While wholly sympathetic to the cause, Transhood isn’t just a work of blandly cheery activism: Liese frankly observes the practical obstacles and psychological swings endured by its four young subjects and their families, sometimes to upsetting effect.
The documentary works because of its expansive timeline and creative casting choices. While Liese herself is not trans, and it shows, she approaches her subjects with utmost respect and sensitivity, placing the kids firmly in charge of their own stories.
Offering no narration, expert talking heads or text interstitials, Liese forgoes contextualizing the culture wars and instead lets her subjects speak for themselves. Their pathos, however, doesn't always localize where you'd expect.
With so much ground to cover, the scenes’ shortness can feel unsatisfying and even occasionally facile. Though conversations between parents and their children are designed to be emotional beats, there’s a peculiar staginess that comes off as jarring at times.