Two friends spend all their free time building flame-throwers and weapons of mass destruction in hopes that a global apocalypse will occur and clear the runway for their imaginary gang "Mother Medusa".
Director:
Writer:
Stars:
Awards:
- 6 wins & 10 nominations.
- See more »
Reviews:
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Complete, Cast awaiting verification
| Evan Glodell | ... |
Woodrow
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Jessie Wiseman | ... |
Milly
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| Tyler Dawson | ... |
Aiden
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| Rebekah Brandes | ... |
Courtney
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| Vincent Grashaw | ... |
Mike
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| Zack Kraus | ... |
Elliot
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Keghan Hurst | ... |
Sarah
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| Alexandra Boylan | ... |
Mad Dog's Waitress
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Bradshaw Pruitt | ... |
Mad Dog's Bartender
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Brian Thomas Evans | ... |
Dirty Trucker
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Britta Jacobellis | ... |
Neighbor With Dogs
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Ceaser Flores | ... |
Scary Guy at Party
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Chris Snyder | ... |
Tattoo Guy
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Dan Dulle | ... |
Motorcycle Owner
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| Jon Huck | ... |
John Huck
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Jet Kauffman | ... |
Feisty Girl
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| Josh Kelling | ... |
Fancy Waiter
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Ken Bailey | ... |
Homicide Detective
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Mark Nihem | ... |
Liquor Store Clerk
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Joel Hodge | ... |
Man Peeing in Bathroom
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| Rest of cast listed alphabetically: | |||
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Medusa Car | ... |
Self (uncredited)
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Directed by
| Evan Glodell | ||
Written by
| Evan Glodell | ... | (written by) |
Produced by
| Paul Edwardson | ... | co-producer |
| Brian Thomas Evans | ... | executive producer |
| Luis Flores Jr. | ... | associate producer |
| Evan Glodell | ... | producer |
| Vincent Grashaw | ... | producer |
| Joel Hodge | ... | co-producer |
| Jet Kauffman | ... | co-producer |
| Jonathan Keevil | ... | co-producer |
| Josh Kelling | ... | executive producer |
| Lenny Powell | ... | co-producer |
| Ari Presler | ... | associate producer |
| Chelsea St. John | ... | co-producer |
| Efraim Wyeth | ... | associate producer |
| Byron Yee | ... | executive producer |
Music by
| Jonathan Keevil | ||
Cinematography by
| Joel Hodge | ... | director of photography |
Editing by
| Evan Glodell | ||
| Vincent Grashaw | ||
| Joel Hodge | ||
| Jonathan Keevil | ||
Editorial Department
| Marc Brown | ... | digital film services: Alpha Cine Labs Seattle |
| Bevin Flynn | ... | digital film services: Alpha Cine Labs Seattle |
| Victor Franco | ... | digital restoration |
| Jannat Gargi | ... | digital film producer: Alpha Cine Labs Seattle |
| Kyle Dean Jackson | ... | digital intermediate supervisor (as Kyle Jackson) |
| Kristen Molina | ... | digital film producer: Alpha Cine Labs Seattle |
| Alan Pao | ... | digital intermediate supervisor |
| Sebastian Perez-Burchard | ... | colorist |
| Bill Scott | ... | senior color timer: Alpha Cine Labs Seattle |
Production Design by
| Team Coatwolf | ||
Makeup Department
| Jessie Wiseman | ... | key hair stylist / key makeup artist |
Production Management
| Mark Steele | ... | post-production supervisor (uncredited) |
Second Unit Director or Assistant Director
| Lenny Powell | ... | first assistant director |
Art Department
| Joel Hodge | ... | artist: Medusa book drawings |
| Aaron 'The Dark Overlord' Smith | ... | fine art canvas paintings (as Aaron Smith) |
Sound Department
| Scott Casillas | ... | production sound mixer |
| Mark Hensley | ... | re-recording mixer |
| Gordon Hookailo | ... | re-recording mixer |
| C.J. McCree | ... | boom operator |
| Sean Michael Beyer | ... | m&e re-recording mixer (uncredited) |
| Rusty Dunn | ... | additional re-recording mixer (uncredited) |
| Jason Gaya | ... | re-recording mixer (uncredited) |
| Angela Hemingway | ... | dialogue editor (uncredited) |
| Steven Iba | ... | adr mixer (uncredited) / supervising sound designer (uncredited) |
| Zach Michaelis | ... | foley artist (uncredited) |
| Chris Terhune | ... | sound effects editor (uncredited) |
| Andrew Troy | ... | re-recording mixer (uncredited) |
| Austin Tyler | ... | adr editor (uncredited) |
| Philip Biff Vincent | ... | chief engineer (uncredited) |
Special Effects by
| Evan Glodell | ... | pyrotechnician |
Visual Effects by
| Wyatt Glodell | ... | visual effects artist |
Stunts
| Evan Glodell | ... | stunt driver |
| Joel Hodge | ... | stunt driver |
| Tony Snegoff | ... | stunt driver |
Camera and Electrical Department
| Brandon Michael Craig | ... | still photographer |
| Paul Edwardson | ... | gaffer |
