The editors behind Nitram, I Met A Girl, The Furnace and June Again will compete for this year’s Ellie Award for Best Editing in Feature Drama, while the television drama category will be a contest between those who cut Wakefield, The Tailings, Jack Irish, Eden and Bump.
The annual awards of the Australian Screen Editors (Ase) will be held in early February with the hope that travel restrictions between states will have eased.
“It’s been a tough two years and we think we all deserve to be together in person to celebrate these fine achievements in editing, and the results of everybody’s hard work during such difficult times,” Ase president Danielle Boesenberg tells If.
In addition to the feature film prize, I Met A Girl editor Melanie Annan will also be in contention for Best Editing in Documentary and Series for Three Songs for Benazir, shared with Christoph Wermke.
The annual awards of the Australian Screen Editors (Ase) will be held in early February with the hope that travel restrictions between states will have eased.
“It’s been a tough two years and we think we all deserve to be together in person to celebrate these fine achievements in editing, and the results of everybody’s hard work during such difficult times,” Ase president Danielle Boesenberg tells If.
In addition to the feature film prize, I Met A Girl editor Melanie Annan will also be in contention for Best Editing in Documentary and Series for Three Songs for Benazir, shared with Christoph Wermke.
- 11/1/2021
- by Staff Writer
- IF.com.au
Shaun Grant and Harry Cripps are among the writers aiming to win consecutive prizes at this year’s Awgie Awards.
Grant, who won the adaptation prize with Cripps for Penguin Bloom in 2020 and for the True History of the Kelly Gang in 2019, is nominated this year for his work on Nitram, against the Here Out West writing team of Nisrine Amine, Bina Bhattacharya, Matias Bolla, Claire Cao, Arka Das, Dee Duygu Dogan, Vonne Patiag and Tien Tran; Falling for Figaro‘s Ben Lewin and Allen Palmer; and The Furnace‘s Roderick MacKay in the original feature film category.
Cripps and Robert Connolly have been recognised for The Dry, which is one of two nominees for the feature film adaptation award alongside Babyteeth, written for the screen by the original playwright Rita Kalnejais.
In the television categories, Tony McNamara’s The Great is pitted against Wakefield, Five Bedrooms and Wentworth for...
Grant, who won the adaptation prize with Cripps for Penguin Bloom in 2020 and for the True History of the Kelly Gang in 2019, is nominated this year for his work on Nitram, against the Here Out West writing team of Nisrine Amine, Bina Bhattacharya, Matias Bolla, Claire Cao, Arka Das, Dee Duygu Dogan, Vonne Patiag and Tien Tran; Falling for Figaro‘s Ben Lewin and Allen Palmer; and The Furnace‘s Roderick MacKay in the original feature film category.
Cripps and Robert Connolly have been recognised for The Dry, which is one of two nominees for the feature film adaptation award alongside Babyteeth, written for the screen by the original playwright Rita Kalnejais.
In the television categories, Tony McNamara’s The Great is pitted against Wakefield, Five Bedrooms and Wentworth for...
- 10/26/2021
- by Sean Slatter
- IF.com.au
After working as a writer for nearly two decades across projects like Please Like Me, Ready For This, Dance Academy, Molly and The Secret Life of Us, Liz Doran had been curious about producing.
Yet she regards her first producing credit, Sbs short-form drama The Tailings, as almost accidental.
Set in Tasmania, the 6 x 10 minute series, which premiered on Sbs On Demand this weekend, follows a troubled teen, Jas (Tegan Stimson), who launches an investigation into her dad’s death. Her accusations put her into conflict with her new teacher Ruby (Mabel Li), who is trying to make an impression during her first posting.
The script is penned by first-time writer Caitlin Richardson, from Tasmania, to whom Doran was script editor and mentor from the project’s early stages.
During that early development, Doran and then Sbs head of scripted drama Sue Masters struck up a conversation about who should produce the project.
Yet she regards her first producing credit, Sbs short-form drama The Tailings, as almost accidental.
Set in Tasmania, the 6 x 10 minute series, which premiered on Sbs On Demand this weekend, follows a troubled teen, Jas (Tegan Stimson), who launches an investigation into her dad’s death. Her accusations put her into conflict with her new teacher Ruby (Mabel Li), who is trying to make an impression during her first posting.
The script is penned by first-time writer Caitlin Richardson, from Tasmania, to whom Doran was script editor and mentor from the project’s early stages.
During that early development, Doran and then Sbs head of scripted drama Sue Masters struck up a conversation about who should produce the project.
- 4/4/2021
- by Jackie Keast
- IF.com.au
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