When the Night Has Come: Grandrieux Laments Lost Love
Seven years have passed since provocateur Philippe Grandrieux’s 2008 film Un Lac, and he remains somewhat of an acquired taste, though considering the subject matter, Malgré la nuit (Despite the Night) is surprisingly less galvanizing than his early features. The narrative, should we indeed call it thus, couldn’t be more simple, roughly concerning a British bloke returning to Paris to reconnect with his lost love. His reasons for leaving or returning aren’t apparently of importance once he disappears into a sort of Parisian ether, where passionate memories are pierced by a current state of abject degradation upon reconnecting with his troubled object of affection. The take away is more of a cerebral, extrasensory experience, existing as a diluted nightmare where pleasure and punishment are doled out in equal measure, which is hardly a surprise for those accustomed to Grandrieux’s filmography.
Seven years have passed since provocateur Philippe Grandrieux’s 2008 film Un Lac, and he remains somewhat of an acquired taste, though considering the subject matter, Malgré la nuit (Despite the Night) is surprisingly less galvanizing than his early features. The narrative, should we indeed call it thus, couldn’t be more simple, roughly concerning a British bloke returning to Paris to reconnect with his lost love. His reasons for leaving or returning aren’t apparently of importance once he disappears into a sort of Parisian ether, where passionate memories are pierced by a current state of abject degradation upon reconnecting with his troubled object of affection. The take away is more of a cerebral, extrasensory experience, existing as a diluted nightmare where pleasure and punishment are doled out in equal measure, which is hardly a surprise for those accustomed to Grandrieux’s filmography.
- 2/25/2016
- by Nicholas Bell
- IONCINEMA.com
Malgré la nuit
Director: Philippe Grandrieux // Writer: Philippe Grandrieux
French provocateur Philippe Grandrieux may not be an auteur to everyone’s liking, but since debuting with 1998’s visceral Somber, his cinema has always been a point of contention, and he’s since cultivated a growing cult following that includes names like Marilyn Manson. His most infamous work is the Anna Mougalalis headlined A New Life (2002), which is difficult to find copies of. Since then, titles like 2008’s Un Lac (which is available streaming via boutique site Vyer Films) and 2012’s White Epilepsy have waned in peripheral conversations following their limited festival play. But we are excited to see that Grandrieux wrapped a new project in November, Malgré la nuit (Despite the Night), which should receive a more renowned reception as it’s headlined by Ariane Labed, one of the prominent faces from the Greek Weird Wave (Attenberg; Alps), and one...
Director: Philippe Grandrieux // Writer: Philippe Grandrieux
French provocateur Philippe Grandrieux may not be an auteur to everyone’s liking, but since debuting with 1998’s visceral Somber, his cinema has always been a point of contention, and he’s since cultivated a growing cult following that includes names like Marilyn Manson. His most infamous work is the Anna Mougalalis headlined A New Life (2002), which is difficult to find copies of. Since then, titles like 2008’s Un Lac (which is available streaming via boutique site Vyer Films) and 2012’s White Epilepsy have waned in peripheral conversations following their limited festival play. But we are excited to see that Grandrieux wrapped a new project in November, Malgré la nuit (Despite the Night), which should receive a more renowned reception as it’s headlined by Ariane Labed, one of the prominent faces from the Greek Weird Wave (Attenberg; Alps), and one...
- 1/7/2015
- by Nicholas Bell
- IONCINEMA.com
White Epilepsy is the latest from the esteemed French visual artist Philippe Grandrieux (Sombre, La Vie Nouvelle, Un Lac).It starts with a back side of an androgynous nude figure in the dark accompanied by the sound of nocturnal insects. The movement of this body mass is slowed down and as it lurches forward and back, it reveals all the nooks and crannies: every vertebrae, every flutter of muscles becomes subtly visible in an eerie muddy visualization that has become the trademark of the French auteur's haptic cinema.While watching this 67 minute film, a sort of primal Adam and Eve story with no dialog, displayed in an inverted format (acting taking place only in a vertical rectangle in the center of the screen- like an iphone...
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- 2/24/2013
- Screen Anarchy
The Sitges International Fantastic Film Festival of Catalonia announces its complete program. There are still a few surprises to be confirmed, like the closing gala, but they have already put together the final list of films that will be screened at Sitges 09. Below you’ll find the titles of each film and their sections as well as links for the films that we have already reviewed here on Sound On Sight. Opening Film [Rec]2. Paco Plaza and Jaume Balagueró. 2009. Official FANTÀSTIC In Competition Section Accident. Soi Cheang. 2009. Accidents Happen. Andrew Lancaster. 2009. The Children. Tom Shankland. 2008. [1] Cold Souls. Sophie Bartes. 2009. The Countess. Julie Delpy. 2009. Les Derniers Jours Du Monde. Jean-Marie and Arnaud Larrieu. 2009. Dogtooth (Kynodontas). Yorgos Lanthimos. 2009. Dorian Gray. Oliver Parker. 2009. Enter The Void. Gaspar Noé. 2009. Grace. Paul Solet. 2009. [2] Heartless. Philip Ridley. 2009. Hierro. Gabe Ibáñez. 2009. La Horde. Yannick Dahan and Benjamin Rocher. 2009. Ingrid. Eduard Cortés. 2009. Kinatay. Brillante Mendoza. 2009. Metropia. Tarik Saleh. 2009. Moon.
