Directors and producers say “Algerian cinema is at risk of death” as a result.
Algerian filmmakers have banded together to issue a stark warning over the future of film in the country following the cancellation of a national fund.
More than 50 directors, producers, actors and writers have signed an open letter to Algerian minister of culture Malika Bendouda to “raise the alarm” over the scrapping of the National Fund for the Development of the Arts and Techniques of Cinema and the Promotion of the Arts and Literature (Fdatic), which was axed by the government last year.
A key question is...
Algerian filmmakers have banded together to issue a stark warning over the future of film in the country following the cancellation of a national fund.
More than 50 directors, producers, actors and writers have signed an open letter to Algerian minister of culture Malika Bendouda to “raise the alarm” over the scrapping of the National Fund for the Development of the Arts and Techniques of Cinema and the Promotion of the Arts and Literature (Fdatic), which was axed by the government last year.
A key question is...
- 6/6/2022
- by Michael Rosser
- ScreenDaily
A group of prominent Algerian film directors is sounding the alarm over the de-facto cancellation of the country’s national film fund, which they say puts Algerian cinema “at risk of death.”
In an open letter to Algerian culture minister Malika Bendouda, the North African country’s filmmakers are lamenting “no future for our films” after a government support scheme, called the National Fund for the Development of the Arts and Techniques of Cinema (Fdatic), was scrapped last year by the government.
The culture ministry has given Algeria’s film community vague assurances that this fund would be replaced by another support scheme, but that hasn’t yet materialized. Nor has the minister replied to several previous, less clamorous, requests for clarification about the future of what is considered a crucial driver for local filmmaking.
The open letter’s 18 signatories include Amin Sidi-Boumédiène, whose civil war drama “Abou Leila” was in Cannes in 2021; Kamir Aïnouz,...
In an open letter to Algerian culture minister Malika Bendouda, the North African country’s filmmakers are lamenting “no future for our films” after a government support scheme, called the National Fund for the Development of the Arts and Techniques of Cinema (Fdatic), was scrapped last year by the government.
The culture ministry has given Algeria’s film community vague assurances that this fund would be replaced by another support scheme, but that hasn’t yet materialized. Nor has the minister replied to several previous, less clamorous, requests for clarification about the future of what is considered a crucial driver for local filmmaking.
The open letter’s 18 signatories include Amin Sidi-Boumédiène, whose civil war drama “Abou Leila” was in Cannes in 2021; Kamir Aïnouz,...
- 6/1/2022
- by Nick Vivarelli
- Variety Film + TV
Next month’s Mubi lineup for the U.S. has been unveiled and a number of our recent festival favorites that were awaiting distribution will be coming to the service, including Mr. Bachmann and His Class, Ballad of a White Cow, Madalena, Taste, The Monopoly of Violence, and For Lucio.
One of last year’s great films, Hong Sangsoo’s The Woman Who Ran, will also be arriving, alongside Abel Ferrara’s Ms. 45, the Safdies’ Heaven Knows What, Sarah Polley’s Take This Waltz, and Leo McCarey’s Love Affair, with the latter two pairing for a Valentine’s Day double feature.
Check out the lineup below and get 30 days free here.
February 1 | The Monopoly of Violence | David Dufresne | From France with Love
February 2 | Looking for Venera | Norika Sefa | Festival Focus: Rotterdam
February 3 | Madalena | Madiano Marcheti | Festival Focus: Rotterdam
February 4 | Honey Cigar | Kamir Aïnouz | From France with Love
February 5 | …and...
One of last year’s great films, Hong Sangsoo’s The Woman Who Ran, will also be arriving, alongside Abel Ferrara’s Ms. 45, the Safdies’ Heaven Knows What, Sarah Polley’s Take This Waltz, and Leo McCarey’s Love Affair, with the latter two pairing for a Valentine’s Day double feature.
Check out the lineup below and get 30 days free here.
February 1 | The Monopoly of Violence | David Dufresne | From France with Love
February 2 | Looking for Venera | Norika Sefa | Festival Focus: Rotterdam
February 3 | Madalena | Madiano Marcheti | Festival Focus: Rotterdam
February 4 | Honey Cigar | Kamir Aïnouz | From France with Love
February 5 | …and...
- 1/20/2022
- by Jordan Raup
- The Film Stage
Running Jan. 14-Feb. 14, this year’s MyFrenchFilmFestival, an online fest organized by France’s film-tv promotional body UniFrance, will mark its 12th edition with a more diversified slate and a greater international push.
Showcasing festival gems, animated crowd-pleasers and outré genre fare – all subtitled in 15 languages – the 13 features and 17 shorts of this year’s selection will reach home viewers via 70 partner platforms as well on MyFrenchFilmFestival.com, where all the shorts will be available to screen free of charge.
Though ranging in presentational style from horror-comedy to bittersweet drama, the 10 films in this year’s feature competition often share similar thematic through lines, with nearly half of them looking at youth struggles from one angle or another. While Ludovic and Zoran Boukherma’s werewolf thriller “Teddy” tackles late teen growing pains through a more genre prism, Kamir Aïnouz’s “Honey Cigar” does so as a semi-autobiographical coming-of-age tale; when exploring young adult malaise,...
Showcasing festival gems, animated crowd-pleasers and outré genre fare – all subtitled in 15 languages – the 13 features and 17 shorts of this year’s selection will reach home viewers via 70 partner platforms as well on MyFrenchFilmFestival.com, where all the shorts will be available to screen free of charge.
Though ranging in presentational style from horror-comedy to bittersweet drama, the 10 films in this year’s feature competition often share similar thematic through lines, with nearly half of them looking at youth struggles from one angle or another. While Ludovic and Zoran Boukherma’s werewolf thriller “Teddy” tackles late teen growing pains through a more genre prism, Kamir Aïnouz’s “Honey Cigar” does so as a semi-autobiographical coming-of-age tale; when exploring young adult malaise,...
- 1/5/2022
- by Ben Croll
- Variety Film + TV
While the coronavirus pandemic has canceled major festivals such as Cannes and Telluride, the 2020 Venice Film Festival is moving ahead as planned and will be the world’s first major film festival since Sundance and Berlin at the start of the year. Venice 2020’s main selection will be split into three sections: Venezia 77 (aka the main competition), Out of Competition, and Horizons. The titles selected for the main competition will compete for the Golden Lion, which was awarded last year to Todd Phillips’ “Joker.”
As previously announced, Daniele Luchetti’s drama “Lacci” will open the 77th Venice Film Festival on September 2. The movie is the first Italian title to open Venice in 11 years. The last Italian opener was Giuseppe Tornatore’s “Baarìa” at the 2009 festival. “Lacci” is included in this year’s Out of Competition section. Chloe Zhao’s “The Rider” follow-up “Nomadland” was also confirmed for a world premiere...
As previously announced, Daniele Luchetti’s drama “Lacci” will open the 77th Venice Film Festival on September 2. The movie is the first Italian title to open Venice in 11 years. The last Italian opener was Giuseppe Tornatore’s “Baarìa” at the 2009 festival. “Lacci” is included in this year’s Out of Competition section. Chloe Zhao’s “The Rider” follow-up “Nomadland” was also confirmed for a world premiere...
- 7/28/2020
- by Zack Sharf
- Indiewire
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