor is to Investigate the Director’s Unconscious”: Editor Paola Freddi on Reinas first appeared on Filmmaker Magazine.
The post “A Fundamental Quality for the Editor is to Investigate the Director’s Unconscious”: Editor Paola Freddi on Reinas first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
While not quite autobiographical, Klaudia Reynicke’s third feature, “Reinas,” which world premieres at Sundance’s World Cinema Dramatic Competition, taps her own childhood memories of leaving her home in Peru for another country.
The Swiss-Peru-Spain co-production is set in the summer of 1992 when social and political unrest is roiling Lima, prompting Elena (played by Jimena Lindo), a mother of two young girls, to accept a job offer in the U.S. However, she needs the consent of her estranged husband (Gonzalo Molina) to take their daughters abroad. The girls, who barely know their father, are reluctant and wary at first but warm up to him, complicating matters further as conflicting emotions jeopardize their plans.
“It’s not exactly my story but the feelings are,” said Reynicke, who left for Switzerland with her mother at the age of 10 and had to adjust from living in a crowded family-packed house to...
The Swiss-Peru-Spain co-production is set in the summer of 1992 when social and political unrest is roiling Lima, prompting Elena (played by Jimena Lindo), a mother of two young girls, to accept a job offer in the U.S. However, she needs the consent of her estranged husband (Gonzalo Molina) to take their daughters abroad. The girls, who barely know their father, are reluctant and wary at first but warm up to him, complicating matters further as conflicting emotions jeopardize their plans.
“It’s not exactly my story but the feelings are,” said Reynicke, who left for Switzerland with her mother at the age of 10 and had to adjust from living in a crowded family-packed house to...
- 1/19/2024
- by Anna Marie de la Fuente
- Variety Film + TV
The Yellow Affair has boarded world sales on Sundance World Cinema Dramatic Competition title “Reinas,” directed by Klaudia Reynicke. Variety has been given access to the trailer (below).
The film is set in Lima in the summer of 1992. Lucia, Aurora and their mother Elena are about to leave. They are apprehensive about saying goodbye to a country, to family and friends, but above all to Carlos, a father and ex-husband who has all but disappeared from their lives.
In the midst of Peru’s social and political chaos, this announced departure will give rise to contradictory feelings, reviving old regrets and generating new illusions. Facing the uncertainty of their future head on, their frustrations and fears are mixed with excitement and expectation, as the family faces the difficult truth about the losses this departure implies.
The Yellow Affair says the film is a “beautiful, dramatically intense and ultimately heart-warming film...
The film is set in Lima in the summer of 1992. Lucia, Aurora and their mother Elena are about to leave. They are apprehensive about saying goodbye to a country, to family and friends, but above all to Carlos, a father and ex-husband who has all but disappeared from their lives.
In the midst of Peru’s social and political chaos, this announced departure will give rise to contradictory feelings, reviving old regrets and generating new illusions. Facing the uncertainty of their future head on, their frustrations and fears are mixed with excitement and expectation, as the family faces the difficult truth about the losses this departure implies.
The Yellow Affair says the film is a “beautiful, dramatically intense and ultimately heart-warming film...
- 1/11/2024
- by Leo Barraclough
- Variety Film + TV
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