Directed by
| Abner Benaim | ||
Writing Credits (in alphabetical order)
| Abner Benaim | ... | (writer) |
| Lino Georg von Saenger | ... | (written by) |
Cast (in credits order)
| Francisco Gattorno | ... | Fernando | |
 |
Isabella Santodomingo | ... | Gloria |
|
|
Aída Morales | ... | Paquita (as Aida Morales) |
|
|
Rosa Isabel Lorenzo | ... | Toña |
|
|
Maria Alejandra Palacios | ... | Marivi |
|
|
Maria Cristina Palacios | ... | Marite |
|
|
Juan David Valdez Lauri | ... | Daniel |
|
|
Yiniva Cardenas | ... | Secretaria |
| Juanxo Villaverde | ... | Marivi's boyfriend | |
| Rest of cast listed alphabetically: | |||
|
|
Masha Armuelles Voinova | ... | Farmacéutica |
| Diego De Obaldía | ... | Novio de Marite | |
| Roberto Durán | ... | Jugador de Domino | |
|
|
Luis Antonio Gotti | ... | Cirujano Plastico (as Lucho Gotti) |
|
|
Malcolm Ramos | ... | Locutor Loteria |
|
|
Rolando Sterling | ... | Asesor Fernando |
Produced by
| Abner Benaim | ... | producer |
| Matthias Ehrenberg | ... | executive producer / producer |
| Carlos Garcia de Paredes | ... | associate producer |
| Paula Jaramillo | ... | co-producer / executive producer |
Music by
| Yayo González | ... | (as Paté de Fuá) |
| Guillermo Perata | ... | (as Paté de Fuá) |
Cinematography by
| Mauricio Vidal | ||
Editing by
| Alberto de Toro | ||
Production Design by
| Maria Jose Pizarro | ||
Art Direction by
| Carlos Lagunas | ||
Set Decoration by
| Annel Chanona | ... | decorator |
Costume Design by
| Luz Helena Cardenas | ||
Makeup Department
| Alfredo Mora | ... | key makeup artist |
| Nayeli Mora | ... | makeup department head |
Production Management
| Claudia Cárdenas | ... | unit manager (film segments) |
| Luis Enrique Granados | ... | unit production manager |
| Sandra Paredes | ... | production director / production manager |
Second Unit Director or Assistant Director
| Victor Herrera McNaught | ... | first assistant director |
| Matias Slupski | ... | second assistant director |
Art Department
| Carlos Revelo | ... | graphic designer |
Sound Department
| Ricardo Arteaga | ... | re-recording mixer |
| Manuel Hernandez | ... | foley artist |
| Enrique Ojeda | ... | sound |
| Anaid Orozco | ... | ADR supervisor / dialogue editor / foley artist |
| Carlos Beto Urriola | ... | boom operator |
Visual Effects by
| David Agudelo | ... | digital compositor |
| Nico Coronado | ... | digital compositor (as Nicolás Coronado) |
| Georgina Pretto | ... | film recording |
Camera and Electrical Department
| Jon Corcuera | ... | digital imaging technician |
| Roberto Corrales | ... | electrician |
| Ilona de Koning | ... | DIT assistant |
| Javier De Leon | ... | electrician |
| Rafael de León | ... | assistant camera |
| Juan Carlos Morelo | ... | gaffer |
| Mauricio Ruiz | ... | key grip |
| Ivan Suzzarini | ... | assistant camera / first assistant camera |
| Alexander Vega | ... | electrician |
| John Alexander Vega | ... | electrician |
| Victor Villarreal | ... | Cámara car and rigging grip |
Costume and Wardrobe Department
| Myrna Navarro | ... | wardrobe assistant |
Editorial Department
| Carlos Revelo | ... | assistant editor |
Location Management
| Guillaume Dufour | ... | location manager |
Music Department
| Herminio Gutiérrez | ... | music supervisor |
Script and Continuity Department
| Edna Herrera | ... | script supervisor |
Additional Crew
| Jerome Dufour | ... | product placement |
| Luis Díaz | ... | production coordinator: mexico |
| Sofía Guzmán | ... | set production assistant |
| Bernardo Kenny | ... | production coordinator |
| Teodoro Mendoza | ... | making-of |
| Carlos Revelo | ... | making-of |
| Roberto Urbano | ... | production accountant |
| Luis Alberto Vergara | ... | production assistant |
Thanks
| Tom Davia | ... | special thanks |
| Sam Eigen | ... | special thanks |
| Brandon Paine | ... | special thanks |
