Click here to read the full article.
For long stretches of Subject 101, our protagonist — identified in the end credits only as “101” (Cem Ali Gültekin) — has no idea what’s going on. He finds himself in ghastly scenes of violence and carnage, sometimes with himself holding the gun. He seems to wake up from them, only to discover he’s in some other cruel unreality. A scar on his shoulder comes and goes. A tattoo on his arm changes shape. He’s lost any sense of time, of self, of control.
And for much of that time, we’re as clueless as he is. What’s happened to him isn’t entirely a mystery; writer-director Tom Bewilogua plants clues about a Manchurian Candidate-esque mind control scenario before we have so much as a chance to ask. But we’re as uncertain as he is about what’s real and what’s not,...
For long stretches of Subject 101, our protagonist — identified in the end credits only as “101” (Cem Ali Gültekin) — has no idea what’s going on. He finds himself in ghastly scenes of violence and carnage, sometimes with himself holding the gun. He seems to wake up from them, only to discover he’s in some other cruel unreality. A scar on his shoulder comes and goes. A tattoo on his arm changes shape. He’s lost any sense of time, of self, of control.
And for much of that time, we’re as clueless as he is. What’s happened to him isn’t entirely a mystery; writer-director Tom Bewilogua plants clues about a Manchurian Candidate-esque mind control scenario before we have so much as a chance to ask. But we’re as uncertain as he is about what’s real and what’s not,...
- 9/16/2022
- by Angie Han
- The Hollywood Reporter - Movie News
Click here to read the full article.
As the Oldenburg Film Festival kicks off its 29th year, Germany’s leading indie film fest still prides itself on its ability to discover overlooked gems that fit in the Oldenburg sweet spot between arthouse and genre cinema.
For the 2022 event, The Hollywood Reporter has picked out five Oldenburg world premieres that look likely to set the Northern German city alight.
The Black Guelph by John Conners
‘The Black Guelph’
Life on the Mean Streets of Dublin. The narrative feature debut of actor/screenwriter/documentarian John Connors takes inspiration from real life, including the systematic clerical sexual abuse of generations of Irish Travellers, for this tale of crime, love and struggle on the fringes of society. Featuring a potentially star-making performance by Graham Earley as Canto, a small-time drug dealer determined to break the cycle of trauma and neglect to prove himself a worthy family man.
As the Oldenburg Film Festival kicks off its 29th year, Germany’s leading indie film fest still prides itself on its ability to discover overlooked gems that fit in the Oldenburg sweet spot between arthouse and genre cinema.
For the 2022 event, The Hollywood Reporter has picked out five Oldenburg world premieres that look likely to set the Northern German city alight.
The Black Guelph by John Conners
‘The Black Guelph’
Life on the Mean Streets of Dublin. The narrative feature debut of actor/screenwriter/documentarian John Connors takes inspiration from real life, including the systematic clerical sexual abuse of generations of Irish Travellers, for this tale of crime, love and struggle on the fringes of society. Featuring a potentially star-making performance by Graham Earley as Canto, a small-time drug dealer determined to break the cycle of trauma and neglect to prove himself a worthy family man.
- 9/14/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.