- 9/19/2009
- by Ricky
- SoundOnSight
The full lineup has been announced, and among the load of genre fare that's been running the fest circuit are the world premiers of:
Vincenzo Natali's latest, Splice, which we're all excited about.
Simon Fellows twisted adaptation Malice in Wonderland (trailer)
Along some of our personal favorites:
Black Dynamite (friggin awesome)
Swiss scifi flick Cargo (trailer)
Pater Sparrow's incredible Stanislaw Lem adaptation 1 (review)
The Mo Brothers Indonesian slasher Macabre (review)
Atm (get it?) horror-comedy The Human Centipede (review)
Full list after the break.
Opening Film
[Rec]2. Paco Plaza and Jaume Balagueró. 2009.
Official FANTÀSTIC In Competition Section
Accident. Soi Cheang. 2009.
Accidents Happen. Andrew Lancaster. 2009.
The Children. Tom Shankland. 2008.
Cold Souls. Sophie Bartes. 2009.
The Countess. Julie Delpy. 2009.
Les Derniers Jours Du Monde. Jean-Marie and Arnaud Larrieu. 2009.
Dogtooth (Kynodontas). Yorgos Lanthimos. 2009.
Dorian Gray. Oliver Parker. 2009.
Enter The Void. Gaspar Noé. 2009.
Grace. Paul Solet. 2009.
Heartless. Philip Ridley. 2009.
Hierro. Gabe Ibáñez. 2009.
La Horde. Yannick Dahan and Benjamin Rocher.
Vincenzo Natali's latest, Splice, which we're all excited about.
Simon Fellows twisted adaptation Malice in Wonderland (trailer)
Along some of our personal favorites:
Black Dynamite (friggin awesome)
Swiss scifi flick Cargo (trailer)
Pater Sparrow's incredible Stanislaw Lem adaptation 1 (review)
The Mo Brothers Indonesian slasher Macabre (review)
Atm (get it?) horror-comedy The Human Centipede (review)
Full list after the break.
Opening Film
[Rec]2. Paco Plaza and Jaume Balagueró. 2009.
Official FANTÀSTIC In Competition Section
Accident. Soi Cheang. 2009.
Accidents Happen. Andrew Lancaster. 2009.
The Children. Tom Shankland. 2008.
Cold Souls. Sophie Bartes. 2009.
The Countess. Julie Delpy. 2009.
Les Derniers Jours Du Monde. Jean-Marie and Arnaud Larrieu. 2009.
Dogtooth (Kynodontas). Yorgos Lanthimos. 2009.
Dorian Gray. Oliver Parker. 2009.
Enter The Void. Gaspar Noé. 2009.
Grace. Paul Solet. 2009.
Heartless. Philip Ridley. 2009.
Hierro. Gabe Ibáñez. 2009.
La Horde. Yannick Dahan and Benjamin Rocher.
- 9/12/2009
- QuietEarth.us
Last year I commented how funny it was that loyal forumer and sometimes contributor Peter Cornelissen had seen many movies, yet our lists hardly overlapped.
Well, guess what: this year I saw more movies, Peter Cornelissen saw more movies, but still at the end we only had two films in common. And we went to different screenings so we never even met!
Needless to say I was very interested in his yearly wrap-up, and here it is.
Over to you, Peter!
Recap of the 38th International Film Festival Rotterdam
– by Peter Cornelissen
The Iffr is one of the biggest of the European film festivals, so, where to start? Always a small problem. With a still new director (it was the second year for Rutger Wolfson) and now a new logo too, some attempts are made at creating a bit of transparency. But with hundreds of films in the programme there...
Well, guess what: this year I saw more movies, Peter Cornelissen saw more movies, but still at the end we only had two films in common. And we went to different screenings so we never even met!
Needless to say I was very interested in his yearly wrap-up, and here it is.
Over to you, Peter!
Recap of the 38th International Film Festival Rotterdam
– by Peter Cornelissen
The Iffr is one of the biggest of the European film festivals, so, where to start? Always a small problem. With a still new director (it was the second year for Rutger Wolfson) and now a new logo too, some attempts are made at creating a bit of transparency. But with hundreds of films in the programme there...
- 2/9/2009
- by Ard Vijn
- Screen Anarchy
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