It Might Get Loud (2008)
Reference View | Change View
- PG
- 1h 38min
- Documentary, Music
- 27 Aug 2009 (Germany)
- Movie
A documentary on the electric guitar from the point of view of three significant rock musicians: The Edge, Jimmy Page, and Jack White.
Director:
Stars:
Awards:
- 7 nominations.
- See more »
Photos and Videos
Cast
| Rest of cast listed alphabetically: | |||
| The Edge | ... |
Self
|
|
| Jimmy Page | ... |
Self
|
|
 |
Dallas Schoo | ... |
Self - The Edge's Guitar Tech
|
| Jack White | ... |
Self
|
|
| Link Wray | ... |
Self (archiveFootage)
|
|
| Bono | ... |
Self (uncredited) (archiveFootage)
|
|
| Adam Clayton | ... |
Self (uncredited) (archiveFootage)
|
|
| Michael McKean | ... |
David St. Hubbins (uncredited) (archiveFootage)
|
|
| Larry Mullen Jr. | ... |
Self (uncredited) (archiveFootage)
|
|
| Robert Plant | ... |
Self (uncredited) (archiveFootage)
|
|
| Meg White | ... |
Self (uncredited) (archiveFootage)
|
|
Directed by
| Davis Guggenheim | ||
Produced by
| Peter Afterman | ... | producer |
| Erica Beaney | ... | associate producer |
| Michael Birtel | ... | associate producer |
| Lesley Chilcott | ... | producer |
| Diana Derycz-Kessler | ... | associate producer |
| Bert Ellis | ... | executive producer |
| Davis Guggenheim | ... | producer |
| Rebecca Hartzell | ... | associate producer |
| Michael J. Mailis | ... | executive producer (as Michael Mailis) |
| Ned O'Hanlon | ... | line producer: Dublin |
| Jimmy Page | ... | associate producer |
| Jay Pollack | ... | associate producer |
| Alba Tull | ... | associate producer |
| Thomas Tull | ... | producer |
Cinematography by
| Guillermo Navarro | ||
| Erich Roland | ||
Editing by
| Greg Finton | ||
Editorial Department
| Mike Azevedo | ... | first assistant editor |
| Susan Bliss | ... | post script services |
| Salvatore Catanzaro | ... | on-line editor |
| Tricia Chiarenza | ... | color timer |
| Ed Friesema | ... | assistant editor |
| Brett Konner | ... | apprentice editor |
| Troy Rackley | ... | second assistant editor |
| Erik Rogers | ... | senior digital intermediate producer |
| Rob Sciarratta | ... | additional colourist |
| Stefan Sonnenfeld | ... | senior colorist |
| Jimmy Tom | ... | assistant colorist |
Production Design by
| Donald Graham Burt | ... | (as Don Burt) |
Production Management
| Lucy Booth | ... | production supervisor: London |
| Chris Choun | ... | production supervisor |
| Jeannette Heindel | ... | production supervisor: Austin (as Jeanette Heindel) |
| Tina Moy | ... | production supervisor: Detroit |
| Tara Mullen | ... | production supervisor: Dublin |
| Susan E. Novick | ... | post-production supervisor |
| Emily Wolfe | ... | production supervisor |
Second Unit Director or Assistant Director
| Cas Donovan | ... | first assistant director |
| Laura Lyons | ... | second assistant director |
Art Department
| Jerry A. Chavez | ... | property master |
| Eric Hull | ... | assistant property master |
| Angela Messina | ... | props |
Sound Department
| Johnna Chism | ... | assistant sound editor |
| Joel Dougherty | ... | sound editor |
| Chuck Fitzpatrick | ... | sound mixer |
| Tim LeBlanc | ... | re-recording mixer |
| Jeff Levy | ... | adr mixer / commentary production mixer |
| Skip Lievsay | ... | sound |
| Oliver Machin | ... | sound recordist |
| Jeremy Mazza | ... | boom operator |
| Thomas Morrison | ... | location sound mixer |
| Jeremy Peirson | ... | sound effects editor |
| Bryan Pennington | ... | sound consultant: Dolby |
| Charles Tomaras | ... | sound recordist |
| Byron Wilson | ... | dialogue editor |
Special Effects by
| Steve Newquist | ... | special effects |
Visual Effects by
| John J. Budion | ... | visual effects |
| Tim Farrell | ... | visual effects |
| Carson Hood | ... | visual effects producer |
| Gavin Miljkovich | ... | visual effects artist |
| Michael Stolzenberger | ... | visual effects |
| Steve Tozzi | ... | title design |
Camera and Electrical Department
| Erik Anschicks | ... | (segment "s") gaffer |
| Dwayne Barr | ... | dolly grip: Los Angeles |
| Christopher Bell | ... | camera operator |
| Kim Bird | ... | camera operator |
| Ron Coe | ... | assistant camera |
| Scott Dale | ... | digital imaging technician |
| Matthew Devitt | ... | best boy grip |
| Des Doyle | ... | focus puller |
| Eric Felland | ... | set lighting technician |
| Pat Fitzpatrick | ... | assistant chief lighting technician: los angeles |
| Ryan French | ... | best boy electric |
| Jason Garcia | ... | first assistant camera |
| Billy Gierhart | ... | camera operator (as Bill Gierhart) |
| Wayne A. Goring | ... | first assistant camera (as Wayne Goring) |
| D.J. Harder | ... | assistant camera |
