Things were moving so slowly at the Cannes Film Festival that the pace of deals was almost as glacial as the amount of time it takes to get your check at a restaurant in the south of France.
But then, sacré bleu, Netflix struck, shelling out more than 50 million for the rights to “Pain Hustlers,” a conspiracy thriller that unites Emily Blunt with Harry Potter director David Yates, and the move has started to accelerate deal-making up and down the Croisette.
This year’s market has been a litmus test for film sales as the U.S. and key international markets emerge from the worst of the pandemic. Many buyers have hoped for a correction, one that sees prices cool down, with more opportunities for international distributors who are still smarting from eye-watering global streaming buys during the Covid crisis. Domestic consolidation has also thrown up all sorts of questions...
But then, sacré bleu, Netflix struck, shelling out more than 50 million for the rights to “Pain Hustlers,” a conspiracy thriller that unites Emily Blunt with Harry Potter director David Yates, and the move has started to accelerate deal-making up and down the Croisette.
This year’s market has been a litmus test for film sales as the U.S. and key international markets emerge from the worst of the pandemic. Many buyers have hoped for a correction, one that sees prices cool down, with more opportunities for international distributors who are still smarting from eye-watering global streaming buys during the Covid crisis. Domestic consolidation has also thrown up all sorts of questions...
- 5/23/2022
- by Brent Lang and Manori Ravindran
- Variety Film + TV
The Cannes Film Festival has added two more films to the Official Selection of the 75th edition, which will kick off on May 17.
Rodrigo Sorogoyen’s “As Bestas,” a French-Spanish movie, has been added to Cannes Première, the new section dedicated to world premieres for movies that are slightly more mainstream, similarly to the out-of-competition strand. Sorogoyen previously earned an Oscar nomination with his 2017 short film “Madre.”
Denis Ménochet and Marina Foïs star as a middle-aged French couple moves to a local village, seeking closeness with nature and end up sparking outright hostility and shocking violence with the small community.
“Salam,” a documentary directed by Mélanie Georgiades aka Diam’s, Houda Benyamina (“The Eddy”) and Anne Cissé (“Buck”), is set to play in the Special Screenings section.
Following its April 14 presser, the festival also added three movies competition: Léonor Serraille’s “Un Petit Frere,” Albert Serra’s “Tourment sur les iles...
Rodrigo Sorogoyen’s “As Bestas,” a French-Spanish movie, has been added to Cannes Première, the new section dedicated to world premieres for movies that are slightly more mainstream, similarly to the out-of-competition strand. Sorogoyen previously earned an Oscar nomination with his 2017 short film “Madre.”
Denis Ménochet and Marina Foïs star as a middle-aged French couple moves to a local village, seeking closeness with nature and end up sparking outright hostility and shocking violence with the small community.
“Salam,” a documentary directed by Mélanie Georgiades aka Diam’s, Houda Benyamina (“The Eddy”) and Anne Cissé (“Buck”), is set to play in the Special Screenings section.
Following its April 14 presser, the festival also added three movies competition: Léonor Serraille’s “Un Petit Frere,” Albert Serra’s “Tourment sur les iles...
- 4/29/2022
- by Elsa Keslassy
- Variety Film + TV
A week after announcing its official selections, the 2022 Cannes Film Festival has added 17 new films, in the process increasing the number of films directed by women in its main competition from three to five.
The addition of “Un Petit Frere” by French director Leonor Serraille and “Le Otto Montagne” by the Belgian team of Charlotte Vandermeersch and Felix Van Groeningen means that this year’s competition lineup contains five films from female directors, one more than the record of four that was set in 2011 and equaled in 2019 and 2021.
The section now includes 21 films, which means that female-directed films still make up less than one-fourth of the competition lineup at a festival long criticized for its paltry representation of films by women.
The other new competition title is “Tourment Sur les Iles” by Spanish director Albert Serra. Other additions to the festival lineup include Dominik Moll’s “La Nuit du 12” and...
The addition of “Un Petit Frere” by French director Leonor Serraille and “Le Otto Montagne” by the Belgian team of Charlotte Vandermeersch and Felix Van Groeningen means that this year’s competition lineup contains five films from female directors, one more than the record of four that was set in 2011 and equaled in 2019 and 2021.
The section now includes 21 films, which means that female-directed films still make up less than one-fourth of the competition lineup at a festival long criticized for its paltry representation of films by women.
The other new competition title is “Tourment Sur les Iles” by Spanish director Albert Serra. Other additions to the festival lineup include Dominik Moll’s “La Nuit du 12” and...
- 4/21/2022
- by Steve Pond
- The Wrap
New titles join 47 unveiled at April 14 press conference and previously announced Elvis and Top Gun: Maverick.
Cannes Film Festival has added a flurry of new titles to its 2022 Official Selection, as promised by delegate general Thierry Frémaux at last week’s press conference unveiling the bulk of the titles due to premiere at its 75th edition, running May 17-28.