| Vincent Grashaw | ... | camera operator |
| Joel Hodge | ... | camera operator |
| Jet Kauffman | ... | assistant camera |
| Jonathan Keevil | ... | camera operator |
| Ari Robbins | ... | steadicam operator |
Music Department
| Dwight Glodell | ... | additional score cues |
| Marcus Glodell | ... | additional score cues |
| Wyatt Glodell | ... | additional score cues |
| Johnny Jewel | ... | composer: additional music |
| Joj O. Lorentz | ... | additional score cues |
| Kevin MacLeod | ... | additional composer |
| Wendy Maharry | ... | additional score cues |
| Jonathan McHugh | ... | music consultant |
| Andrea von Foerster | ... | music supervisor |
| Jonathan Zalben | ... | additional score cues |
Transportation Department
| John Benner | ... | car resurrection and supercharging: Medusa car |
| Rick Cushman | ... | mechanic: Medusa car Round 1 |
| Christopher Nevarez | ... | car high performance tuning: Medusa car |
| Tony Pulido | ... | car resurrection and supercharging: Medusa car |
| Harv St. Mary | ... | car high performance tuning: Medusa car (as Harv St Mary) |
| Joe Trujillo | ... | car high performance tuning: Medusa car |
Additional Crew
| James Feldman | ... | production legal |
| Katie Gilkey | ... | production assistant |
| Linda Lichter | ... | production legal |
| Chelsea St. John | ... | production coordinator |
| Juard Van Dijkhorst | ... | production assistant |
Thanks
| Sean 'Diddy' Combs | ... | special thanks (as Sean 'P. Diddy' Combs) |
| Carson Daly | ... | special thanks |
| Dean Devlin | ... | thanks |
| Sarah Farrand | ... | special thanks |
| Dave Gare | ... | the producers wish to thank |
| Trevor Groth | ... | the producers wish to thank |
| Juan Carlos Guzman | ... | special thanks |
| Scott P. Hart | ... | special thanks |
| Andrew Hecker | ... | special thanks |
| Jonathan McHugh | ... | thanks |
| Joel Perkins | ... | special thanks |
| Michael Rousselet | ... | special thanks |
Production Companies
Distributors
- Oscilloscope (2011) (United States) (English speaking territories)
- UFO Distribution (2012) (France) (theatrical)
- B's International (2012) (Japan) (theatrical)
- King Records (2012) (Japan) (theatrical)
- Nippon Shuppan Hanbai (Nippan) K.K. (2012) (Japan) (theatrical)
- Accent Film Entertainment (2012) (Australia) (DVD)
- Film1 (2012) (Netherlands) (tv) (limited)
- I-On New Media (2012) (Germany) (DVD)
- Kurmaca Film (2011) (Turkey)
- Kurmaca Film (2012) (Turkey)
Special Effects
- Coatwolf Systems (optical systems)
Other Companies
- Motion Sound & Picture (sound post-production)
- Alpha Cine Laboratory (digital to film transfer)
- HMS Performance (car high performance tuning: Medusa car)
- Lotus Post (sound studio)
- Silicon Imaging (cameras)
- Troy Entertainment (post-production sound services)
- Tunnel Post (digital intermediate)
Storyline
| Plot Summary |
Bellflower follows two friends as they venture out into the world to begin their adult lives. Literally all their free time is spent building flame-throwers and weapons of mass destruction in hopes that a global apocalypse will occur and clear the runway for their imaginary gang "Mother Medusa". While waiting for the world to end, their call to excitement comes unexpectedly when one of them meets a charismatic young woman and falls hard in love. Quickly integrated into a new group of friends, they set off on a journey of betrayal, love, hate, infidelity and extreme violence more devastating and fiery than any of their apocalyptic fantasies. Often life's simplest and most obvious truths are the hardest to see, but once you've burned everything to the ground it may be the only thing left standing. Written by Coatwolf Productions |
| Plot Keywords | |
| Taglines | A love story with apocalyptic stakes. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Box Office
| Budget | $17,000 (estimated) |
| Opening Weekend United States | $22,279, 07 Aug 2011 |
Did You Know?
| Trivia | No functionality of the Medusa car was faked during filming. The real-life car is equipped with two flamethrowers, smoke screen, a bleach drift-kit, adjustable rear suspension, and 3 surveillance cameras; all controlled from the dashboard. It also has a roll cage and stow-able, fold-down back seat. See more » |
| Goofs | At the bar, Woodrow and Milly enter a cricket-eating contest and live crickets are shown. Yet later, characters keep talking about eating grasshoppers. This could be a slip of the tongue by the characters who do regard crickets and grasshoppers as the same type of bug. See more » |
| Movie Connections | Featured in Episode #2.13 (2011). See more » |
| Soundtracks | Bland See more » |
| Crazy Credits | In the credit for "MEDUSA CAR RESSURECTION AND SUPERCHARGING," "resurrection" is misspelled. See more » |
| Quotes |
Aiden:
Dude you are fucking Lord Humongous. The master of fire, the king of the wasteland. Lord Humongous doesn't get cheated on by some stupid bitch. Lord Humongous doesn't say was it good for you, he doesn't say who called or where were you last night. He doesn't leave the fucking gang when he falls in love. Nobody fucking tells Lord Humongous what to do. Lord Humongous fights when he wants to fights and fucks when he wants to fuck and when all else fails he drives straight into the fucking tanker. The thing is though, Lord Humongous dominates his women and they fucking love him for it. See more » |