| Kevin D. Hewitt | ... | steadicam operator |
| Timothy James Kane | ... | assistant camera (as Tim Kane) |
| James King | ... | key grip: segment "s" |
| Vince Klimek | ... | gaffer |
| Dan LeCuyer | ... | video assist |
| David Lee | ... | gaffer |
| Eric Lee | ... | still photographer |
| Andrew Lemon | ... | tape operator |
| Eoin O'Hagan | ... | gaffer |
| Josh Rich | ... | key grip: documentary unit |
| Casey Schwochow | ... | camera operator: The White Stripes "Screwdriver" live clip |
| Rick Stribling | ... | key grip |
| Alba Tull | ... | still photographer |
| Jeff Tungyoo | ... | utility camera |
| David Waldman | ... | camera operator |
| Kenny Yakkel | ... | dolly grip |
Animation Department
| Kate Anderson | ... | animator |
Music Department
| Alison Litton | ... | associate music supervisor |
| Jason Ruder | ... | music editor |
| Margaret Yen | ... | music supervisor |
Additional Crew
| Michael Birtel | ... | assistant: Lesley Chilcott |
| Shannon Costello | ... | rights and clearances |
| Ethan Cushing | ... | production assistant |
| Maria Doctor | ... | research intern |
| Kimberly Edwards | ... | production accountant |
| Ryan Gallagher | ... | researcher |
| Richard Grimshaw | ... | studio engineer |
| Cody Heller | ... | assistant: Davis Guggenheim |
| W. Michael Jenson | ... | assistant: Thomas Tull |
| Kenny Kayne | ... | utility |
| Katsuya Kobayashi | ... | Japanese Translator |
| Matt Kowalick | ... | assistant: Thomas Tull |
| Joey Mendez | ... | production assistant |
| Lynette Nazari | ... | assistant: Peter Afterman |
| Dan Olson | ... | production assistant |
| Deborah Ricketts | ... | archive researcher |
| Pete Rizzo | ... | technical director |
| Karen Rudolph | ... | publicist: Germany |
| Gerardo F. Santos | ... | production coordinator |
| Bethany Sias | ... | office assistant |
| James Singleton | ... | production assistant |
| Keegan Zall | ... | key set production assistant |
Thanks
| Cheryl Engels | ... | special thanks |
| Jay Frasco | ... | special thanks |
| Jake Guswa | ... | thanks |
| Suzanne Lindbergh | ... | very special thanks |
| Shan Lui | ... | special thanks |
| Steve Matthews | ... | very special thanks |
| Paul McGuinness | ... | very special thanks |
| Bomber Hurley Smith | ... | special thanks (as Bomber Hurley-Smith) |
Production Companies
Distributors
- Asmik Ace Entertainment (2011) (Japan) (theatrical)
- Sony Pictures Classics (2009) (United States) (theatrical)
- Tour de Force (2009) (Norway) (theatrical)
- Volga (2009) (Russia) (theatrical)
- Against Gravity (2010) (Poland)
- Arthaus (2012) (Germany) (DVD)
- Front Row Filmed Entertainment (2009) (United Arab Emirates) (Middle East, North Africa & Iran)
- Sony Pictures Home Entertainment (2009) (United States) (DVD)
- Sony Pictures Home Entertainment (2009) (United States) (Blu-ray) (DVD)
- Sony Pictures Home Entertainment (2010) (Argentina) (DVD)
- Sony Pictures Home Entertainment (2010) (Brazil) (DVD) (Blu-Ray & DVD)
- Sony Pictures Releasing (2010) (Argentina)
- Universal Pictures Video (2009) (United Kingdom) (Blu-ray) (DVD)
Special Effects
Other Companies
- Dolby Laboratories (sound mix)
- Dolby (in selected theatres)
- EFILM (acknowledgement)
- Fintage CAM (collection account management)
- Motion Picture Association (MPA)
Storyline
| Plot Summary | |
| Plot Keywords | |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
|
Additional Details
| Also Known As |
|
| Runtime |
|
| Official Sites | |
| Country | |
| Language | |
| Color | |
| Aspect Ratio |
|
| Sound Mix | |
| Filming Locations |
Box Office
| Opening Weekend United States | $92,679, 16 Aug 2009 |
Did You Know?
| Trivia | All 3 participants have featured in music from a James Bond opening credits. Jimmy Page reveals that he played on "Goldfinger (1964)" whilst The Edge and Jack White contributed title tracks to "GoldenEye (1995)" and "Quantum of Solace (2008)" respectively. See more » |
| Goofs | The section where Jimmy Page is talking about his first electric guitar is prefaced with a title card labeled "Jimmy's Strat" and showing a Fender Stratocaster. However, the pictures accompanying his story show a young Jimmy Page with a guitar that is distinctly not a Stratocaster, but a Selmer Futurama. See more » |
| Movie Connections | Featured in Taking of Pelham 123/Imagine That/Moon (2009). See more » |
| Soundtracks | Cokey Bottle Blues See more » |
| Crazy Credits | "St. Vincent De Paul", a Detroit thrift store mentioned in the movie, is credited as "St. Vincent De Paul - Detriot", with "Detroit" misspelled. See more » |
| Quotes |
Jack White:
Never wanted to play guitar. Ever. Everyone plays guitar. What's the point. See more » |