A total of 17 fresh additions were announced, joining the 47 films unveiled on April 14 as well as Elvis and Top Gun: Maverick, which were announced earlier. This brings the total number of films in selection so far to 66 against 83 in last year’s special July edition.
Cannes Film Festival has added a flurry of new titles to its 2022 Official Selection, as promised by delegate general Thierry Frémaux at last week’s press conference unveiling the bulk of the titles due to premiere at its 75th edition, running May 17-28.
A total of 17 fresh additions were announced, joining the 47 films unveiled on April 14 as well as Elvis and Top Gun: Maverick, which were announced earlier. This brings the total number of films in selection so far to 66 against 83 in last year’s special July edition.
- 4/21/2022
- by Melanie Goodfellow
- ScreenDaily
The Cannes Film Festival has added a string of new titles to its Official Selection, including three movies in competition: Léonor Serraille’s “Un Petit Frere,” Albert Serra’s “Tourment sur les iles” and “Le Otto Montagne” by Charlotte Vandermeersch and Felix Van Groeninge.
Other movies that have been added to the lineup include Serge Bozon’s “Don Juan” and Emmanuel Mouret’s “Chronique d’une liaison passagère,” which have been added to Cannes Premiere, a new section launched last year; while actor-director Louis Garrel’s “L’innocent,” a drama starring Garrel, Anouk Grinberg and Noémie Merlant, will play out of competition.
“Don Juan” is a musical romantic comedy with Tahar Rahim and Virginie Efira, who will also be at Cannes to emcee the opening and closing ceremonies.
“Chronique d’une liaison passagere” is also a romantic comedy-drama revolving around an adulterous relationship, starring Sandrine Kiberlain and Vincent Macaigne.
With the new additions,...
Other movies that have been added to the lineup include Serge Bozon’s “Don Juan” and Emmanuel Mouret’s “Chronique d’une liaison passagère,” which have been added to Cannes Premiere, a new section launched last year; while actor-director Louis Garrel’s “L’innocent,” a drama starring Garrel, Anouk Grinberg and Noémie Merlant, will play out of competition.
“Don Juan” is a musical romantic comedy with Tahar Rahim and Virginie Efira, who will also be at Cannes to emcee the opening and closing ceremonies.
“Chronique d’une liaison passagere” is also a romantic comedy-drama revolving around an adulterous relationship, starring Sandrine Kiberlain and Vincent Macaigne.
With the new additions,...
- 4/21/2022
- by Elsa Keslassy
- Variety Film + TV
Chronique d’une liaison passagère
We can speculate as to what the actual status of his last film’s selection in Cannes – 2020’s Les choses qu’on dit, les choses qu’on fait (aka Love Affair(s)) (read our review). One thing is certain – this three-dimensional twenty sides to one coin item was worthy of all the accolades that followed (the film received a treasure trove of César Awards noms). For Emmanuel Mouret‘s twelve feature film, matters of the heart are shared between thesps Sandrine Kiberlain and Vincent Macaigne who was in Love Affair(s). Chronique d’une liaison passagère went into production in the month of April and saw the filmmaker reteam with cinematographer Laurent Desmet.…...
We can speculate as to what the actual status of his last film’s selection in Cannes – 2020’s Les choses qu’on dit, les choses qu’on fait (aka Love Affair(s)) (read our review). One thing is certain – this three-dimensional twenty sides to one coin item was worthy of all the accolades that followed (the film received a treasure trove of César Awards noms). For Emmanuel Mouret‘s twelve feature film, matters of the heart are shared between thesps Sandrine Kiberlain and Vincent Macaigne who was in Love Affair(s). Chronique d’une liaison passagère went into production in the month of April and saw the filmmaker reteam with cinematographer Laurent Desmet.…...
- 1/11/2022
- by Eric Lavallée
- IONCINEMA.com
Albert Dopontel’s “Bye Bye Morons” (“Adieu Les Cons”) has won the top prizes at France’s Cesar Awards, taking six awards including Best Film, Best Director and Best Supporting Actor.
The black tragicomedy is about a terminally ill woman and a suicidal man on the run who team up in an attempt to locate the child the woman hasn’t seen in almost 30 years. It also won awards for Dupontel’s screenplay and for its cinematography and set design.
The only other film to win more than one award was the documentary “Adolescents,” which won in the Best Documentary and Best Editing categories.
“Bye Bye Morons” went into Friday’s Cesar Awards, France’s version of the Oscars, with 12 nominations, second only to Frederic Niedermeyer’s “Love Affair(s)”. That film won a single award, for supporting actress Emilie Dequenne.
“Two of Us,” France’s entry in this year...
The black tragicomedy is about a terminally ill woman and a suicidal man on the run who team up in an attempt to locate the child the woman hasn’t seen in almost 30 years. It also won awards for Dupontel’s screenplay and for its cinematography and set design.
The only other film to win more than one award was the documentary “Adolescents,” which won in the Best Documentary and Best Editing categories.
“Bye Bye Morons” went into Friday’s Cesar Awards, France’s version of the Oscars, with 12 nominations, second only to Frederic Niedermeyer’s “Love Affair(s)”. That film won a single award, for supporting actress Emilie Dequenne.
“Two of Us,” France’s entry in this year...
- 3/13/2021
- by Steve Pond
- The Wrap
The ceremony will take place on March 12.
Emmanuel Mouret’s love triangle drama Love Affair(s) leads the nominations in France’s César awards this year, followed by Albert Dupontel’s Bye Bye Morons and Summer Of 85.
France’s Academy of Cinema and Arts and Sciences unveiled the nomination list for the 46th edition of the awards on its website on Wednesday morning, ahead of the ceremony scheduled to take place on March 12.
Scroll down for nominations list
Its traditional news conference in Fouquet’s restaurant in Paris was not possible this year as bars and restaurants are currently...
Emmanuel Mouret’s love triangle drama Love Affair(s) leads the nominations in France’s César awards this year, followed by Albert Dupontel’s Bye Bye Morons and Summer Of 85.
France’s Academy of Cinema and Arts and Sciences unveiled the nomination list for the 46th edition of the awards on its website on Wednesday morning, ahead of the ceremony scheduled to take place on March 12.
Scroll down for nominations list
Its traditional news conference in Fouquet’s restaurant in Paris was not possible this year as bars and restaurants are currently...
- 2/10/2021
- by Melanie Goodfellow
- ScreenDaily
Emmanuel Mouret’s “Love Affairs” won best film at the 26th Lumieres Awards, which are prizes given by France-based members of the foreign press. The film weaves together a series of romantic tales with an ensemble cast including Camelia Jordana and Niels Schneider.
This year, the ceremony became a televised event. The show was broadcast on Canal Plus and hosted by French journalists Laurie Cholewa and Laurent Weil with the participation of several voting journalists. The Lumieres event traditionally kicks off France’s awards season.
Filippo Meneghetti’s romance “Two of Us,” which represents France in the international feature film race at the Oscars, won two prizes, including best first film, and best actress for the duo Martine Chevallier and Barbara Sukowa. The feature debut follows Nina and Madeleine, two pensioners who have hidden their deep and passionate love for many decades and see their bond put to the test...
This year, the ceremony became a televised event. The show was broadcast on Canal Plus and hosted by French journalists Laurie Cholewa and Laurent Weil with the participation of several voting journalists. The Lumieres event traditionally kicks off France’s awards season.
Filippo Meneghetti’s romance “Two of Us,” which represents France in the international feature film race at the Oscars, won two prizes, including best first film, and best actress for the duo Martine Chevallier and Barbara Sukowa. The feature debut follows Nina and Madeleine, two pensioners who have hidden their deep and passionate love for many decades and see their bond put to the test...
- 1/19/2021
- by Elsa Keslassy
- Variety Film + TV
Anne-Dominique Toussaint, a Belgian-born revered yet discreet film producer based in Paris, has uncovered and championed many promising filmmakers through her company Les Films des Tournelles. And the best is yet to come.
Since launching her company 32 years ago, Toussaint, who is known for her spot-on artistic taste and elegant demeanor, has nurtured long-term relationships with talent such as Nadine Labaki (“Caramel”), Riad Sattouf (“The French Kissers”), Louis Garrel (“Les deux amis”) and Philippe Le Guay (“The Cost of Living”). She produced their debuts and kept up with them, giving them the necessary freedom to deliver original movies that found an international audience.
Always on the lookout for stimulating challenges, Toussaint is now getting ready to produce the feature debut of one of France’s best-known actors, Emmanuelle Devos (“Read My Lips”).
Devos’ project “On the Road Again” is an ambitious 1913-set movie headlined by two female protagonists, which will be played by Anais Demoustier,...
Since launching her company 32 years ago, Toussaint, who is known for her spot-on artistic taste and elegant demeanor, has nurtured long-term relationships with talent such as Nadine Labaki (“Caramel”), Riad Sattouf (“The French Kissers”), Louis Garrel (“Les deux amis”) and Philippe Le Guay (“The Cost of Living”). She produced their debuts and kept up with them, giving them the necessary freedom to deliver original movies that found an international audience.
Always on the lookout for stimulating challenges, Toussaint is now getting ready to produce the feature debut of one of France’s best-known actors, Emmanuelle Devos (“Read My Lips”).
Devos’ project “On the Road Again” is an ambitious 1913-set movie headlined by two female protagonists, which will be played by Anais Demoustier,...
- 1/12/2021
- by Elsa Keslassy
- Variety Film + TV
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